tannertan36
Love Begins
Product Placement
PR's Tumblrdome
KIROKAZE
Game Changer & Make Some Noise
@theartofmadeline
Origami Around
ellievsbear
No title available
Cosmic Funnies
Doug Jones
pixel skylines
Cookie Run:Kingdom Official!
d e v o n
Today's Document
Phantogram Three
Sweet Seals For You, Always
The Bowery Presents
almost home
seen from Pakistan
seen from Honduras
seen from Saudi Arabia
seen from Colombia
seen from Denmark
seen from Italy
seen from Sweden
seen from Kazakhstan
seen from Bulgaria
seen from Türkiye
seen from Netherlands
seen from Germany
seen from United States
seen from Kosovo
seen from United States
seen from Singapore
seen from Netherlands
seen from Sweden
seen from Türkiye
seen from Netherlands
@shedyourskinz
Have you ever dreamt of a better version of yourself? Younger, more beautiful, more perfect. One single injection unlocks your DNA, starting a new cellular division, that will release another version of yourself. This is the Substance. You are the matrix. Everything comes from you.
THE SUBSTANCE — 2024 dir. Coralie Fargeat
Terror Train (1980) Directed by Roger Spottiswoode 💀
BURT LANCASTER Kiss the Blood Off My Hands (1948) dir. Norman Foster
SIGOURNEY WEAVER as Ellen Ripley
Aliens (1986) dir. James Cameron
The Sopranos (1999-2007)
Mulholland Drive, David Lynch, 2001
James Bond Collection
A View To A Kill (1985)
Grace Jones and Christopher Walken
MAXXXINE (2024) dir. Ti West
THE SUBSTANCE (2024) dir. Coralie Fargeat
READY OR NOT 2: HERE I COME (2026) dir. Matt Bettinelli-Olpin & Tyler Gillett
OBSESSION (2026) dir. Curry Barker
Halloween II (1981)
Elephant (2003) dir. Gus Van Sant dop: Harris Savides
POSSESSION (1981) dir. Andrzej Żuławski
POSSESSION (1981) dir. Andrzej Żuławski
Amazing acting ♥️
POSSESSION (1981) dir. Andrzej Żuławski
OBSESSION (2026) dir. Curry Barker
NIKKI FREEMAN — 2026, OBESSION // dir. Curry Baker
Widow's Bay episode themes and classic horror movies
I'm hoping for maybe a Friday the 13th episode😬🫣
Thinking about religious horror as a genre, and how it kind of had its heyday in the late 60s and 70s with movies like Rosemary's Baby (1968) and The Exorcist (1973) and The Wicker Man (1973) and The Omen (1976). And of course, religious horror never really went away, but I don't think that any of the movies in the genre since then have really had the cultural cachet of any of these ones. And I think that what it comes down to is that these movies came out right at the point where the overwhelming hegemony of Christianity in Anglo countries started to go into decline. Like, Rosemary's Baby explicitly tied its horror into Time Magazine's infamous 1966 "IS GOD DEAD?" cover:
In The Wicker Man, Lord Summerisle explicitly says that the island reverted to Paganism because the Christian God had his shot and blew it. It's not subtle. And I think that the problem with the religious horror produced since then is that it, by and large, isn't really responding to a widespread cultural anxiety so much as it's just reshuffling tropes from the 70s. "Exorcism is scary, right? Throw in an exorcism! Ooh, spooky Nuns!" You can get some scares out of it but not the same cultural reach.
Anyway, I think that if you wanted to make horror that responded to contemporary religious anxieties, you'd almost be better off with premise that God isn't dead.
