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okay, so everyone has set up the main rivalry in Black Panther as Killmonger vs T’Challa. And obviously that’s the main narrative structure of the story, not arguing with that. But I feel like from a purely character arc standpoint, the actual battle is Killmonger vs Nakia, and she obliterates him.
Erik Stevens is a CIA covert operative; basically, he’s a spy. So is Nakia. And when you look at their various actions through the lens of “who accomplished their mission better?”, it becomes pretty clear that Erik spent 20-some years preparing to destabilize T’Challa’s reign, including having inside knowledge and a birthright on his side…and Nakia spent roughly 36 hours successfully destabilizing his reign, in turn, with nothing but her incredible ability to network disparate resources.
Let’s just review her actions over those 36 hours okay:
- Gets the surviving members of the royal family successfully out of danger within seconds of the coup (aka the only living people with a competing blood claim to the throne aka the greatest threat to his regime)
- Sows enough doubt in the “greatest warrior in the country” about Killmonger’s ability to lead that when the time comes, Okoye and the entire Dora Milaje all defect (eventually saving hundreds of lives)
- Steals a heart-shaped herb from under his nose as he’s identifying it as the most important power resource in the country and trying to prevent it falling into anyone else’s hands, lol too late buddy
- Immediately identifies the person in the country with the best platform to mount a counter-insurgency (M’Baku), identifies what it will take to get him on their side, and casually resolves a centuries-long division in their country while she’s at it
- Correctly predicts Killmonger’s opening move of distributing vibranium to the war dogs, and assists in a comprehensive strategy that shuts it down cold–a strategy they wouldn’t have been able to use if she hadn’t gotten Shuri, Ross, and T’Challa all in one place with the right information at the right time
As soon as T’Challa is back she takes an immediate backseat again (she said it herself, she’s a spy, not the leader of an army), but, seriously, if you have to pinpoint the one person who took down Killmonger, it’s undeniably her. And she did it by clearly demonstrating that her skills as a war dog are miles ahead of his as a CIA agent (due in part, I’m sure, to being trained in a superior country, but also she’s Just That Good).
Yes! Erik’s real misfortune was coming up against a much better and smarter intelligence operative. She also gives the lie to the stereotypical spy narrative (embodied by Erik) that you have to be heartless and violent to achieve your ends. She is the moral center and touchstone of film, so filled with goodness it comes off her like a glow, but she kicks the ruthless Erik’s ass from Wakanda to Kinshasa.
Another thing Nakia was good at was identifying where the necessary resources weren’t, namely in herself. That was why she argued Ramonda out of the idea of taking it herself. It wasn’t self-effacement or modesty, it was a clear-eyed calculation of what it would take to win and the best chance was with M'Baku, not her.
And she did much of this while she thought the man she still loved was dead. She admits as much to Okoye, too. Think of how much sheer fortitude that took, to work through a grief like that to save your country. She is a hero and her heroism is no less amazing for not being flashy or center stage.
It’s also interesting and important to point out that, in moral views, she’s also a counter to Erik Killmonger. They contrast & compliment each other and are very much set up to be mirrors of the same cause. Killmonger believed in Wakanda using its vast & superior resources to liberate oppressed folk around the globe. He hated that a near utopian society existed while so many of their people and ancestors were left to suffer. This is what, in part, made Killmonger such a sympathetic villain. His means were wrong, but his ideas? He had the right ideas….W’kabi thought so too, thus why he took Killmonger’s side. It took Killmonger’s insurrection for T’challa to learn that lesson as well.
But it was a message Nakia had been preaching all along.
Let’s not forget that it was Nakia that first proposed the idea of ending Wakanda’s isolation. She refused to become a queen, she chose to remain a spy, because morally she couldn’t stand by while so many others suffered. In essence, Nakia and Killmonger mirrored each other in moral standing when it came to Wakanda needing to reach out and help their people. However, where Killmonger decided to kill relentlessly and take the throne, then find the solution in arming the oppressed to overthrow nations, Nakia valued life above all.
And you can say “Killmonger was right bc in the end, T’challa listened to him.” But did he listen to Killmonger, or did he finally listen to Nakia?
Some food for thought.
Show of Takarazuka revue (Japanese theater company) entitled “A PASSAGE THROUGH THE LIGHT- Maximilien Robespierre, the Revolutionary - the Musical” based on the life of Maximilien Robespierre and in the meantime a story of revenge of an aristocrat who decides to murder Robespierre. I really like the style of the costumes and the fact that tey do not wear a wig but they wear high-heeled boots is original). They also made a show of “1789 the lovers of the Bastille”
(The one who wear the purple jacket is Danton and the last image represents the cult of the Supreme Being, I took a long time to understand. Lol !)
The French Revolution is really popular for the Takarazuka Revue in their plays - when they were first founded they were inspired by Parisian revue shows so there’s always been a lot of inspiration from France, and the massive popularity of The Rose of Versailles (which basically saved the company in the 70s) means that this setting is very identified with the company.
The heroine of this show, Marie-Anne, seems to be inspired by the Marianne/Marie-Anne character used to personify the French Revolution in art, which is really interesting. The writer/director of this show likes that sort of thing so there’s a ton of symbolism in the aesthetic of the show (as far as I can tell; as I wasn’t able to make it to Japan and the DVD isn’t out yet I’m going by the officially released script).
What’s also interesting is that despite a lot of shows featuring Robespierre as a straightforward villain character they’ve begun to portray him with more nuance in their more recent productions.
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