sometimes i just want to tell cashiers like. im sorry for being a customer :( im sorry i wish i didnt have to do this! im sorry .
styofa doing anything

Love Begins
noise dept.
NASA
KIROKAZE
Misplaced Lens Cap
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Mike Driver
art blog(derogatory)

Janaina Medeiros
will byers stan first human second
PUT YOUR BEARD IN MY MOUTH
Xuebing Du
TVSTRANGERTHINGS

@theartofmadeline
tumblr dot com

Origami Around
todays bird
h

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@seekerofexcellence
sometimes i just want to tell cashiers like. im sorry for being a customer :( im sorry i wish i didnt have to do this! im sorry .
Mariah and Tessa ↳ unknowingly but hilariously high on molly
+ Y&R: September 10, 2019
Mariah and Tessa ↳ Relationship Milestones (2017 - 2020)
“Kitty practicing the lion dance for the Chinese New Year”
(via)
Not sure why but drew her again
finally bought them comics…. I love
Its been a while...🥺
Lmao sounds like you're salty that we got a catradora kiss when korrasami just got a hand hold
I got a good amount of comics of them kissing and being a healthy couple ;)
Hulk + normal flesh tone Avengers: Endgame (2019)
Shrek 2 (2004)
Turn him back to green please? Thank you
Please be careful…
You too <3
For Silk and her fic Ronin Korra which I love.
“… We did it for all our queer friends, family, and colleagues. It is long overdue that our media (including children’s media) stops treating non-heterosexual people as nonexistent, or as something merely to be mocked. I’m only sorry it took us so long to have this kind of representation in one of our stories.” -Bryan Konietzko (x)
I miss these twoooo
Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)