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23.F

[whitefireprincess]

Noah Verrier, McNuggets, Oil

[nocnitsa]

[thicketry]

Saint Barbara

[bestiolin]

nakkusu

[witchrealms]

(x)

[7pleiades7]

Vénus (often referred to as Victorious Venus or Vénus victorieuse) (1875) by Alexandre Cabanel (French, 1823 – 1889), oil on canvas, 149.5 cm (58.8 in) x 97.2 cm (38.2 in), Musée Fabre, Montpellier

[elixir]

Polish Armor composed of 1,074 plates. 16th century.

[random-brushstrokes]

Abram Arkhipov - Old Actor (1898)

[pmamtraveller]

Train carriage interior from 1900s.

[panmikola]

Johan Tirén (Swedish, 1853–1911)

"Summer Idyll" 1900

Oil painting

[wintercorrybriea2]

juvenile springtail

[random-brushstrokes]

Edouard Rosset-Granger - Femme à la bulle de savon, décor japonisant (1898)

[inkpressedpetals]

[random-brushstrokes]

Louis Abel-Truchet - Sur les Boulevards (ca. 1895)

[frostedmagnolias]

Purse

c. 1900-1910

France

Maryland Center for History and Culture

[lionofchaeronea]

Title: À l'ombre de l'arbre (In the Shade of the Tree) Artist: Helen McNicoll (Canadian, 1879-1915) Date: 1915 Genre: genre art Movement: Impressionism Medium: oil on canvas Dimensions: 100.4 cm (39.5 in) high x 82.6 cm (32.5 in) wide Location: Musée national des beaux-arts du Québec, Quebec City, Quebec, Canada

Despite losing most of her hearing to scarlet fever at the age of two, Toronto-born Helen McNicoll went on to become one of Canada's most important female artists and a leader in Canadian Impressionism. Trained both in London and Montreal, she maintained a London studio from 1908 until her death in 1915.

[pinkmoondoll9shihtzu]

[flamingartofheart]

The Love of Acis and Galatea, 1827 - oil on canvas

— Alexandre-Charles Guillemot (France, 1786–1831)