“where are they” (2023):
Animated GIF.
2048 x 2048 px (54.19 cm x 54.19 cm). Â
Only available online at 480 x 270 px (12.70 cm x 7.14 cm). Â
hello vonnie
Jules of Nature
Claire Keane
EXPECTATIONS
No title available
Fai_Ryy
Cosmic Funnies

No title available
"I'm Dorothy Gale from Kansas"
Keni

tannertan36

oozey mess
almost home
NASA

Product Placement
Mike Driver
🪼

Game Changer & Make Some Noise
2025 on Tumblr: Trends That Defined the Year

No title available
seen from Canada

seen from United States

seen from France

seen from Italy
seen from Saudi Arabia

seen from Côte d’Ivoire

seen from United States

seen from United States

seen from Nepal
seen from Colombia

seen from Spain

seen from Japan

seen from Saudi Arabia

seen from United Kingdom

seen from Poland
seen from Côte d’Ivoire

seen from France

seen from United States
seen from Chile
seen from Bangladesh
@shiiitthead
“where are they” (2023):
Animated GIF.
2048 x 2048 px (54.19 cm x 54.19 cm). Â
Only available online at 480 x 270 px (12.70 cm x 7.14 cm). Â
“victory” (2023):
Animated GIF.
2048 x 2048 px (54.19 cm x 54.19 cm).
“newsfeed” (2023):
Animated GIF.
2048 x 2048 px (54.19 cm x 54.19 cm).
“Untitled” (2023):
Animated GIF.
2048 x 2048 px (54.19 cm x 54.19 cm). Â
“Untitled” (2023):
Animated GIF.
2048 x 2048 px (54.19 cm x 54.19 cm).
“i’m blind” (2023):
Digitally hand drawn animation.
2048 x 2048 px (54.19 cm x 54.19 cm).
progress video of drum machine
current work in progress of a sound pieceÂ
it can be a lot (2022)
prayer (2022) as part of Make A List (2022), exhibited in Camberwell College of Art Fine Art Year 2 Show: Yield at APT Gallery in February 2022.Â
Video collage 2 to “Can I Hold the Mic (interlude)” by Solange Knowles
Video Collage to “Binz” by Solange Knowles
For Kerry
Development #4: choreographed performance to music
Final take/official outcome
Development #3: using performance
Experiment - trying fast movement/placement
Development #3: using performance
Unintentional collaboration with my father.Â
Development #3: using performance
ThirdÂ