Conclusion
Given this information and the idea that certain dancers and groups may not get as much circulation because they do not have the means or resources to make their videos as appealing or click worthy gives rise to another important issue. What can we do to combat this issue and the problem with regards to credibility and ownership of the original dance created by the inequity in circulation? When I was comparing viewership, I compared it on the YouTube platform. By comparing the videos using the same platform it reduces the chance that the videos had a circulation difference due to differences in the platform used. Therefore a conclusion can be made that the difference in viewership was in fact due to a difference in choreographed vs not choreographed dance videos and the context and background of the videos which dictates whether the dance is going to be “professional.” One solution to combat this problem is therefore to have programs in place that allow dancers that don’t have a large dance studio, or fancy video recording capabilities to have access to such things which would allow them to create videos that would get a lot of views allowing them to express their individuality and partake in the dance art form at a level comparable to those with the same resources. The ideas brought forth all bring up the question of what exactly is “good dance,” and what can be called art. For instance, does unprofessional dance, mean it is not good? The formal definition of dance is “move rhythmically to music, typically following a set sequence of steps.” Art and dance have always been created as a way for people to express themselves in their own unique way. Good dance is therefore different in everybody’s eyes and is based on everybody’s unique experiences and capabilities. With that in mind, “unprofessional” dance is not bad dance. It is just dance created based on one’s individuality and should not be required to have bright lights and loud music to be considered good. There are no standards in which the art of dance should be performed because everyone creates their own standards to express what they want to express which is the true intended purpose of dance itself. With this in mind, next time you go and watch a dance video on YouTube, or any other platform, keep in mind that just because the video isn’t as flashy or doesn’t look as professional it does not necessarily mean the video is lacking dancing quality. I have witnessed the phenomenon of the dances looking more “professional” receiving more attention on multiple occasions. For example, I watch the talent show called Americas Got Talent. On the show there are numerous dance groups that partake in the competitions. Most of the dancers are incredibly talented and their dances are amazing and entertaining to watch. The YouTube videos of the groups or dancers competing on the competition get a tremendous amount of views. If you do not believe me just search Got Talent competitions dance groups and see how many views the videos got, and that is just on YouTube. If the same dancers and dance groups recorded a video with the same dance routine, but without all the fancy lights, famous judges, large stage, and props and clothes that the show provided them, they would have not gotten nearly as many views. For instance, most of their backstories which are shown before they go on to perform have videos of them practicing their dance routines in their home and they mention how they were never famous or well known. This further supports the fact that viewership of dance videos is due to context pieces and the scene of the dance rather than the dance itself, since when dancers were given a large stage through the show, and all the other aspects that attracts views that I previously mentioned the views of the dance groups and dancers on the YouTube platform skyrocketed. In conclusion, dance video circulation is due to contextual and background cues that manipulate our emotions and senses into leading us to make false assumptions with regards to the dances. How we can create a platform where all dances can be viewed and circulated in a manner that reflects the dancing itself rather than the contextual pieces is a complicated and never ending issue, but understanding the implications it can have and the affects that lead to a divide in circulation can be informative in terms of understanding the impact your views have on the dancers and the ownership of the dances within the videos themselves!











