We'll put on a show to end all shows.
THE KING AND THE CLOWN ìì ëšì (2005, Lee Joon-ik)
Phantogram Three
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Sweet Seals For You, Always
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đ©” avery cochrane đ©”

Discoholic đȘ©
art blog(derogatory)
2025 on Tumblr: Trends That Defined the Year

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bliss lane

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The Bright Sessions
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@sghemvoid
We'll put on a show to end all shows.
THE KING AND THE CLOWN ìì ëšì (2005, Lee Joon-ik)
Pavel Tchelitchew (1898-1957)
Spiral Head, 1950
pastel on paper
50.2 x 35 cm
Pavel Tchelitchew (1898-1957), 'Through the Eyes of Poets', ''View'', 1942
Marty Supreme (2025), dir. Josh Safdie.
Sorry, Baby (2024, Eva Victor)
sorry, baby (2025)
SORRY, BABYÂ 2025 â dir. Eva Victor
Himiko/ 1974/ Masahiro Shinoda
Himiko (1974) by Masahiro Shinoda
Himiko (Masahiro Shinoda, 1974)
No Other Choice (2025) | dir. Park Chan-wook
Memories (1995) â âCannon Fodderâ
Memories (1995) â âStink Bombâ
memories (1995) - magnetic rose
Black Lizard (Kinji Fukasaku, 1968)
é»è„èȘ | BLACK LIZARD (1968) dir. Kinji Fukasaku Cunning jewel thief Black Lizard who tries to kidnap Sanaye, a wealthy jewelerâs daughter as part of a plot to steal the jewelerâs expensive âStar of Egyptâ diamond. To thwart the planned kidnapping, the jeweler hires Japanâs number one detective, the brilliant Akechi. This sets off a dual between Black Lizard and Akechi as each tries to outwit the other. In the process, the two adversaries develop a mutual respect and affection for each other. (link in title)
ć€©äœżăźăăŸă // ANGEL'S EGG (1985) dir. MAMORU OSHII