Screenshottery

I watch movies. Sometimes I grab shots from them. I also do Cinema Without People.

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Hands in Hagazussa (2017, Lukas Feigelfeld, dir.)

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One perfect cross-dissolve from Hagazussa (2017, Lukas Feigelfeld, dir.)

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Unhappy people in Ghost Town Anthology (2019, Denis Côté, dir.)

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Cinema without people: Horse Money (2014, Pedro Costa, dir.)

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Cinema without people: Ghost Town Anthology (2019,  Denis Côté, dir.)

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Cinema without people: Low Tide (2012, Roberto Minervini, dir.)

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Cinema without people: Personal Shopper (2016, Olivier Assayas, dir.)

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Unhappy people in Horse Money (2014, Pedro Costa, dir.)

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Cinema without people: A Cure for Wellness (2016, Gore Verbinski, dir.)

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More diagrams from Rat Film (2018, Theo Anthony, dir.)

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The history of redlining in Baltimore, told through maps in Rat Film (2018, Theo Anthony, dir.)

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Diagrams in Rat Film (2018, Theo Anthony, dir.)

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Cinema without people: Aren’t You Happy? (2019, Susanne Heinrich, dir.)

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The maternal impulse in Aren’t You Happy (2019, Susanne Heinrich, dir.)

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Waiting for the end of capitalism in Aren’t You Happy (2019, Susanne Heinrich, dir.)

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Branded to Kill (1967, Seijun Suzuki, dir.)

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Romance in Branded to Kill (1967, Seijun Suzuki, dir.)