sinjpt

[robian]

Your Name

One of my all time favorite anime films for sure. Every time someone who doesn't watch anime asks me for a recc I always say "Your Name" which has also led me to watch this film like 4 different times. I was going to watch it again for this class, but honestly I can remember most of the movie by now from memory except, ironically, their names apparently because I'm sooo bad at remembering names😭. Also this movie definetly has the best plot twist of all time, gives me chills. Alright time to stop yapping about my love for this film and get to analyzing!

Some interesting information is that Makoto Shinkai was largely inspired by the events of the 2011 earthquake in Japan. Many people suffered and lost there lives. Makoto felt completely powerless and felt as if there was no way he could help these people. This led to him starting to portray disasters in his films such as Your Name, Weathering Away With You, and Suzume. Disasters seem to happen more frequently than ever and he wanted to do his best to "explore and face disasters that are only possible through anime and entertainment".

Okay the next theme people often think about when watching this movie is the red thread of fate which is a reference to old Asian Myth. Basically two people are fated to be together no matter what. Even though the main characters are seperated by time and space they are still pulled towards one another. But I'm going to hard disagree even if theres some obvious references to the thread of fate (I mean Mitsuha literally wears the red string of fate😭).

I think the movie is about destiny rather than fate. Now you may be asking "arent destiny and fate synonymous?" In contemporary english they might as well be but if you're as picky as me technically they aren't. Fate implies a predetermined outcome while destiny implies personal contribution to the outcome. The word "fate" originates from the latin word "fatum" which means "has been spoken". It implies an outside force predeterming an event. Destiny comes from the latin word "destinare" which means to "establishing or make firm". You pave the way to your own destiny. I say "Your Name" is a movie about destiny rather than fate because even though they are seperated by space and time, they both put in effort into reaching the movie's outcome. Quite literally they changed Mitsuha's destiny. Honestly, I'm definetly putting way too much thought into this movie and y'all probably think I'm just yapping, but I love this movie so please just give me a pass🙏.

Oh yeah, the movie also has a somewhat romantic theme (tying in with the red string of fate), but honestly I think this movie is so much more than just romance, so I'll spare you and myself from any more writing.

[sinjpt11]

It's fascinating to learn how the 2011 earthquake influenced Shinkai's work. His ability to explore disasters through anime brings a unique perspective to these events, making them feel personal and universal at the same time. While many viewers latch onto the red string as a symbol of fate, your distinction between fate and destiny adds a richer layer to the narrative. The idea that fate is a predetermined path while destiny involves personal agency perfectly fits the journey of Mitsuha and Taki. They don't just accept their circumstances; they actively work to change their destinies, making their story all the more powerful.

[kwanyoung]

Hetalia: Axis Powers | Themes of Media & Nationalism

The Plot Of The Anime

Hetalia: Axis Powers is a anime that takes on nationalistic and political topics and turn it into a satirical animation. In each short episodes, we can see that the nations and political groups are represented as human characters (anthropomorphized countries), where we can see the interactions of each nation through their stereotypical personalities and status, which I personally believe is genius way of retelling stories of historical events towards the broad and younger audience without incorporating much distressing or graphical content. Moreover, each short episodes are commonly themed around major world events like WWI and WWII, however it does expand into minor or fictional interactions between the characters.

The Issue In Question

Visual media, especially these anime episodes, represent a powerful narrative regarding nationalism and the cultural identities for each nation, as seen reflected from our real world's history and events. However, they are mainly expressed through stereotypes, which may not represent the nation or can differ from other nation's perspective as stereotypes are very subjective. Like I said, visual media itself is a very powerful medium to persuade (rhetoric) or bring in knowledge to their targeted audience (knowledge = power), through exaggerated expressions and art style choices. In this anime, the stereotypes are represented in a very exaggerated way, while making the show comedically and entertaining, can misrepresent the entire nation and its people in the real world. For example, Italy the character is represented as very sensitive, while Germany is represented as serious and aggressive. While an average viewer relates to these stereotypes, it doesn't actually represent all of the nation's population and can further push those stereotypical standards. The visual rhetoric element additionally can be powerful in ways to persuade people in a way propaganda does, using exaggerated elements to falsely favor people in serious real world situations.

The Issue Addressed In Japan & Beyond

Visual rhetorics and media have long been used to convince people to support or participate in nationalistic goals, however through creativity and exaggeration, it can also leak some misinformation of traits from specific nations or political groups to pull more power in from the people to those organizations or nations sending these media. One notable example is from Germany during WWII, where they would hand out visual rhetorics in forms of cartoons, portraying other countries like the United States as "corrupt" while displaying themselves as the more powerful and trustable nation. The visuals in propaganda are usually fantasized through body proportions and special added effects to bring in additional meanings, often for exaggeration.

