Week 2: Learning how to pose with the photographer, Roberto Valenzuela.
This week I started reading Picture Perfect Posing: Practicing the Art of Posing for Photographers and Models by world-renowned wedding photographer and educator, Roberto Valenzuela.
Posing was never something that came naturally to me. I much prefer capturing candid moments, which is why I majored in photojournalism and not fashion photography. But as I’ve matured as a photographer and especially gotten into wedding photography, I’ve learned that posing is a critical skill set that you must have in order to become a professional photographer.
I found Mr. Valenzuela on CreativeLive, an online education platform for photographers. He taught a class called "Picture Perfect Lighting," a video that explains how to become a keen observer of light. What I appreciated most was his ability to explain things clearly and concisely. Valenzuela’s book doesn't disappoint and even the most novice photographer can learn how to pose subjects correctly. The following is what I've learned so far.
1) UNDERSTANDING AND POSING THE SPINE
The one constant thing is that your subject’s spine must be straight. The spine is the cornerstone of any pose. Ignore the spine and the whole pose will fly out the window.
There are three main sections of the spine that are of interest to photographers: the cervical spine (the neck), the thoracic spine (middle back, runs from the base of the neck down to the abdomen) and the lumbar spine (lower back).
Cervical Spine: Directs the head to where you want to focus the viewer’s attention. It should be stretched as much as possible to elongate the head.
Thoracic Spine: Responsible for posture. It also should be elongated as much as possible. Creates confidence and strength. Subjects should breathe in to achieve a more confident look.
Lumbar Spine: Responsible for slimming someone down. It should always be curved. It creates a sexy quality to a pose.
2) WEIGHT DISTRIBUTION AND ITS EFFECT ON POSING
If the pose flows, we feel at ease when looking at the photograph. One of the secrets of posing people is creating a weight distribution that produces an aesthetically pleasing, flattering photograph.
By shifting the bodyweight of your subjects, you automatically create more curves and enhance those that already exist. The second benefit of such shifting is the stance’s resulting look of relaxation. When a person’s weight is distributed equally between both feet, either they can look stiff or they can look childlike, innocent, or playful.
Adults often worry about their weight, and in photographs, they want to look as glamorous and as thin as possible. Shifting the body weight to one foot, usually the back foot achieves just that.
Ask your subject to put her body weight on her back foot and cross the other foot in front. This shift is responsible for bringing out the curves in her body. This technique works equally well for men but likely best for women.
A good reference point is to imagine two straight lines emanating from each foot. If those two imaginary lines eventually cross paths, then you are distributing weight correctly.
Great pose for a man or a strong woman is to have the bodyweight shifted to the back foot and the toes point in a direction where the imaginary lines will never cross. In other words, don’t have the feet cross.
The most important aspect is to bend the knee of the front leg in the same direction as the toe. As the knee bends forward, the stiff pose automatically transforms into a relaxed and comfortable look.
For men: Bodyweight should rest mostly on his back leg, allowing the other leg to relax. The knee on the relaxed leg is not only bent, but it pointed toward his toes. Combine all three and you have a great male pose.
For a group portrait, it is perfectly normal, if not preferable, that everyone has a different stance. The portrait is more interesting to look at because a few their personalities show through in the way they stand. But keep in mind how the way the weight is distributed and the direction the toes are pointing; this information can completely change how a person is perceived in the photograph.
Next week, I will explore additional chapters in the book. The video below is footage from his posing workshop. Check out more of Roberto’s work at: https://www.robertovalenzuela.com/
















