Hands in Hagazussa (2017, Lukas Feigelfeld, dir.)
Today's Document
Xuebing Du

oozey mess
Lint Roller? I Barely Know Her

Love Begins
KIROKAZE
dirt enthusiast
RMH
Alisa U Zemlji Chuda

Product Placement
Not today Justin

titsay

⁂

Kaledo Art
Game of Thrones Daily
d e v o n
No title available
Sweet Seals For You, Always
Misplaced Lens Cap

if i look back, i am lost

seen from Australia
seen from Canada

seen from United States
seen from Brazil

seen from Belarus

seen from Australia

seen from Singapore

seen from United States

seen from Morocco
seen from United States

seen from Canada
seen from United States
seen from United States
seen from Australia

seen from Colombia

seen from United States

seen from United States

seen from United States
seen from United States
seen from Morocco
@screenshottery
Hands in Hagazussa (2017, Lukas Feigelfeld, dir.)
One perfect cross-dissolve from Hagazussa (2017, Lukas Feigelfeld, dir.)
Unhappy people in Ghost Town Anthology (2019, Denis Côté, dir.)
Cinema without people: Horse Money (2014, Pedro Costa, dir.)
Cinema without people: Ghost Town Anthology (2019, Denis Côté, dir.)
Cinema without people: Low Tide (2012, Roberto Minervini, dir.)
Cinema without people: Personal Shopper (2016, Olivier Assayas, dir.)
Unhappy people in Horse Money (2014, Pedro Costa, dir.)
Cinema without people: A Cure for Wellness (2016, Gore Verbinski, dir.)
More diagrams from Rat Film (2018, Theo Anthony, dir.)
The history of redlining in Baltimore, told through maps in Rat Film (2018, Theo Anthony, dir.)
Diagrams in Rat Film (2018, Theo Anthony, dir.)
Cinema without people: Aren’t You Happy? (2019, Susanne Heinrich, dir.)
The maternal impulse in Aren’t You Happy (2019, Susanne Heinrich, dir.)
Waiting for the end of capitalism in Aren’t You Happy (2019, Susanne Heinrich, dir.)
Branded to Kill (1967, Seijun Suzuki, dir.)
Romance in Branded to Kill (1967, Seijun Suzuki, dir.)