For anyone who’s seen Hal &Harper - ( if you search it’s free on Daily motion right now). Is a lot of the show overlaid with music ? Or is that just the version I’m watching - it feels weird that a lot of the scenes are just music playing.
Monterey Bay Aquarium
styofa doing anything
Not today Justin
Keni
Game of Thrones Daily

@theartofmadeline
AnasAbdin

No title available
$LAYYYTER
One Nice Bug Per Day

if i look back, i am lost
d e v o n
sheepfilms
noise dept.

PR's Tumblrdome
Jules of Nature

#extradirty

Janaina Medeiros
occasionally subtle
Mike Driver
seen from Brazil
seen from Australia

seen from United States
seen from South Africa

seen from United States

seen from Brazil

seen from United States
seen from India

seen from United Kingdom
seen from United States
seen from Australia
seen from United States
seen from United States

seen from United States

seen from India
seen from T1

seen from Germany

seen from United States
seen from Australia

seen from United States
@ren0ir
For anyone who’s seen Hal &Harper - ( if you search it’s free on Daily motion right now). Is a lot of the show overlaid with music ? Or is that just the version I’m watching - it feels weird that a lot of the scenes are just music playing.
Meiko Kaji (梶 芽衣子)
Edvard Munch The Kiss, Woodcut
Simone de Beauvoir ― The Woman Destroyed
I Love You
Phoebe Wahl 2013
Mulan Bae by Oh Seong Seok
Barbara Bouchet in The Black Belly of the Tarantula (1971)
HERKYNA, (or Hercyna) was the Naiad Nymph of the stream Herkyna near Lebadeia in Boiotia (central Greece). She was a childhood companion of Persephone, and a goddess of the chthonian shrine of Trophonios.
Pigeon fancier Yonisbel Santana poses for a photo on his rooftop in Havana, Cuba, on May 18, 2021. Alexandre Meneghini.
Letter from cartoonist Alfred Joseph Frueh to his wife Giuliette Fanciulli, sent on Jan. 10th, 1913. The letter opens up to form a model of a gallery hung with paintings. Frueh made this model to inform his wife about the details of a specific art gallery before her visit.
Illustrations for New York Times about regret and how to stop it. Thanks to art director Agnes Lee!