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Lint Roller? I Barely Know Her
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@rolierosedraws
I almost forgot!!!! his birthday!!!Ā
We participated in an amazing collab with @ mignonettes for the Kacchako Mini Bang, go read their storyĀ āFelix Culpaā here!! Iāll keep posting some other drawing i made for this beautiful fic, stay tuned!!
My entry for @bubbletea-zine with the sweet izuocha!! all orders has been shipped, canāt wait to receive my copy :)
Born to be king š
The latest Tweets from Blurred lightsšāØ (@roliensfw). Youāve found my not-so-nsfw blog⨠šNSFW WARNINGš pls donāt repost and be safe around children š Main account: @RolieRose
Hello!! as i said a few weeks ago, iām going to move to twitter for the adult content; itās a private account in which little by little iāll upload whatās on this blog and more, so this blog will be running for a few months moreā¦
See you there!!
My nsfw blog if youāre interested!
Intimidating-pose-failure.jpg
Super shiny donut witch!Ā āØ
Uravity and Ground Zero fashion shot!!Ā
Bnha character studies - pencil sketches
Finally! My entry for @kacchakoholidayzine, i was givenĀ āWhite dayā so i drew bakugou sticking with a simple yet sweet (maybe a way too much lol anyway) thank you gift for uraraka :) And of course everyone want to know how this turns outĀ
Finally came back from vacations to finish this! Hope everyone is having a wonderful 2019 so far! āØ
This is my gift for Meep on @kacchako-serverā secret santa swap!! they asked for Viking AU and of course i automatically thought on a httyd sort of thing, it was so much fun!Ā
Hope you like it! Happy Holidays :)
āThatās how i feel when iām with youā
Voltron finished. fucking. finally.
Today weāre doing a @kacchako-serverā secret server swap, so i gift this precious boy to @kamidoki, honestly iām just so happy you love this boy as much as i do <3 <3
Print available in my store!
Some self indulgent skater kaminari and jiro, iām seeing a pattern on background style in my latests illustrations šiāve been kind of lazy i guess
Also IāM THROWING A 2K GIVEAWAY ON INSTAGRAM! go check i out!
rapidpunches:
SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHESā STYLE
Iām NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.
My method is to work backwards. Personally I work ābackwardsā because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.
I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.
If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).
Roughly⦠the steps to making your comic is
WRITE
PLAN THUMBNAILS
DRAW
ā¦BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
How does it end?
Does the protag succeed or fail?
What is the turning point of their story?
What the protag do that led them there?
Where does it start?
Who is this protag?
EXAMPLE:
Guy gets mauled by a bear.
This is a fail on the guyās half.
The bear must eat something or heāll starve to death.
Itās the guyās fault the bear canāt find other food. He caused the avalanche that buried all the cabins.
The guy is yodeling in an avalanche zone.
The guy is some guy.
CREATING āTHE BEAT SHEETā Take the above stuff and reorder it to make sense.
This guy yodels.
Echoes roll.
Snow slides down.
Avalanche buries the mountain.
Cabins are engulfed.
This bear has no access to cabin food and garbage.
Bear eats this guy.
Expand. Blow up important beats for emphasis. Keep less important beats brief.
This guy is hiking in the snowy mountains.
He comes across an avalanche warning sign.
There is nobody around but him.
A dumb expression forms over his face and he yodels.
Echoes roll but nothing nearby is moved.
At the top of the mountain the snow drifts twitch.
Guy, satisfied, hikes away from there still yodeling.
Frozen snow cracks.
Snow puffs billow and great slabs of ice crash down the mountain side.
Guy sees this and hightails it to safer ground.
Animals, people, are all panicking and getting pushed over by the rushing snow.
Cabins are destroyed.
The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.
Avalanche dies down.
A lone bear shambles over from the other side of the mountain.
The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.
Bear forlornly eats a food wrapper.
Bear tries to dig.
Guy comes down from the rocks he as climbing and sees bear.
Bear stops digging and sees him.
Guy runs.
Bear chases him down.
Bear eats the guy.
BEAT SHEET COMPLETED!!!
After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.
Since comics are a visual medium, highest priority is given to the beats. If a story canāt be told with the art without the dialogueā you messed up and itās time to rethink your life choices.
Try to keep all your text chunks as short as a tweet. Professionally you donāt want more than 25 words per speech bubble and no more than 250 words per page.
Next is translating the beats to pagesā¦
STRUCTURE OVERVIEW:
[1] point of entry, in media res, hero intro
[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation
[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)
[8][9] aftermath/ādarkness before dawnā/struggle [10][11] recovery/ārise and conquerā/āfallā
[12] resolution/final end/cliffhanger
[front cover][interior] [interior][back cover]
āāāāāāā
My maximum per page is nine panels but Iāve seen pages that have way more. I like to have about 3 to 4 panels per row or less but Iāve seen the ārulesā broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.
remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.
āāā-
ā¦DRAW IN THIS ORDER:
Page 12,
Page 6 and 7 (this is typically one large image that takes up the space of two pages),
Page 1,
and then the rest.
ONLY āDEVIATIONā ALLOWED:
Page 12 and 1*
Page 6 and 7,
and then the rest.
*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.
Cover is dead last.
āāā-
(If at the very end you find out you need more pages and itās absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)
āāāāāāā
FURTHER NOTES:
Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.
You at most only need one establishing panel of the setting and environment (scene) per page.
Forget ātrue to lifeā perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.
You donāt have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out wordsā to make smaller, more easily managed bubbles to scatter through the panel.
Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (itās darker and sometimes combines together as one shape or mass)
Know your light sources. Control the blacks. Control the values.
TIPS | COFFEE? :3 | dA | IG |Ā ā” |  ⤠|Ā ā
(more coming soon 11/22/2016)