On the other hand, visual media such as Hetalia can be beneficial to teach people in the real world about each country and culture, as well as the interactions in a less graphic way. However, the false representations and stereotypes are still relativity common in order to persuade the audience about what the country's identity is and their reason for their motives in historical events.

My Personal Takes

Today, I am very influenced by the media from around the world, whether that be social media, films, or the news. Social media would probably be one of the most influential, especially political memes that I happen to keep stumble into. The creators usually create exaggeration and stereotypes based on the government and the so called daily lives of the people in order to create comedically effects as well as to send a deeper meaning about their society, typically harsh like China or North Korea. All of this would shape how I perceive other countries and it does show how powerful media like Hetalia can be when they represent a real world country through their own stereotypes.

[sinjpt11]

The genius of the show lies in its ability to present complex historical events and international relationships in a way that is both accessible and entertaining to a younger audience. By turning countries into characters, "Hetalia" brings history to life in a manner that is far more engaging than traditional textbooks, making it easier for viewers to connect with and remember these events. While it makes the show comical and memorable, it also risks perpetuating misconceptions about entire nations and their people. For instance, portraying Italy as overly sensitive or Germany as unyieldingly aggressive can reinforce outdated and simplistic views that do not capture the diversity and complexity of these countries. I agree with your comparison to propaganda. Visual media, with its powerful rhetoric and persuasive capabilities, has long been used to shape public perception and political opinions. The exaggerated elements in "Hetalia" can indeed function similarly, influencing how viewers perceive other countries, sometimes reinforcing negative stereotypes. This is a reminder of the responsibility that creators have when they wield such influential tools.

[sinjpt11]

"Hetalia: Axis Powers"

I enjoyed that "Hetalia: Axis Powers" painted history though a satirical lens. In Japan, "Hetalia" reflects a society grappling with its historical legacy and current place in the world. The anime's humorous take on historical events like World War II offers a lighthearted way for Japanese viewers to engage with a past that is often treated with great sensitivity. However, this approach also raises eyebrows. 

Globally, Hetalia’s personification of countries brings a fresh perspective to global politics. By turning complex international dynamics into personal relationships, the anime makes these issues more relatable. Yet, this simplification can also be problematic, as it risks reinforcing stereotypes and trivializing historical events.

In the context of American society, Hetalia is both a mirror and a magnifying glass. The character of America is depicted as brash, overconfident, and overly heroic—a reflection that is uncomfortably spot-on. This portrayal can serve as a critique of American exceptionalism and its often unilateral approach to global politics. However, the anime's humor might not always translate well, as the intricacies of international relations are sometimes lost in the portrayals.

Sandra Annett's analysis in "Anime Fan Communities: Transcultural Flows and Frictions" sheds light on the deeper implications of Hetalia. Annett discusses how the anime fits into the broader trends of the media mix and its appeal to the fujoshi community. The series' success among female fans who enjoy male-male romantic subtext adds another layer to its cultural impact, highlighting issues of sexual and gender representation and media consumption.

Hetalia: Axis Powers has proven to be more than just an anime; but a masterpiece that invites viewers to laugh, reflect, and sometimes cringe. Its blend of humor and history makes it a unique commentary on the state of international relations, while also prompting important discussions about how we represent and engage with our past.

[sinjpt11]

Your Name

While watching "Your Name", I was immediately visually pleased by the animation's fine details and contemporary style (as you can see why the eggs GIF is my favorite frame). Since I've always enjoyed watching body-swapping cartoons growing up, it became one of my favorite assignments. Through the lens of Mitsuha and Taki's body-swapping adventure, the film subtly addresses themes of identity, memory, and the longing for connection in an increasingly fragmented world.

In Japan, "Your Name" relates particularly to the younger generation, grappling with societal expectations and the pressure to conform. Mitsuha's desire to escape her rural life in Itomori reflects Japanese youth who feel stifled by tradition and the rigidity of societal roles. This theme is universally relatable, as many young people worldwide experience a similar struggle between individual desires and societal expectations.

Globally, the film's exploration of natural disasters taps into collective anxieties about climate change and the fragility of human existence. The comet disaster that threatens Itomori serves as a reminder of our vulnerability in the face of nature's wrath, an issue that transcends borders and is ever more pressing in the wake of increasing environmental catastrophes. It also challenges the attitude of rugged individualism by suggesting that our lives are intricately linked and that our actions profoundly impact others, even across time and space.

