Josef KlĂmaâs photograph of a man walking in woodland (via here)
Mike Driver
Lint Roller? I Barely Know Her
AnasAbdin
he wasn't even looking at me and he found me
d e v o n

Discoholic đȘ©
Show & Tell

JVL
Keni
I'd rather be in outer space đž
TVSTRANGERTHINGS

â

Janaina Medeiros
Xuebing Du
i don't do bad sauce passes
ojovivo
No title available

blake kathryn
No title available
we're not kids anymore.

seen from Malaysia
seen from Slovenia
seen from France
seen from United States
seen from Kuwait
seen from Belgium
seen from United States

seen from United States
seen from France
seen from Czechia
seen from United States

seen from TĂŒrkiye
seen from South Africa

seen from United States
seen from France
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@richardmillward
Josef KlĂmaâs photograph of a man walking in woodland (via here)
Agnes Giberne 1898
Mirco Marchelli
Jan Vincent Helm    Â
#art #abstractart #scottbergey
scottbergey.etsy.comÂ
Alvaro Siza
âWe are torn between nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.â
â Carson Mccullers (via purplebuddhaquotes)
Mateusz Urbanowicz, Paintings.
Loving these watercolor paintings of Tokyo at night by artist Mateusz Urbanowicz.
Donât miss Supersonic Art on Instagram!
A forty foot elephant with butterfly wing ears walks down the street in New York, and no one even looks up.
Andrei Tarkovsky Polaroid
lotta pia kallio
âSpeed,â New York Worldâs Fair, 1939 via Steve Shook
Pre-Photoshop collage by Karen Toffler from Future magazine August 1978.
Gösta Adrian-Nilsson (Swedish, 1884-1965) - Marin 1 (theater decoration), painted collage, 34.00 x 27.00 cm (1922)
Matt Magee Grapheme Panel 3, 2016 Oil and pencil on panel 10 Ă 8 in (25.4 Ă 20.3 cm)
âThe photographerâs intentions do not determine the meaning of the photograph, which will have its own career, blown by the whims and loyalties of the diverse communities that have use for it.â
â Susan Sontag, Regarding the Pain of Others (2003)