Raw Photography

“A photograph draws its beauty from the truth with which it is marked" – Andre Kertesz

[ehoradote]

Georgia O'Keeffe,Nude Series II, 1917. Watercolor on paper, 12 x 8 7/8 inches.  Georgia O'Keeffe Museum

[ehoradote]

Georgia O'Keeffe. Untitled (Abstraction Red Wave), 1970s. 

Watercolor on paper, 22 3/8 x 30 ¼ inches. Georgia O'Keeffe Museum. Gift of The Georgia O'Keeffe Foundation. © Georgia O'Keeffe Museum.

[the-french-disconnection]

Juliette Binoche on the set of Les Amants du Pont-Neuf.

[ehoradote]

La collectionneuse (1967), dir. Éric Rohmer

[raw-photos]

Lovely

[snapshotfromearth]

Charahi Qambar Refugee Camp.

AFGHANISTAN. Kabul. 2012.

Copyright ©caferakpulat All Rights Reserved.

[vogue]

Photographers Peter Farago and Ingela Klemetz-Farago gave Chanel the Eastern Bloc treatment.

Read more here.

[secretcinema1]

Grand Trunk Road, Durgapur, West Bengal, 1988, Raghubir Singh

[fotojournalismus]

Pictures of the UNESCO World Heritage site of ancient Palmyra taken following the recapture of the city by Syrian troops backed by Russian forces on March 27, 2016 show the damage made by ISIS during its 10-month occupation. In 2015 the archaeologist, Khaled al-Asaad, who had looked after the ruins for 40 years and refused to reveal the location of archaeological treasures of the city was also murdered by ISIS.

Photos taken on March 31, 2016 by Joseph Eid/AFP/Getty Images

[samithacagliero]

- Sintesi - 

more: 

http://www.samithacaglierophotography.com/

[secretcinema1]

Glasgow, 1980, Raymond Depardon

[houkgallery-deactivated20180511]

Nick Brandt (English, b. 1964):

Lioness Holding Cub in Mouth, Amboseli, 2012

Archival pigment print, 40 x 50 inches. From an edition of 15. 

[adamajallohphoto]

Southampton way, 2016

[fotojournalismus]

A man recycles bombshells into flowerpots, Kayan, Afghanistan, 1993.

Photo by Steve McCurry

[secretcinema1]

Ho Chi Minh City, 2016, Damon Jah

[secretcinema1]

Beton Needs Flowers, 2016, elisachris

[adamajallohphoto]

Sundays, 2016

[pixelside]

- Paris 2016 © Christian François -