Sforni reading on the veranda- Oscar Ghiglia
1914

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@readersthroughtime
Sforni reading on the veranda- Oscar Ghiglia
1914
1890 Georges Croegaert - Reading
Almeida Júnior, Reading, 1892
let us vandalise each other with ourselves
before i saw you seeing snow for the first time i did not realise that when you wake alone
you try and blink the dreams out of your eyes. there is almost a violence in it. now you keep
to the wall at night, say he is dependable, is a way to dredge yourself out of hummingbirds
and hairties in the sink. sometimes you see me and blink. and then you must forgive yourself.
or pray above the toaster. i like to look at you when the sun is belly-up and slow-fingered
and i am always rambling and you are always making toast. but to touch is to give ourselves
as limbs packed in a pretty box and say here is the proof not all our ghosts can set right
when we insist on choking as a pastime and even now you shake so pleasantly. turn
in bed, accept the small handful of open i can offer. it is not as pure as the birds
but it’s a start. one day i will see snow and think of eyelids and that will be you.
our lovely gasping language. or i will see red and think of blue, and that will be you, too.
here we make links where there are none simply because wouldn’t it be gorgeous? and most
are of each other, gifting each our lighthouse and aching in public, indecently, and bringing
the moon with his tender wrists to the dinner table and showing him snow, and everything
was gorgeous because we were, you may say of this when we are old and stuff of myth;
and everything was gorgeous because we were, and gorgeous rose the sun, and gorgeous fell.
Reading Girl with hat - Walter Heiming
German 1885-1955
Oil op panel 30,1 x 30,2 cm.,
Hello folks! I thought I’d do a giveaway because back to school season here! Going back to school sucks but new supplies make it a little more bearable. I’m pretty close to 1k (it’s only been 2 months, so thank you!) so I decided to merge these to events together for a giveaway!
Rules:
must be following my studyblr (i will be checking)
if you are following from a different blog, put you main blog in the tags!
check out my main blog! [a follow is appreciated but not necessary]
reblog this post as many times as you want
likes are only to bookmark! they do not count as an entry
no giveaway blogs please
this giveaway ends 15th September 12 PM PST
your ask must be open so I can contact you!
if you do not respond within 24 hrs, a new winner will be chosen
this giveaway is international
You will win:
3 college ruled composition notebooks
a London-themed journal (great for bullet journals!)
a small A6 notebook with a cute dog on the front!!
a 2 pack of sharpie highlighters
a pack of rainbow papermate inkjoy ballpoint pens
a pack of mini gel pens
a pencil case filled with goodies
2 packs of cute notecards (8 in each pack, envelopes included)
2 rainbow colored ruled index cards
6 post-its in various colors (see picture above)
cute post-it tabs with french cats on them
a 3 pack of word cards (80 sheets in each, 5mm grid)
Other information:
Again, this giveaway is international
it will end on 15th September, 12 PM PST
if you have any other questions/concerns/clarifications feel free to message me!
Good luck!
Portrait of Theophila Palmer (1771). Sir Joshua Reynolds, P.R.A.. (English, 1723-1792). Oil on canvas.
Reynolds has captured his niece, affectionately known as ‘Offy’ as she sits reading her novel, Clarissa Harlowe by Samuel Richardson. The position of her body suggests relaxation and no hint of being observed. Her gaze turns away from the viewer, as she reads one of the 18th century’s finest novels, which was written in 1747-48, in the form of letters from the eponymous heroine to her friend Miss Howe, and from her lover, Robert Lovelace to his friend John Belford.
DELAROCHE, Paul Portrait of Joseph-Carle-Paul-Horace Delaroche 1851 Oil on canvas, 63 x 41 cm Private collection
Perugini-Charles-Miss-Helen-Lindsay
two poems
i. sorbitol
First: establish the protagonist. Or so they say. Me, I like to start smaller. There’s so much beauty in a tilted head; the nervous lyric of a shoulder-blade; the weight of a gaze, candied eyelids, lips poised and soft as ash. Isn’t that more interesting? What about this: I wake up every morning as the dew rises up my throat and I think of sorbitol. It’s a common artificial sweetener with a laxative effect in large amounts. Every day we are inventing new ways to overdose. Every day the red berries grow sweeter and fatter to the touch; their tight silicon skins warm and beckoning. These are the things I am warning you about. These are the softness of suffocation. First: establish June as an antagonist. I have bought good-quality blinds and soon it will be as if the light never existed. I am sure of it.
ii. small wooden carving of a bird
The space we leave in absence has a habit of expanding. At first it is only a bottle of almond milk, or a slender dent in the sofa cushions from where she used to sleep, or a single red hair to garrotte the dust; before you know it your mouth is gagged with old air and all you can think is that ghosts are a luxury - ghosts can leave. No haunting measures up to this awful recurrence, the scent of a milk long since spoiled, the sewing needle protruding from the heel - all of her is the little wooden carving of a bird on the mantelpiece, or crystallised fruit sticking to the hands; all is a representation of itself, but better, brighter, Photoshopped, choking on its own sap. Now establish that nothing was beautiful in the first place, that birthmark with three dots or four, the coffee and a spoonful of aspartame, melon peeled and cut. There is no revelation in a throat. Now drop your gaze and let the blinds fall shut.
Among verbal events—which by their nature move horizontally, through time, along the lines of cause and effect—poetry tends to leap, to try to move more vertically: astonishment, rapture, vertigo—the seduction of the infinite and the abyss.
Jorie Graham (via poetsorg)
Horace Walpole’s Gothic library at Strawberry Hill, a castle constructed in the outer London village of Twickenham in 1748
via Architectural Digest
Summer Afternoon Ipolit Strambu
A Staircase in the Palace of Fontainebleau, 1888, Josef Theodor Hansen
Mary Cassatt (American, 1844 - 1926): Françoise in a Round-Backed Chair, Reading (via Christie’s)
Josep Duran
Almost every time I go to this cafe in the late afternoon, I see the couple sitting at the same window table. They are both attractive, middle aged, and well dressed. The one really noticeable thing about them is the woman’s auburn red hair. I’m always pleased to see them because they appear to be genuinely content with each other’s company. They are almost always reading magazines or newspapers and drinking something. They rarely speak to each other but there is a peace around them, a balance you can almost physically see in certain couples. When one has finished with their reading material they automatically hand it to their partner. The other takes it without a word and lays it down on the seat between them. The person without the magazine drinks their coffee or looks out the window until the other is finished reading. Then they talk for a brief time, sometimes laughing quietly, always paying full attention to what is being said. They are like an island of tranquility in the middle of all the human rush. Seeing them, watching them, invariably makes me feel a little better.
Jonathan Carroll (via browndresswithwhitedots)