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Origami Around
The Bowery Presents

if i look back, i am lost
Cookie Run:Kingdom Official!
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Keni

tannertan36

shark vs the universe

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Sweet Seals For You, Always
TMBGareOK. The Official They Might Be Giants tumblr
Fieri Frames
Show & Tell
The Bright Sessions

#extradirty
The Stonewall Inn
Mike Driver
One Nice Bug Per Day

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@redboneslim-blog
Hicham Benohoud from his series "The Classroom" 1994 and 2002
The Painted Garden of the Villa of Livia.
Colourful paint pigments preserved in their original pots.
Antiquarium of Pompeii
Michael Dweck, Mermaid 2, 2006 https://www.instagram.com/p/DQUp7mXAsmh/
“I’m very attached to this film,not only because of my own personal experience making it, but also because I met Kieslowski and all the other people on the shoot, and also because of certain viewers’ reactions. They’d tell me “This film meant a lot to me I’ve seen it two or three times”. I realised this film took some viewers on a very personal journey, just like it took me.”
Irène Jacob on La double vie de Véronique (1990) dir. Krzysztof Kieślowski
James Henkel
Catherine Deneuve in Belle de Jour, 1967
Christopher Wilson dancer with Alvin Ailey II photographed by Melika Dez
Photo by Félix Thiollier, ca. 1899.
Rita Hayworth poses as Whistler’s Mother for Look Magazine feature Stars in roles they’d like to play. The photography was taken by Earl Theisen in 1945.
When Rita Hayworth, the Hollywood actress, was asked by Look magazine how she would cast herself, she chose Whistler’s Mother. Consequently, the article features a picture of Hayworth assuming the same pose but with her legs in full view, with the picture on the wall displaying her lying on a bed clothed in a two-piece bathing suit. The article explains that « Rita Hayworth, a mother herself, longs to portrait Whistler’s Mother with emphasis on the whistle ». The whistlers, of course, are men, who are likely to be less interested in the fact that she is a mother than that she is an attractive woman, The allusion to the male habit of whistling at an alluring woman (a far cry from the woman in the original portrait) brings us back, full-cicle, to the humorous connotations of the painter’s name. At Home in the World: A Study in Psychoanalysis, Religion, and Art - Donald Capps
Russia, Norilsk by Christophe Jacrot
Large Framed Papercuts by Peter Callesen