Inspiration from things that seems better

[le-jaune]

ELLSWORTH KELLY

PINK AND ORANGE FROM THE SERIES LINE FORM COLOR, 1951

PRIMARY YELLOW

[booooooom]

Drew Tyndell experimenting with looping animations.

[nearlya]

[sannolikt]

Anish Kapoor. Untitled 08 from History, 2007, etching

[pensierostupendostuff-deactivat]

[drrestless]

Studio Schneidenfreude

[design-is-fine]

Edouard Benedictus, design variation for decorative arts, 1924. Paris. Nouvelles variations soixante-quinze motifs décoratifs en vingt planches. Published by Albert Lévy, Paris.

The portfolio was obviously owned by Lyle Wheeler, industrial designer and motion picture art director, who got an oscar for Gone with the wind. Wolfsonian

[wowgreat]

Holy Ropes by christopher kline (2010-present)

[paper--trail]

www.studio-set.com

[20aliens-deactivated20200625]

woman torso by Kazimir Malevich

[julianminima]

Lygia Clark

Planos em Superficie Modulada, 1957

Card, Graphite, Gouache

Unframed: 25 x 35 cm

[movieposteroftheday]

1965 German poster for ASHES AND DIAMONDS (Andrzej Wajda, Poland, 1958)

Designer : Grüttner

Poster source: KinoArt.net

[treebystream]

[sannolikt]

Joan Miró

[midcenturymoderndesign]

[budapestpostergallery]

Tungsram Opál lámpát a kényes szemnek | Tungsram Opal Lamp for the sensitive eye (Csemiczy Tihamér) 4900 forint | $20 at Budapest Poster Gallery’s Shop

[midcenturia-blog]

[midcenturymoddesign]

Architecture Magazine N° 3, 1952

[fuckyeahbrutalism]

Brookhollow Plaza, Dallas, Texas, 1970s

(Paul Rudolph with Harwood K Smith and Partners)

[jellobiafrasays]

 free will (1971, cover design by fred troller)

[kerryroanshares]

[blastedheath]

kerryroanshares

Ellsworth Kelly (American, b. 1923), Study for Meschers, 1951. Cut-and-pasted printed paper, 19 1/2 x 19 1/2 in.