Thereâs something in him that tells him, this is awful, this is the new world and it is awful, but heâs too used to the horror sheâs weaving on her words, the way she drifts from the conversation and tells her tale but doesnât tell it to him â the way she goes hollow and reminds him of all thatâs happened. What gunâs been shot, what windowâs been smashed, and he should be horrified because he knows heâd feel the fear in his gut and up his throat if it was anything like before, but it isnât, and though he can change the tone of his voice and twist his mouth into a smile, he canât feel the revelation that something is wrong. He knows it, and he doesnât need to remind himself with every hostage, every mutual killing.
His head is up, snapped back like a rubber band on two fingers, when she says the right name. Like an acolyte in training, he waits for her to finish speaking, finding the right note in his own words to spin the conversation back up itself.
âI â that doesnât sound bad at all. Really! Itâs â itâs a system. I like it. Itâs the kind of stuff we need now, more than ever. Every outpost we keep, or take back, thatâs one step closer to fixing the situation, right? The city, at least. Like those kids â yeah, Iâve heard of them, but havenât seen what they do. I donât have any names, is what I mean. Arenât they, like, really young, too? Elementary age? Thatâs â thatâs awful. But, hold on â â
And itâs the silver lining of getting a gun pulled on him, of hearing of batons and thinking of using his to brain Kageyama when he went for the knife, when he can feel his lips split and the blood in them pulse when he does so, a sort of relief to hear a name he can enjoy.
âAika-chanâs alive?! Thank God, I thought she was â no, I didnât think she was dead, but I didnât know if she was okay or not â Iâm glad, oh my God, thatâs one worry taken care of! And sheâs with you guys?! Thatâs awesome! Great! Where is she?â