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Plate 12 by Alexander Cozens, c.1785 should be seen next to Large Totem Head by Henry Moore OM, CH, 1968, cast date unknown

#Alexander Cozens #Plate 12 #c.1785 #Art

Kero by Olle Baertling, 1957 should be seen next to Woman with a Coffee Pot by Jean Metzinger, 1919

#Olle Baertling #Kero #1957 #Art

[no title] by Martin Disler, 1981 is clearly influenced by [no title] by Georg Baselitz, 1995

#Martin Disler #[no title]#1981 #Art

Objects in Light and Shadow by Jack Smith, 1959 looks fantastic presented with [no title] by Anish Kapoor, 2000

#Jack Smith #Objects in Light and Shadow #1959 #Art

Seated Mother and Child by Henry Moore OM, CH, 1976 is the perfect counterpoint to Reaper (d) by Richard Hamilton, 1949

#Henry Moore OM #CH #Seated Mother and Child #1976 #Art

Red White by Ellsworth Kelly, 1966 is the perfect counterpoint to Windows Open Simultaneously (First Part, Third Motif) by Robert Delaunay, 1912

#Ellsworth Kelly #Red White #1966 #Art

Untitled by Harold Cohen, 1971 makes sense displayed with Reeded Glass I by Ian Tyson, 1975

#Harold Cohen #Untitled #1971 #Art

Close-Up I by Harold Cohen, 1966 has a magical connection to Weeping Woman by Pablo Picasso, 1937

#Harold Cohen #Close-Up I #1966 #Art

Untitled by Christopher Wool, 1997 should be followed by [no title] by William Tucker, 1969

#Christopher Wool #Untitled #1997 #Art

Large House with Two Gables by Peter Kinley, 1980 is a perfect companion to [no title] by Donald Judd, 1988

#Peter Kinley #Large House with Two Gables #1980 #Art

Canto XXVII: [no title] by Tom Phillips, 1983 has a connection with Alone on a Hill by George Condo, 2005

#Tom Phillips #Canto XXVII: [no title]#1983 #Art

Insertions into Ideological Circuits 2: Banknote Project by Cildo Meireles, 1970 should be shown next to Design for a Construction in a Niche by Naum Gabo, 1918

#Cildo Meireles #Insertions into Ideological Circuits 2: Banknote Project #1970 #Art

Hidden Agender/Passing The Bucks by Guerrilla Girls, 1986 is clearly influenced by Derrynan III by Harold Cohen, 1967

#Guerrilla Girls #Hidden Agender/Passing The Bucks #1986 #Art

Femme du Midi VI by Ivor Abrahams, 1979 looks fantastic presented with Birth by Jackson Pollock, c.1941

#Ivor Abrahams #Femme du Midi VI #1979 #Art

9 by Brice Marden, 1986 is a perfect companion to Scissors by Louise Bourgeois, 1994

#Brice Marden #9 #1986 #Art

Triptych - August 1972 by Francis Bacon, 1972 makes sense displayed with Head (proofs) by William Turnbull, 1956

#Francis Bacon #Triptych - August 1972 #1972 #Art

[no title] by Stephen Buckley, 1977 has a connection with Reaper (j) by Richard Hamilton, 1949

#Stephen Buckley #[no title]#1977 #Art

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