"The Gates of Dawn" (1900) by Herbert James Draper

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"The Gates of Dawn" (1900) by Herbert James Draper
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Ana de Armas
Edmond Bille (1878–1959), “Révolte” (Revolt)
colour lithograph, 1919 — source
"Semper Paratus"
Psyche by Léon Davent after Guilo Romano. French, c. 1542. Engraving. Metropolitan Museum of Art.
From the Met:
Léon Davent—also known by the monogram L. D., as seen in the lower right corner—was one of the premier engravers associated with the School of Fontainebleau (1542–48). Under the artistic direction of the Italian painter Francesco Primaticcio, Davent and other printmakers translated drawings by leading Italian Mannerists into engravings and etchings, including those by Primaticcio himself, Michelangelo, Rosso Fiorentino, and Parmigianino. The design for this engraving has been attributed to Giulio Romano. By printing his engraving in red ink, Davent was possibly trying to achieve a visual effect similar to that of red-chalk drawings, which were popular at the French court and appealed to the discerning collectors he hoped to attract.
The Misfits (1961) dir. John Huston
“Seated woman in white”, 18 x 24 inches, acrylic on canvas 2017 by Norman Engel
https://www.pixiv.net/users/73681181
Normunds Brasliņš (Latvian, b.1962)
"White room (front.)" 2011, oil on canvas
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The Little Mermaid by Christian Birmingham
christianbirmingham.com