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can’t forget my touch

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Les Saignantes (2005), a horror/thriller/sci-fi movie directed by Jean pierre Bekolo in cameroun.

A truly beautiful piece of Afrocentric feminist cinematography i’ve fallen in love with. I feel a particular connection to this film especially because it was not only released the year of my birth but also was made in my home country by a fellow cameroonian director. Much often, when discussing Classics when the subject is movies, (especially horror movies) Black African cinematography is left out of the conversation for reasons too obvious for me to begin stating.

Les Saignantes (2005) opens up a window for the watcher showcasing and insight on the life of a sex worker in early 2000’s Cameroon, touching themes such as sexual abuse, corruption, womanhood, morality, justice and more, with the added element of fictional beings native to the country’s culture as well as our internationally beloved vampires and some typically Cameroonian humor, ALL of which with a darkskin female cast.

It’s nothing short of an incredible work of art that should be universally known as such. a 10 in my book.

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for anybody interested

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on my watchlist for this week

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drunk in the club thinking bout davinci

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(the editing software not the white guy)

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bugg

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meuda 28th-1st issa party

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talk to my lawyer 💅

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anybody that claims me is lying

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B*TCH! LOVE ME LIKE DRUGS! OOH!

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being the camera guy sucks, i look so good and pose so well but nobody can ever take pictures as good as me :(

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preuves à l’appui

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i keep my likes public as a sign of dominance.

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[passive agressive sentence that’s targeted towards a particular person but is slightly relatable and vague enough to generate likes and reblogs from likeminded people]

did i do it right ?

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if me and my gang pull up

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now a serious one, now a silly one

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on m’a dit que t’avais v’la la boca