Henri Rousseau – Scientist of the Day
Henri Rousseau, a French painter, was born May 21, 1844.
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Three Goblin Art
noise dept.
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation

JVL
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Today's Document
RMH

Kaledo Art

shark vs the universe
One Nice Bug Per Day

oozey mess

titsay
Monterey Bay Aquarium

izzy's playlists!

Product Placement
PUT YOUR BEARD IN MY MOUTH
taylor price
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❣ Chile in a Photography ❣
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@schoneschatze
Henri Rousseau – Scientist of the Day
Henri Rousseau, a French painter, was born May 21, 1844.
read more…
The Sorcerers Slave, 1877, by Thomas Wilmer Dewing
An American painter, Schooled in Paris, working at the turn of the 20th century, Thomas Wilmer Dewing (1851 - 1938), provided fixed points of truth and beauty for a generation eventually in fear of the great changes in American culture wrought by immigration, industrialization, and urbanization. The Dewing’s, despite modest circumstances, descended from one of the first families of seventeenth-century New England. The promise of his talent allowed Dewing to study at the Lowell Institute, in his native Boston, before travelling to Paris, where he enrolled at the Académie Julian in 1876. Returning to Boston, he taught at the newly opened Museum School at the Museum of Fine Arts before moving, like so many writers and artists of his generation, to New York City. Living in New York, Dewing sought refuge from the vicissitudes of his new environment by returning annually, from 1885 to 1905, to the artists’s colony at Cornish, New Hampshire, pursuing a "higher road to enlightenment", through art, music, and literature. Dewing and his friends believed that the role of art was to "suggest emotions or recall … memories of past experiences, of love, poetic thought …“ (Hobbs, Beauty Reconfigured, 1996). Dewing continued to paint into the early years of the twentieth century with the support of railroad-car manufacturer Charles Lang Freer and insurance magnate John Gellatly, who both, by having left their extensive collections to the Smithsonian Institution, allowed for us today to relive Thomas Wilmer Dewing’s artistic path
Sir George Clausen - The End of a Long Day, 1898
Mark Rothko, Untitled (Green, Blue, Green on Blue), 1968
Acrylic on paper mounted on canvas
Estate of Charles Evans
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), Courtesy of The Mark Rothko Foundation
Interior of a confectionery - Heijenbrock, Herman , 1930-40
Dutch,1871-1948
pastel chalk on vellum paper , 46,5 x 64,5 cm.
Gardener’s House at Antibes, 1888, Claude Monet
Egon Schiele - Port of Trieste - 1907
Peter Churcher, 2021. Australian painter.
Source details and larger version.
With thankfulness, a modest collection of vintage Thanksgiving imagery.
F. K. M. Rehn, Beach of Bass Rocks, Gloucester, Massachusetts, 1881, oil on canvas, 22 1⁄4 x 36 1⁄8 in. (56.4 x 91.9 cm), Smithsonian American Art Museum, Bequest of Martha L. Loomis, 1949.8.2
Helen Borten (1930) - Halloween, Crowell Holiday book, 1965.
La Scapigliata (unfinished, 1506-1508) generally attributed to Leonardo da Vinci
Clare Leighton, Bread Line, New York, 1932, wood engraving on paper, image: 11 7⁄8 x 8 in. (30.3 x 20.2 cm), Smithsonian American Art Museum, Bequest of Frank McClure, 1979.98.146
Claude Monet's "Path on the Island of Saint Martin, Vétheuil" (1881)
Cover Photograph for Edmund White’s “A Boy’s Own Story” (Photography by Dan Weaks)
Amedeo Modigliani - Paulette Jourdain (c.1919)
Francesco Clemente Son, 1984 oil on linen