Michel Foucault's "The History of Sexuality" can be seen as complementary to "Your Name." Foucault's exploration of how societal power dynamics shape individual identities parallels the film's depiction of Mitsuha and Taki's struggles with their own identities within the constraints of their respective environments. Both works leads us to question how external forces shape our understanding of ourselves and our relationships with others.

Overall, "Your Name" is a beautifully crafted film. It provides a reflection on the human condition, urging us to look beyond the surface and recognize the deeper connections that bind us all.

[robian]

XenoBlade Chronicles 2

I've heard a bit about this game before so I thought it was an interesting pick for the class. The anime is a clear cut comment on the relationship between humanity and nature. Basically, Klaus destroys the entire world and is trying to rebuild it. He uses nanobots and the titans in order to achieve this restoration. Humanity is clearly struggling with the absence of nature and would have completely died off if it wasn't for Klaus creating the titans. Humanities depictions of Heaven or “Elysium” is basically just a place that has nature within it. After living in a world absent of nature, humanity's greatest wish is simply to return to it. It comments on today's world that is actively harming nature. It's easy to destroy nature but hard to rebuild, and once it's gone, you'll wish you never destroyed it. So, we should preserve nature, so there is never a point in time where humanity is threatened by the absence of it.

What's interesting is that unlike in Nausicaa, it seems that nature has no way of naturally healing itself. Nature is completely reliant on Klaus and his plan in order to regenerate. Nausicaa gives the idea that nature can live independently without us but that we cannot live without nature. Xenoblade makes it seem that we are intereliant on each other. Personally, I think nature being capable on its own makes more sense from a current standpoint. We'd really have to mess up the world, for nature to not be able to survive without us. Ultimately, our job as humans is to simply not prevent nature from doing its purpose and preserving itself.

Anyways, like I said before Xenoblade is a clear comment on humanity's relationship with nature. We shouldn't harm nature for our own greed. We are reliant on nature to survive.

[sinjpt11]

Hello! Xenoblade does a great job by mirroring real-world environmental concerns, emphasizing how easy it is to destroy nature and how difficult it is to restore it once it’s gone. I agree with your comparison of Nausicaä of the Valley of the Wind. In Nausicaä, nature has an inherent ability to heal itself, symbolizing hope and resilience. On the other hand, Xenoblade Chronicles 2 presents a bleaker scenario where nature's revival is heavily dependent on human intervention. Xenoblade definitely relates more to our society.

[sinjpt11]

Xenoblade Chronicles 2

Xenoblade Chronicles 2 cleverly highlighted themes that relates with issues both in Japan and globally.

The portrayal of the Titans and the destruction of their ecosystems parallels to environmental degradation. In Japan, where natural disasters are a recurring threat and environmental conservation is a significant concern, the anime’s narrative is obvious. The constant fight to protect and restore the natural world reflects the real-world struggles against pollution and climate change. This theme is universally relevant, echoing the global discourse on sustainability and the dire need to preserve our planet.

Globally, Xenoblade Chronicles 2 addresses the issue of identity and belonging. The diverse cast of characters, each with unique backgrounds and struggles, mirrors the multifaceted nature of human societies. This aspect of the anime is particularly relatable to American life, where the melting pot of cultures and identities often leads to a search for belonging and self-acceptance. The protagonist, Rex’s journey from a simple salvager to a hero, relates to the American dream narrative—where anyone, regardless of their origin, can achieve greatness through determination and resilience.

Connecting this to "The Drama of the Anthropocene," the anime’s depiction of a world on the brink of collapse due to human (or humanoid) actions aligns with the critical issues raised in the reading. The Anthropocene, characterized by significant human impact on Earth’s geology and ecosystems, is mirrored in the Titans' slow demise. Xenoblade Chronicles 2 subtly critiques the unsustainable exploitation of resources and the consequences of unchecked industrialization.

Xenoblade Chronicles 2 is more than just an epic fantasy tale. It’s a reflection on environmental responsibility, the search for identity, and the pressing issues of our time. The anime adaptation brings these themes to life, making it a relevant and thought-provoking watch for audiences worldwide. It challenges us to consider our role in shaping the future of our world, much like the characters shape theirs.

