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Xuebing Du
noise dept.
Cosmic Funnies

@theartofmadeline

shark vs the universe
trying on a metaphor

pixel skylines

ellievsbear
AnasAbdin

roma★
hello vonnie

izzy's playlists!

祝日 / Permanent Vacation
we're not kids anymore.
styofa doing anything
Cosimo Galluzzi
Keni
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No title available
will byers stan first human second
seen from Singapore
seen from United States

seen from United States

seen from Malaysia
seen from Tunisia

seen from Malaysia
seen from United States

seen from Malaysia
seen from United Kingdom
seen from Algeria
seen from Poland

seen from United States
seen from United States

seen from Malaysia

seen from Malaysia
seen from Canada
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seen from Nepal
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seen from Saudi Arabia
@readsaint
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VAN BREEVOORT USES THE BODY AS A VISUAL LANGUAGE
@margrietvanbreevoort builds creatures. Silicone, polyurethane foam, epoxy. Months of mould-making, then she adds the eyes. Her sculptures sit at the border between human and animal, familiar and wrong. You look and something in you responds before you've decided what it is.
All images courtesy of Margriet van Breevoort.
Look 12 & 24 from ‘A Scattered Dream’ by Kai Ghattaura
Concrete left as it is, just as it was poured. Steel left as it is, just as it was cut. Nothing covered in plaster, nothing embellished.
Brutalism applied this principle to buildings: it preserved the marks left by the formwork, treating the raw structure as a finished wall. Braun did the same with a record player in the late 1960s. A flat panel, a few knobs, nothing superfluous. We see this common thread in a stainless steel kitchen built as if it were meant to bear heavy loads, or in a speaker cabinet that seems to have been manufactured rather than styled.
I keep coming back to the fact that none of this was intended to be ‘cool’. It was simply about being true to the material. Perhaps that is the real reason why it hasn’t aged a bit: there was nothing trendy about it from the outset.
A Mind brimming with creativity captured within lenses,
SAINT x Simon "ONIMS", read the interview on our website
Link in bio
tom schneider’s work is heavy
Kenya Wildlife Service (KWS), burning 105 tons of Ivory confiscated from poachers. 2016
Giselle Vienne, Kindertotenlieder (2007)
Naoyuki Katō / 加藤 直之 https://twitter.com/naoyukikatoh http://homepage2.nifty.com/NaoKatoh/
1) Guardic Gaiden / ガーディック外伝, AKA The Guardian Legend (Famicom) Japanese cover art 2) Super Aleste / スーパーアレスタ (SFC) Japanese cover art 3) Gdleen : Digan no Maseki / ガデュリン - ディガンの魔石 (PC-88, PC-98, MSX2) art director, illustration 4) R-Type (MSX2) cover art 5) Culdcept / カルドセプト (Saturn, PS1) Main visual, flyer 6) Laser Squad - Uchuu Kaiheitai / レーザースカッド ~宇宙海兵隊~ (PC-98, via Takeru) Illustration 7-8) MSX Magazine (from October 1990? to October 1991) cover 9) Traveler / トラベラー (RPG) illustrations 10) illustration
Other game he worked on: Culdcept II / カルドセプトII (Dreamcast) card illustration Other works (non-exhaustive list): Ginga Hideo Densetsu / 銀河英雄伝説 (novel series) cover + poster SF Gaka Katō Naoyuki / SF画家加藤直之 (artbook) Sources: MSX Magazine: http://archive.org/details/msxmagazinejp?and%5B%5D=subject%3A%22Char%22&sort=titleSorter Ginga Hideo Densetsu: http://blog.livedoor.jp/gkky/archives/51703042.html
Sean Ellis: The Dark Knight Returns (The Face)
JVC RS-WP1 ‘Sound Rock-it’ Boombox Backpack (2001)
STYLE BLDG. SIGN (2003)
Art Works: Inoue Masato, Shimada Tamotsu
Issey Miyake
Issey Miyake by Irving Penn (1988)
Louis Vuitton // Resort 2023
Califórnia
Ghost in the Shell artwork