“Wathint’ abafazi, wathint’ imbokodo”
- You strike a woman, you strike a rock. 09/08/1956

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@rudorura
“Wathint’ abafazi, wathint’ imbokodo”
- You strike a woman, you strike a rock. 09/08/1956
Live.Now.
I turned 32 the other day...
Along with all my pre-birthday reflection came the realization that I had spent a significant portion of my 32 years of existence in complete and utter depression. From being overwhelmed by family dysfunction, internalised rejection, trauma, to my own seemingly unattainable, formulated ideals of what happiness looked like. I felt like I was perpetually in manic pursuit of this evasive point of ultimate euphoria.
A friend recently shared this quote “The trouble is, you think you have time.” The trouble is indeed how we ignore the inevitable. We are all going to die and we can never predict or determine how or when this will occur, but it will happen.
I have a galaxy of dreams strewn across a canvas possibility. Everything that I’ve experienced has led me to this present moment where I know that I can’t waste another second. I can no longer question everything that affirms my existence on a daily basis.
I’m ready to LIVE, NOW.
TBC...
If you get the inside right, the outside will fall into place
Eckhart Tolle
The Sibahle poster series is organically growing and its overarching message is one of self-love and pride. Every woman illustrated in this series radiates a strength/beauty/aura that resonates with me, makes me proud to be a beautiful African woman. In a commercial age where we're constantly offered an alternative to self, we need to reinforce the message of self-love as well as a sense of pride in who we are as African women. This project is an extension of my perspective, a view from a (relatively) young African women's vantage point... We are extraordinarily beautiful and gifted... These are the kinds of messages our young women need to absorb in order to reframe the concept of beauty and to shape that idea individually on their pathways.
#Sibahle #creativeactivism #art #illustration #posterseries #Rudo
A much-needed reminder :)
The other day...
Conversations with the most focused creative I know. The respect I have for this man though!
#Rudo-X-R!ot
Mail & Guardian Friday the 14th of November…
An llustration done by Studio Rudo for an anti-ad campaign. Women's insecurities are targeted by advertisers and the offering is more often than not an alternative to self. Eurocentric advertising in an african context diminishes African perspective on what beauty is. Rationale: The thinking behind this particular illustration was from my vantage point as a young African woman… How cosmetic products are advertised and encourage an alternative to self and perpetuate an ideal/mould that all women should pursue. I've included subtle messages within the illustration eg. The T.I.A stamp (This is Africa), emphasizing the rejection of eurocentric marketing in the African context. The shattered TV screens (anti advertising), and the "no lies" flash which is a play on a certain hair relaxer's tagline. I believe that we (Africans) should celebrate our Africanism and tell more of our own authentic stories within the advertising space. The Brief was: Create an illustration or a print ad that’s essentially an anti-ad campaign concerning anything to do with the body. Be You… a message that needs to be reinforced on so many levels in our society.
https://twitter.com/MG_Friday/status/533282297152540672
Exhibition snapshots… Tseliso Monaheng photography
A New Heritage Kulture Reimagined
Last night… The opening of "A NEW HERITAGE KULTURE REIMAGINED" was epic. Wonderful showcasing art alongside @slaying.goliath
#FutureThings
#InteriorSpace
#IndustrialLoft
Happy Client, Sunday delivery. #Amaprints
Cop a print… [email protected]
#Throwback Pechakucha Vol.11 Fun times
Cool things!
Amaprints... Cop one -----> [email protected]
The journey of this Visual Narrative has been such a blessing. I hope you can revisit this Visual Narrative and think of your own journey... "Freedom is but a glance away"... R.M.
Look out for exhibition details next week. #4
There is no one to stop it
Sometimes it feels a curse to wander the streets in possession of my senses;
these smells,
the burning sun,
the force of the southeaster wind,
then to look up at the oppressive rock in the shape of a table.
The drunks,
the flat white nation in their industrial coffee shop furniture, the beards, the lost backpackers.
The red bus, the blue brigade.
The protests.
The whistles - "hello gurlie, molo nice.”
The silent resentments, the “I'm not scared of you but threatened” looks.
The incessant intolerance masked in politeness, dipped in post-racial jokes about the colour of tea: it's so Beyoncé.
The sharp, jarring tongue of an angry woman in a trench coat, smack in the middle of a nauseatingly sticky summer - a rare scene on that beach: the rich beach. Words from her gut spat out, landing on nearly numb oily sun baking bodies.
My freedom in this country!
Insane. Fully mental. Truthful.
Freedom is paying my god damn bills, on time.
It's my symbolic death. A ritualised burial of me that I present daily.
The woman of strength. The man of resolve. The cultured. The vultured. The race bound-unbound. The achieved, the insider-outsider, existing yet ignored. The successful bullshitter. The broken, the unfortunate, the conscious, the hustler, the beggar, the jester.
My lies free you. I bury one each day only to resurrect another.
It's hearing the song they'll play when they pour dirt on my final resting place.
“Lefu laka, le lala mang le mang, haona oka lethibelang!”
(My death, and anyone else's, there is no one to stop it!)
Or the song that makes me feel at ease, breathing in the enormous task of living.
Shaking my trap to freedom.
It knows fear cages.
So I fight it or let go of it or fight to let go of it, for myself and others. Never surrender, just a pause.
Realising everything needs MIGHT to overcome - love, war, peace, this life thing.
I'm wrestling with the gods. My gods, their gods.
This deadly awakening. I’m ill-equipped. We all are.
Flash floods, poo wars, smashed windows, organic food, garbage foraging, house break-ins, no one to blame, designer sandwiches, township-themed parties, dog parks, Sunday traditional dancers in Camps Bay, taxi turf wars, "can I have a R2?", "I'm not a drug addict I need money for the shelter tonight," car guards, Banting diets, tiny dogs, maids’ uniforms, bottoms, body builders. Invisible and seen at the same time.
Wind me down. Wind on my skin, the cold Atlantic Ocean on my body and the infinite horizon view from the top of Lion's Head.
Reprieve.
The space to say: this is my city. I belong. (Not entirely).
Freedom can be an antithesis to clarity. Punch drunk at a party at the end of the last drink when the room starts spinning, the feeling of being no one, with nothing left, vacuous, gone forever in memory loss.
They say freedom is love. Free those I love so they may be happy (to never return).
Oh, the freedom of love in its constraints.
How good it is, this love, when it chokes me with the promises of my to-be-continued happiness. Then for the panic to strike. This feeling, this person is transient and the only moment that will matter has passed. I should have said something. Life is short, but life is oh forever long.
Especially in moments of small magic; the knowing laugh of a lover, the crinkles of their smile; my pounding heart, yet to be broken.
It is pain.
Freedom is the comforting one-liner from that self-help book, eating grass to prove faith and washing it down with petrol. Green inferno, the anarchist's way.
It's a state of mind, this freedom. It's the state of your pocket, the state of your self-importance. It's bigger than your hip-hop.
Free from the imprisonment of what it feels to be a character (to play a role) in history in a HER's body.
Freedom is a big word to say but I have a bigger cage in a bigger zoo where I may be the little king of my jungle.
It's the false comfort of calm silences in between all the violent complacency.
But honey, I'm free and I'm home.
Writer: Khumo Ntoane