Tickets go on sale Friday at 9am
4/4 at The Beacon Theatre (https://bit.ly/3Uig1Eo)
4/7 at ACL Live at Moody Theater (https://bit.ly/3uboUVz)
Misplaced Lens Cap
todays bird
đȘŒ

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Show & Tell

if i look back, i am lost
Noah Kahan

Origami Around

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YOU ARE THE REASON

ellievsbear
"I'm Dorothy Gale from Kansas"

oozey mess
ojovivo
KIROKAZE

Kiana Khansmith
will byers stan first human second
2025 on Tumblr: Trends That Defined the Year

@theartofmadeline
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@rodneymullenskate
Tickets go on sale Friday at 9am
4/4 at The Beacon Theatre (https://bit.ly/3Uig1Eo)
4/7 at ACL Live at Moody Theater (https://bit.ly/3uboUVz)
Haslam has always owned his own wavelength, making the unbelievable somehow possible. His sorcery continues with this new mind-bending video part.
Chris Haslam embodies what makes skating an art more than it will ever be a sport. His skating speaks volumes about who he is in ways that are obvious to anyone who knows him. Beyond that, his creativity and control have etched his place among the best skaters of any generation. No matter what the terrain, he finds something new for it, spending the last decade and a half as a nomad seeking out places to see his ideas through, not for the sake of being differentor trying to stand out, but for the unvarnished compulsion to do things his own way and push into the unknown. Thatâs who he is as a person; he does it for the sake of doing it, nothing moreâone of the truest skaters I know. This came out a month or so ago, in case you havenât seen his newest part.
GLOBE
When we watch certain skaters, we get a glimpse of who they are. In a real way, the essence of our community is composed of bits from everyone who contributes because we give of ourselves through what we do. This is central to who I am and why, for me, the business of it has to be kept separate. Over 30+ years, my affiliations with companiesâeven my ownâhave changed many times; my loyalty is to skateboarding and the friendships forged through our mutual strivingânot businesses. Friends are friends, regardless of who they skate for. Today, Iâve been with Globe longer than any other company for many reasons, primarily because of who they are as people combined with their dedication to skateboarding and those of us whoâve lived-it for most of our lives. They have, too. Iâm grateful for their help in building this new shoe; itâs the one that works best for what I do. https://bit.ly/2Tce4Gn
In mid-2012, Ben Harper and I were driving to a premiere of the Bones Brigade Documentary, when Dhani Harrison called. Ben put him on speaker to introduce us, because Dhani had been on him about this idea of having me skate in a special camera system created by Steven Sebring. I immediately found myself a little star-struck in listening to him, but Dhani quickly had me laughing and intrigued by ideas and pure love for skating. A couple of weeks later, I found myself in Dhaniâs office, completely taken-in by the scope of his vision. It was there that he introduced me to his manager David Zonshine, who has an x-ray-vision kind of insight in his ability to capture essences and connect them. Together, they are a formidable pair.
Having used Stevenâs Dome to photograph his fatherâs guitar collection, Dhani said heâd like to get me in there before moving on to other legendary guitar collections from musicians that made my head spin. I apologetically explained that I had not filmed in years, still in the throes of trying to break apart the adhesions that had fused my right femur to my hipâfueled by hope, yet without promise. Dhani never even winced; he merely stated that itâd be ready for me whenever I was, then went into detail about Sebringâs revolutionary invention. Heâd periodical pause to hop onto his board and snap a quick heelflipâas if to complete his thoughtâthen warned that there was nothing that could prepare me to skate in Stevenâs Dome.
A few months later, I met Steven in the Bowery Hotel lobby, a day or two before we tested the rig for the first time. Steven Sebring is one of the most respected photographers in the world, having shot many of the most iconic figures in music, fashion, and more; beyond that, heâs a visionary. Steven is a tall, long-haired, black-clad figure with a penetrating gaze, yet the moment I met him, his smiling candor overcame his natural gravitas. As soon as we shared ideas, an almost childlike excitement overcame him. It was then that I realized we tapped into the core of his love for leveraging technology to capture movement in unparalleled ways, utilizing what he stressed was Pure Photography. This was my first glimpse into his genius.
