* 𝓇𝑒𝒶𝓈𝑜𝓃 / 𝐭𝐨 𝐜𝐡𝐚𝐧𝐠𝐞

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[reescs]

thorwaldhq‌:

Claire glanced at the other standing beside her as she beheld the sight of the grocery store candy completely bathed in pink and red with little hearts everywhere. It was quite a sight  to be hold, and Claire could only bring herself to love one thing more than chocolate. “I don’t know about you, but I definitely have the hottest Valentine’s Day Date,” she marched over and picked up a large, dark bag with pictures of heart-shaped dark chocolates on the front, “This bag right here.” Then she glanced over her shoulder and grinned, “and those over there too…”

      “ I, PERSONALLY, COULDN’T EVER make that claim in good conscience. you win. ” it’s less of a jab and more of an attempt at placation, although she’s sure claire’s rose-colored frames were impenetrable at this point either way. “ you sure about that ? ‘cause the latest cosmo said chocolates were totally out of style for v-day this year. described it as too corny, obnoxious even. i mean, i relate, but, ” she leans over her cart in a feigned attempt to keep coy, loud whisper and all, “ i can help you out if you’d like, friend. ”

[violentwavesofemotion-deactivat]

“She was flame-like and fierily sad. I think she did not know she was sad.”

— D. H. Lawrence, from Selected Poems and Writings; “The Lemon Gardens,”

[thenationalyrics]

The Art of Conversation (1963), René Magritte / Conversation 16 (2010), The National

[reescs]

jus a heads up that i’ll be on a mini trip thru wednesday & i’m sry i’ve been shit at getting back to i/ms and replies but hopefully i’ll be better after ( altho i’ll try to do messages in the meantime ) :-)

[violentwavesofemotion-deactivat]

She knows what she wants: an event, by which she means a slip of the knife, a dropped wineglass or bomb, something broken. A sharp thing that will wake her up.

Margaret Atwood, from Good Bones & Simple Murders (via violentwavesofemotion)

[reescs]

@dyingnwshes

      SHE LINGERS TOO LONG in front of the fridge. it was a short inventory -- takeout containers ( god knows how many days old ), cans of beer, and a few water bottles laying about. a dismal array, but she was never one for entertaining, expected or not. she grabs the waters, deciding not to push a 10 AM drink to make up for misplaced guilt. “ i was trying to figure out how i could feed you, but nada. ” a corner of her lips lift in apology, attestation in the form of the bottle she holds out. she settles beside jane, legs tucked underneath. “ we could do takeout. there’s a pretty okay place down the street. ”  it all felt a little too blasé on the blonde’s tongue, yet between the fire and everything else, condolences felt manufactured. truthfully, the war elicited nothing but casual indifference -- other than lately for reasons that were nothing less than self-serving. there’s a marginal shift in reese’s gaze, and she takes jane fully in, a quick appraisement of all the damage done. “ you’re still a solid ten despite it all, sweet jane, ” she coos in a flawed attempt at comfort. “ what’s the deal now anyway...with, like, everything ? ”

[midsommars-deactivated20201109]

Never Goin’ Back (2018) Directed by Augustine Frizzell

[bornsicks]

@reescs

[reescs]

21. …in a rush of adrenaline.

fifty reasons to touch someone. 21. …in a rush of adrenaline.

      REESE IS APT TO BITE OFF MORE THAN SHE CAN CHEW, cameron’s the same way. it’s why they’re bounding down the street together, chased by security after their latest venture turned into a well-intended disaster. their target this time ? a very classy wedding, and although both bride and groom were less than pleased by their impromptu speeches and their attempt to swipe a few of their trinkets, the consequences were well worth it. at least temporarily – a sudden grasp of her arm is enough to call foul, before a familiar green eases her worries. the alley they found themselves is enough to throw the chase off, and they do. then they’re laughing again, catching their breaths in the midst, no lapse in their steady high.

[reescs]

🤝 + 51 ! :p Jane x Reese

fifty reasons to touch someone. 30. …as comfort.

