Weeping Willow (1919) by Claude Monet
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Weeping Willow (1919) by Claude Monet
Heinrich Campendonk (German-Dutch, 1889-1957) The blue Rider, 1952
Heinrich Campendonk (German/Dutch, 1889-1957), Landschaft mit Tieren [Landscape with Animals], c.1913. Oil on cardboard, laid on fibreboard and mounted in a stretcher, 70 x 120 cm.
Heinrich Campendonk
Heinrich Campendonk - Blaue Figur
florentina holzinger. tanz.
la villette, paris.
photos presse.
Atom Egoyan: ‘Family Viewing’ (1987)
Cy Twombly, Untitled (Souvenir of D'Arros), (acrylic on handmade paper), 1990 [«The Brooklyn Rail». © Cy Twombly Foundation, New York, NY. Courtesy Gagosian. Photo: Maris Hutchinson]
Marcello Mercado
pencil on paper,
2019
“Finish Him” (2017)
mixed media installation
collaboration with Tanoa Sasraku-Ansah
Tanoa Sasraku - A Tower to Say Goodbye, 2021.
newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.
Photo by Alexander Edwards.
Tanoa Sasraku - Whop, Cawbaby, 2018, mixed media installation. Installation view, Tate St Ives, Nashashibi/Skaer: Thinking Through Other Artists. Photo © Tate, 2018
selected works from “A Vulgar Display Of:” (2017) by myself, Tanoa Sasraku-Ansah and Will Vetch
Tanoa Sasraku, “Red Gate (Terratype)” (2022),
Newsprint, thread, foraged Torbay red ochre, foraged Sligichan yellow ochre, forage Braes purple pigment, Ultramarine pigment, Antwerp blue pigment, fixative spray, Plymouth Sound seawater,
Photo by Max McClure, Courtesy the Artist
Tanoa Sasraku
Mire Horse, 2022
newsprint, thread, toner, foraged Bideford Black pigment, foraged Yarner Wood orange pigment, fixative spray, Dartmoor bog matter
77.7 x 39.2 cm
30 5/8 x 15 3/8 ins
Marguerite Humeau