This collaboration of Dhani Harrison, Steven Sebring and myself was driven simply by a love of what we do. There were no sponsors, nor will there be any product launch. While there was indeed talk of appâs at first, it was all scrapped because we didnât want constraints or deadlines to bind us. Together, along with Stevenâs band of digital wizards, we single-mindedly committed ourselves to creating something pure and beautiful, by doing what we do. Together, we leveraged and redlined everything weâve done for most of our lives, all that makes us who we are. We hope that you enjoy this.
Rodney Mullen
RODNEY MULLEN âLIMINALâ 7.11.16
WWW.SEBRINGREVOLUTION.COM
A few months ago, Wired reached out to do an interview, assigning one of the most talented writers I've ever had the opportunity to meet, Brendan Koerner. Wired is the most prestigious tech magazine I know of, and I can't begin to express what an honor it was for me-- and how intimidating, too! I didn't quite know what to expect, and having just read it, couldn't be happier. I hope you like it, too. http://wrd.cm/1vTcEEs
I voted yesterday! Daewon Song âȘ#âPopulist2014⏠He had an amazing year with The Berrics If you like to support Daewon click the "Learn More" link at the end of this video! (voting ends tomorrow)
Another article by Mortimer over at Ride Channel thats talks about my set up and different board constructions. http://bit.ly/1vTcuNc
A little article Sean Mortimer did for Ride Channel about shapes. http://theridechannel.com/features/2015/01/rodney-mullen-interview
One of these gifted yet humble folks I met at Strata is a good friend of Roger Magoulas, named Dan Cowlesâ he works at Adobe. Within a few weeks, he came down to do a quick 5min bit on creativity, from sort of an artistâs perspective. Of the interviews Iâve done, this was one of the most fun, plus everyone there seemed to be bouncing between projects that made me feel so fortunate that they even took the time⊠Maris Curran, this awesome woman behind the camerasâ overseeing it all, in this relaxed wayâ was just getting ready to direct a whole movie, afterwards. When I think of Adobe, it just registers as a product that doesnât have many rivals, that theyâre the best at what they do. Hanging out with these two made me understand whyâ such awesome people behind it all. - Rodney Mullen
A few months ago, I was in Silicon Valley, doing a little 10min talk with some folks from OâReilly (Books), re: Big Data. Part of the fun of doing these kinds of things is simply meeting these incredible people that theyâ Strata, in this caseâ bring together. One guy came up to me and told me how much skating had influenced him, then went on to say how he developed an algorithm to search through the various levels of security clearances for the (alphabet) Agencies⊠In some way, it seems nearly every other person you meet has some particular kind of genius to them. The two that took care of me, Ben Lorica & Roger Magoulas, had that in spades, and even beyond that, theyâre as fun and humble as people come. Anyway, thanks to them, I was able to talk about the nature of practice, in terms of how weâ as skatersâ lock in on hard tricks. I canât get over how well that crowdâ so far from skate cultureâ appreciated and seem to relate to what we do. - Rodney Mullen
Chris Haslam text'd me this shot from the The Secret Life Of Walter Mitty movie set in Central Park. Has and I sit down for these powwows at this diner and catch up every few months, depending on his crazy nomad travel schedule; we had time to connect right before I headed out there, the summer before last... Chris is one of my closest friends, so I opened up about how intimidated I was about the movie. The shoot date was creeping up, and I was having doubts about being ready to skate in front of Ben Stiller, not knowing exactly what they wanted me to do-- imagining the worst. Has is always so cool and encouraging; he helped me a lot, so I grabbed one of his boards before I made the trip to NYC to shoot the scenes in the Park, and used it through the whole shoot. - Rodney Mullen