Sydney Long
Fantasy, circa 1916
Oil,on canvas
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Sydney Long
Fantasy, circa 1916
Oil,on canvas
Como
Perra
En
Brama
Maison Martin Margiela: ‘Kiss Shirt’ (2007)
‘Strolling along the Seashore’ by Joaquín Sorolla, c. 1909.
[im]mor[t]ality
frank bidart, half-light || sigmund freud || fyodor dostoevsky, the brothers karamazov || david alfaro siqueiros, the march of humanity || frank bidart, half-light || neil gaimain & terry pratchett, good omens || fyodor dostoevsky, crime and punishment || crw nevinson, returning to the trenches || frank bidart, half-light
El paraguas, fuente y columna escultórica diseñada por Pedro Ramírez Vázquez, decorada con un relieve en bronce de José Chávez Morado, Museo Nacional de Antropología, av. Paseo de la Reforma y Calzada Gandhi, Bosque de Chapultepec, Polanco, Miguel Hidalgo, Ciudad de México 1964
Arqs. Pedro Ramírez Vázquez, Rafael Mijares y Jorge Campuzano
The Paraguas (Umbrella), fountain and sculptural column designed by Pedro Ramirez Vazquez with bronze bas relief sculpture by Jose Chavez Morado, National Museum of Anthropology, Paseo de la Reforma at Gandhi, Chapultepec Park, Polanco, Miguel Hidalgo, Mexico City 1964
Calder, (1898 -1976)
Hreinn Fridfinnsson: Attending (1973)
Star Gaze [Digital Collage, 2017]
— {Prints Available}
sleeping king
Lola Cueto. Death on Horseback. 1947.
Jenny Holzer Survival Cups, 1983
Susi Gelb
Melt 01, 2021 Transparent LED panel, video, loop 100 x 50 x 7 cm ed. 3 +1AP September 10 – October 30, 2021
Nir Altman hosting Crévecoeur, Paris und Sophie Tappeiner, Wien
Claude Monet (France 1840-1926) Femmes au jardin, 1866
'Dots Obesession on A-POC' By: ISSEY MIYAKE & Yayoi Kusama (1999-2000)
'Dots Obsession' visually approximates the hallucinations Kusama reportedly suffered as a child, in which the entirety of her surrounding space was covered with repeating patterns.
1999-2000, Yayoi Kusama collaborated w/ ISSEY MIYAKE using a white 'A-POC King & Queen' as a canvas upon which to paint.
ISSEY MIYAKE for MR High Fashion Magazine (2002)
Hisao Kawada, from JCA Annual 7 (1987)