[robian]

Nausicaa of the Valley of the Wind

I actually think this is my new favorite studio ghibli film. Something about it was extremely beautiful and touching. Was I just under a rock, I don't know how I haven't heard of this film before. Also before this analysis begins, I just wanna put out there a theory that the design of Malenia from Elden Ring may be partially inspired by Kushana. Could be a coincidence but that's why it's just a theory.

Two major themes of the film are Anti-war and connection with nature. I'll start with Anti-war. The films depicts a world one thousand years after a nuclear war. The soil and water is filled with radiation/poison and is fetal to humans. The forest keeps spreading is seen as a threat to mankind, but in reality it's devitalizing the world with new soil through the ashes of the trees. This film was created not too long after the cold-war in which many worried about the possibility of a complete nuclear war. If that war was to happen it would have damaged the earth, leaving lasting effects for thousands of years. If a nuclear war on the scale of a World War happened, it could very well be the end of humanity or at least set us back many years as depicted in the film.

Theres this famous quote from Albert Einstein that I can't help but think of: "I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones". Nausicaa realizes that the hate and war needs to stop. Even she was blinded by rage from the murder of her father and retaliated by killing people. Yet, she learned to put aside her feelings for the good of the people and from that time on, she never killed another soul.

Nausicca has a special connection with nature. From a young age she's depicted protecting a baby Ohmu. She gets along with every animal she meets and most importantly she doesn't see the forest as something to be feared. In the end, nature quite literally brings her back to life symbolizing a new beginning where the world is connected with nature once again. The nature of the forest was the world healing itself after the nuclear war and the Ohmu shared the feelings of the Earth. The film criticizes current society's distance from nature. Current society does not respect nature but rather uses it for it's own benefit. The pathway to peace is a world where we embrace the Earth rather than fight unnecessary wars that end up harming it.

[sinjpt11]

I loved the anti-war message. The depiction of a world devastated by a nuclear war, with poisoned soil and water, effectively portrayed the realities of war. The quote you mentioned from Einstein perfectly encapsulates the film’s warning about the cyclical nature of violence and the potential for utter destruction.

The film’s message about nature’s resilience and its potential to heal even after catastrophic damage is hopeful. It criticizes our exploitative tendencies and advocates for a more harmonious relationship with the environment. This theme is especially relevant today as we face global environmental challenges.

[sinjpt11]

Nausicaa of the Valley of the Wind

Watching Nausicaa of the Valley of the Wind was an enjoyable experience with its fantasy-like theme. This anime offers a powerful critique of environmental degradation and the human propensity for conflict, themes that are as relevant today as they were when the film was released in 1984.

In the context of Japan, Nausicaä reflects deep-seated cultural concerns about harmony with nature and the consequences of industrialization. Japan's rapid post-war industrial growth led to significant environmental issues, including pollution and deforestation. Nausicaä’s world, devastated by toxic jungles and giant insects, serves as a stark reminder of what can happen when humanity disrupts the natural balance. The film's portrayal of a strong, empathetic protagonist who seeks to heal rather than conquer nature relates to traditional Japanese values of respect for the environment and living in harmony with it.

Globally, the film's environmental message is pertinent. As we face climate change, deforestation, and biodiversity loss, Nausicaä serves as a cautionary tale about the dangers of environmental neglect. The toxic jungle in the film can be seen as a metaphor for the world's polluted ecosystems, urging viewers to reconsider their relationship with the environment. Miyazaki's vision is a universal call to action, advocating for a more sustainable and respectful approach to nature.

For American viewers, the themes in Nausicaä are also relevant. The United States, like much of the world, grapples with environmental challenges and debates over sustainability. Nausicaä’s journey reflects the growing environmental consciousness in America and the increasing recognition of the need for eco-friendly policies and practices. Her character embodies the kind of leadership and vision required to navigate these issues, a leader who prioritizes ecological balance and peace over exploitation and war.

Connecting this to our assigned readings, particularly those discussing environmental ethics and the Anthropocene, Nausicaä is a vivid narrative that exemplifies these concepts. The film illustrates the ethical imperative to protect and preserve the environment for future generations, a key theme in many contemporary environmental discussions.

[kwanyoung]

The End of Evangelion | Themes of Individualism & Reality

The Plot Of The Anime

After the massive destruction and near human extinction, traumatic flashbacks of Asuka Langley Soryu's mother committing suicide, as well as the defeat of her beloved Evangelion Unit-002, we can see that Asuka is comatose, and Shinji Ikari is trying to wake her up, but eventually goes desolate and not responding.

