Franco "Bifo" Berardi on key concepts in his new book "After the Future". Directed by Gary Genosko and produced by the Infoscape Centre for the Study of Social Media, Ryerson University.
Mike Driver
i don't do bad sauce passes
Cosimo Galluzzi

titsay
No title available
"I'm Dorothy Gale from Kansas"
d e v o n
Alisa U Zemlji Chuda
Misplaced Lens Cap
cherry valley forever

Origami Around
DEAR READER
he wasn't even looking at me and he found me

PR's Tumblrdome
I'd rather be in outer space 🛸
YOU ARE THE REASON

shark vs the universe

if i look back, i am lost
NASA
Claire Keane
seen from United States

seen from United States
seen from United Kingdom
seen from United States
seen from United States

seen from Singapore
seen from Finland
seen from Netherlands

seen from Lithuania

seen from United States

seen from Türkiye

seen from Brazil

seen from United States

seen from Malaysia

seen from United States

seen from Germany
seen from United States

seen from Malaysia

seen from United States
seen from Malaysia
@re-space-mediumthoughts
Franco "Bifo" Berardi on key concepts in his new book "After the Future". Directed by Gary Genosko and produced by the Infoscape Centre for the Study of Social Media, Ryerson University.
Rainer Werner Fassbinder: Deutschland im Herbst 1978
Germany in Autumn, the impressive movie directed by Ald Brustellin, Rainer Werner Fassbinder, Alexander Kluge, Volker Schlönforff and others, tells of the widespread perception of the coming end of social solidarity. In that movie we perceive the sudden sadness, fog, and clouds descending over people´s lives. The prision in Stammheim, where in 1977 Red Army members Andreas Baader, Carl Hans Raspe and Gudrun Esslin died, becomes a kind of metaphor for the everyday jail that social life was becoming in those years, in the passage from the restless decade after ´68.
Carlotta Scioldo, infinite monument, Bruxelles, 2013
Kuhle Wampe - oder wem gehört die Welt?, 1932
Hans-Peter Feldmann, 9 Bilder, 1972
Luigi Ghirri - Paesaggio italiano; Project Prints, JRP Ringier, 2012