Interview Vampire Daily
Game Changer & Make Some Noise
Aqua Utopia｜海の底で記憶を紡ぐ
Cookie Run:Kingdom Official!
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Jar Jar Binks Fan Club
Phantogram Three
izzy's playlists!
Cosimo Galluzzi
No title available
NASA
The Bowery Presents
shark vs the universe
Noah Kahan
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
RMH
roma★
No title available
Kiana Khansmith
seen from Ecuador
seen from Germany
seen from United States
seen from Australia
seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from Australia
seen from Vietnam
seen from United States
seen from United States
seen from Saudi Arabia
seen from Switzerland
seen from Saudi Arabia
seen from Argentina
seen from Australia
@sea-dragon
“This lazy giraffe who scares the weekenders to get their food was part of the collective book Bestiario Criptozoologico Lacustre, where different illustrators drew imaginary animals.” 7 3/4 × 11 3/4, digital.
Fabio Consoli, illustrator / Sara Pellegrino, art director / Lago Film Fest, client
“A Procession of Them: The Plight of the Mentally Disabled,” for Aperture.
Eugene Richards, photographer / Aperture, client
HarperCollins cover for The Red Headed Princess by Anne Rinaldi. Fictional story of Elizabeth I. 27 x 10, oil on panel. © 2007 Tim O'Brien
Tim O'Brien, illustrator / Amy Ryan, art director
“This full-page illustration for trade publications was a self-promotional piece for Leo Burnett Business meant to convey the agency’s belief that great work comes from great relationships.” 8 x 11, screen printed ink on paper.
Gary Taxali, illustrator / EJ Lee/Noel Nickol, associate creative directors / Gene Campanelli/Peter Powell, creative directors / Leo Burnett, ad agency/client
Cover for the limited edition Blu-ray SteelBook release of the spy movie Salt.
Max Temescu, illustrator / Gallery1988-Sony Pictures Home Entertainment, clients
“Header banner for Saturday Dawns, a blog operated by Hussain Almahr.”
Avery Kua, illustrator / Hussain Almahr, client
"HELP! pioneered a style of serialized humor strip they coined "fumetti"—where actual photographs instead of drawings are used to tell the comic strip. This Chester-designed one-off magazine, The Horror Of Party Beach, told the story of the movie in a fumetti style."
Harry Chester, designer
Poster for Cavelleria Rusticana/Pagliacci. 30 x 45, acrylic, mixed media.
Michael Gibbs, illustrator / Danielle M. Canonico, art director / Peter Mark/Paul A. "Gus" Stuhlreyer, III, executive creative directors / Lisa Dagley, designer / Virginia Opera, client
This painting ran as a spread within the luxury edition deluxe set book/CD of musician Julian Casablancas new album Phrazes for the Young, to accompany the song "Glass." 45 1/2 x 22, acrylic and oil on wood panel.
Marc Burckhardt, illustrator / Julian Casablancas, Cult Records, client
Bill Murray. For an article in The Washington Post. “This article describes writer Geoff Edgers’ experience as he attempts to contact Bill Murray with the news that Murray was nominated for the 19th Annual Mark Twain Prize for American Humor. 2016” 9 × 10¾, digital.
Tony Rodriguez, illustrator / Michael Johnson, art director / The Washington Post, client
Snake Oil Salesman. "An illustration for a story on metabolic syndrome, a controversial disease with a cluster of symptoms like high cholesterol and hypertension. It's controversial because some people in the medical community think it doesn't really exist and pharmaceutical companies are just taking advantage of this to make a lot of money developing and selling a new set of drugs." 5 x 6, mixed media on paper.
Gary Taxali, illustrator / Dean Markadakis, art director / Lisa Kelsey, designer / Fast Company, clien
The Pinocchio Project. Promotional illustration for a circus musical based on the Pinocchio character. 8 x 11 1/2, mixed media.
Pol Turgeon, illustrator / André Barbe/Renaud Doucet, art directors / Berbe & Doucet, client
These illustrations were used in a brochure and Web site promoting the off-Broadway productions of George Orwell's Animal Farm and 1984. 13 x 14, collage, oil and pencil on paper.
Robert Calame, illustrator / Michelle Gorenstein, designer / Phixative, design firm / Synapse, client
“Brunch: the start of something good. This ever-changing newspaper menu has become a Smith restaurant signature. Its new menu showcases brunch items in their raw forms on the cover and reveals the delicious possibilities on the inside.” 4 pages, 4-color plus 1 PMS, 35 × 22¾. Typefaces: Chronicle Display, Hudson, Neue Helvetica.
Jeff Watkins, designer / Lisa Greenberg/Jeff Watkins, art directors / Lisa Greenberg, creative director / Ryan Crouchman, group creative director / Judy John, chief creative officer / Arash Moallemi, FUZE Reps, photographer / Webnews Printing Inc., production company / Leo Burnett Toronto, ad agency / Smith Restaurant + Bar, client
"This is the way to show food in the 21st century. These images are for my portfolio." Naoya Fujishiro, photographer
Chicco is a multinational company that specializes in clothing and equipment for babies and toddlers. This image, part of an ongoing global holiday campaign featuring the elf girl in various scenarios, was used in print, web, TV, billboards and in-store signage.
Per Breiehagen, photographer / Carlo Leone, art director / Chiara Calvi, creative director / Brad Palm, retoucher / Lori Evert, stylist / McCann Erickson, ad agency / Chicco, client
John Doyle/Christopher Wilson, art directors The Nokota Horse Conservancy, client