The Perception of Art
In this week’s article Social Media Art In The Expanded Field, Ben Davis argues that art and social media involves resistance between the two, there is a closed-in type of expression vs. a relation-based mode of operation (Ben Davis 2010) and the two terms cannot be merged. In other words, there cannot be a combination of art and social media; it is either one or the other. However, social media art has one exception, which is a social networking service that is designed specifically for an art project, which Davis explains is questionable.Â
Artists that use social media platforms to display authentic works of art such as abstract art, paintings, sculptures and hand drawings etc. have a global audience. This week’s reading made me question whether modern art loses its value and whether art exists beyond the use of social networks. To me, art on social media appeals to a larger audience to show what is chic and trendy and reaches a worldwide audience. However, I think art on social media loses its visual art power and undervalues an artist’s time, work and talent. For example, I have a framed painting of Vincent Van Gogh’s The Starry Night in my room and that same exact painting set as my desktop wallpaper. Although they are both the same painting, I feel that the framed photo speaks louder to me than my desktop because there is a feeling of existence and reality with the framed painting over the electronic one. Moreover, electronic photos of art can be filtered and edited whereas; observing an artwork, in reality, gives you the satisfaction of authenticity. Thus, digital is frequently perceived as artificial whereas, analogue is perceived as authentic, for example, a digital photo of a baby seems less natural compared to a framed photo.Â
Davis, Ben. “"Social Media Art” In The Expanded Field". Artnet (2010). Web. 24 Mar. 2016.














