I've been thinking of a title for like thirty minutes

20 - he/him - wacky wacky wowie 

[evevoli]

my deltarune fanart

[meltesh28]

chapter 5 fed me so well i feel lightheaded

[divorcedwife]

my role-reversal designs

[y0urnewhyperfixation]

i miss that dog

[55bata6rou]

[55bata6rou]

[55bata6rou]

[55bata6rou]

[55bata6rou]

[55bata6rou]

[55bata6rou]

[backfliips]

A lot of people on twitter wanted me to explain how I draw expressions, so here you go

Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.

Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.

Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!

I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!

Also, bonus: even without the lines, the planes alone still show a LOT of emotion.

[eldritchdilf-deactivated2025061]

Contrary to popular belief the biggest beginner's roadblock to art isn't even technical skill it's frustration tolerance, especially in the age of social media. It hurts and the frustration is endless but you must build the frustration tolerance equivalent to a roach's capacity to survive a nuclear explosion. That's how you build on the technical skill. Throw that "won't even start because I'm afraid it won't be perfect" shit out the window. Just do it. Just start. Good luck.

[hollyfig]

Loving embrace Referenced this pose I found on Pinterest as practice, but I got very into it and wanted to turn it into Zelink + color Zelda's dress isn't accurate at all, but I approached this with relaxation, and not stress over details :)

[velvetvexations]

Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines

[velvetvexations]

So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.

Al Feldstein, Tales of Terror: The EC Companion

[xuroky]

special feelings

[xuroky]

special feelings