      EVEN NOW, reese finds herself everywhere but home. it’s out of habit, she figures, and fails to delve into any reason deeper than that. there’s no need to focus on the unnecessary, and at least tonight, she has a good enough reason. jane’s rested beside her, and they’re not talking, but they usually don’t when they’re licking their wounds. jane also doesn’t expect reese to talk, which is an unusual sentiment for the blonde who loved filling space with as much bullshit as she could muster. of course, it’s different because reese didn’t need to try with her. they’re still silent, but this time, jane’s hand on hers is enough to quell at least some of her discomposure.

[reescs]

🤝 + 16

fifty reasons to touch someone. 16. …to distract.

      RAVENOUS PANGS force her from an indolent state, the trudge to the kitchen painstakingly long. a throughly disruptive search is met with only meagre results and mental curses. it’s only when she’s finally given up that a flash of silver packaging tucked away on some missed shelf offers respite. she doesn’t realize he’s there, until he is, close enough to pull her away from a fumbling attempt to unwrap her newfound prize. instead her focus is shifted, embarrassingly so, to the hand gripping her waist ( an amateur’s mistake she’ll later blame on a compromised state ). she fails to notice his true intent until both griffith and the poptart are gone in one fatal swoop. of course, devastation doesn’t last long before she’s stomping after him, a colorful array of threats in tow.

[reescs]

🤝 44 yolo!

fifty reasons to touch someone. 44. …out of lust.

      THEY’RE FALLING ALL OVER EACH OTHER and all over the place, any semblance of poise lost – not that they had any to begin with. haphazard and euphoric, hands grasp walls and strangers whose contempt is met with laughter. this was their bliss – nondescript pills and alcohol, meaningless nights with toys to match. reese always fell a little deeper with iris by her side. she’s certain the feeling’s mutual, a remnant of a shared, not-so-promising youth. it’s all so completely unsustainable, but fun, and right now their venture for steady ground trumps any rhyme or reason. it’s found momentarily as the blonde rests against some kitchen island, hand reaching toward the brunette, a declaration of their newfound oasis at her tongue. then she’s there, iris burning in all her glory, and she only needs to give reese the slightest tilt of her chin, before they’re fumbling all over each other, laughter between lips.

[reescs]

💲

💲would my muse ever date/marry/sleep with someone because they were rich?

      ABSOLUTELY in short. it comes from a mixture of both curiosity and superficiality ( sometimes the only thing you can trust is someone’s financial worth ! ). sex, definitely, because it’s not like reese’s reasoning is ever sound in the first place, and there might be an extra prize in store whether it’s through dishonest means or not. dating based on wealth alone is still a hard no for the most part. marriage is only considered without a prenup, obviously.

[reescs]

have you ever been in love?

answer yes or no.

      “ no.”

[reescs]

Do you consider yourself loyal?

answer yes or no.

      “ yes and no. ”

[teddywestside]

[dyingnwshes]

@reescs

[suicide-pet]

Send me asks n stuff and ill only be able to answer with "yes" or "no"

[sagamemes]

fifty reasons to touch someone.   a variation of this. send me a 🤝 + a number ( add ‘flip’ to reverse it )  for your muse to touch mine…

…to say ‘good morning’.

…to say ‘goodnight’.

…to say ‘goodbye’.

…where it hurts.

…where it doesn’t hurt.

…on a falling tear.

…in secrecy.

…in public.

…desperately.

…in joy.

…in grief.

…discreetly.

…casually.

…passionately.

…lazily.

…to distract.

…as encouragement.

…for luck.

…on a scar.

…on a place of insecurity.

…in a rush of adrenaline.

…in relief.

…in danger.

…as a ‘yes’.

…as a ‘no’.

…as an apology.

…as a suggestion.

…as a lie.

…as a promise.

…as comfort.

…after a small rejection.

…to wake yours up.

…forcefully.

…to pretend.

…to gain something.

…to give up control.

…without a motive.

…because you are running out of time.

…because i am running out of time.

…because the world is ending.

…because the world is saved.

…out of pride.

…out of greed.

…out of lust.

…out of anger.

…out of envy or jealousy.

…out of spite.

…out of habit.

…out of necessity.

…out of love.

[ dealer’s choice / randomise ]