All the Angels have been defeated and there isn't much to do with the Evangelions now. We also get an insight into the Human Instrumentality Project, which Gendo Ikari and SEELE (a secret organization) proposed to force evolve humanity. They believe that humanity reached its evolutionary limits (as we can see Angel species dominate in power) and calls humans and living beings weak and flawed. They thought that merging the existence of everyone into one whole, super-entity, instead of making the beings independent, would make them stronger and comparable to entities like the Angels, as well as solving independent struggles and hating of their own kind. Gendo, personally pushes the project just to see his dead wife again. SEELE, however is hacking NERV's Magi super computers so they can do their agenda before Gendo can, eventually turning into all-out war.

In the near end, Shinji goes hysterical as he witnesses the awakening of the angels (Lilith), a part of SEELE's master plan towards instrumentality.

The Issue In Question

Honestly, this movie took on a very weird and disorienting storyline, so finding themes were quite hard to do so. However, I want to talk about individualism in the space of reality. In the end, the anime talks about reality and the fact the composition went from anime to cinematography. Reality is reality, and you cannot escape it. Dreams and fantasy are where you can find happiness, but it is temporary, and reality will always come for you in the end. Individual-wise, if there was no individuality, and if all entities merged into one, you will be everyone but also nobody. There will be no pain, no suffering, no individual thinking. The concept of fear is lost, there is nothing good in this new combined reality. We see that there is a 5 billion year cycle between individual humans and a single god, and neither can coexist at one period (humans probably messed up injecting angelic remains into individual beings). We can only have individual humans, or all the humans merging into a one supreme being.

So what can I obtain from this? I personally don't have a clear answer. Also, watching this movie quite damaged my mentality in some way. However, I might suggest that what an individual must find is happiness, by facing the fears of society, and suffering through pain. Society and the individual must understand each and they are humans and humans are humans, separated by individualism and scattered from a spectrum whole. But who knows, the movie seems interpretive anyways.

The Issue Addressed In Japan & Beyond

Our world is reality, the place we live and the place we are conscious in. In our world, there is no escaping. Dreams and fantasy are inside our reality and are temporary means of happiness, whether that is sleeping or diving into fiction. It is important for an individual to find happiness in their life and there are no shortcuts. Pain, fear, and suffering are all part of the cycle of living, especially you, and one must suffer through it while maintaining your individualism (be like yourself), which is a good thing as other people can understand who you are in reality and you will find some good helpful people. Our reality does not have a single being just like how all the souls merged in the anime, we have to cope living in this reality.

My Personal Takes

I don't know. My previous statement is what I think about my reality. The movie itself felt like a fever dream, and I writing like I am going through that phase in this blog. My reality is shared among everyone but it is the individual that isn't shared. My individual, my body, my control. By being an individual, I have my own will to shape and bend reality how I want (however in small local bits and if I am confident enough with no pain, fear, nor suffering blocking my path). How I perceive myself and the forgoing reality is destined to becoming my future. I had this kind of thinking and it applies especially in college. If I have a strategic path through reality and have the confidence to execute it, the future will eventually bring me happiness and success.

--- Hysteria mode has ended ---

[sinjpt11]

I agree that the traumatic flashbacks and the overwhelming sense of desolation among the characters, particularly Asuka and Shinji, paint a harrowing picture of their psychological states. Asuka’s coma and Shinji’s subsequent breakdown highlight the deep emotional scars inflicted by their battles and personal traumas. These moments underline the series' ongoing exploration of mental health issues and the heavy burden of societal and personal expectations. The notion of forcing human evolution by merging all consciousnesses into a single entity is both fascinating and terrifying. It reflects the desperation of humanity to overcome their perceived weaknesses. This concept ties into global concerns about individuality versus collectivism and the search for a utopian solution to human suffering. It suggests that true happiness and fulfillment come from facing reality head-on, despite its inherent pain and suffering.

[sinjpt11]

Neon Genesis Evangelion Part 3: End of Evangelion

Ill admit, I did not think part 3 would be even more intense and mind-bending. The conclusion to the series not only deepened the psychological complexities of the characters but also pushed the boundaries of storytelling and visual art. 

In Japan, the themes of isolation, societal pressure, and mental health are depicted through the characters' journeys. Shinji’s struggle with his identity and the immense pressure to conform mirrors the real-life pressures faced by many Japanese individuals, especially men. The film's chaotic and introspective narrative reflects a society grappling with the consequences of its rigid social structures and the high expectations placed on individuals. Globally, these themes relate as well, as mental health issues and the search for identity are universal experiences. The film's exploration of existential dread and the desire for human connection speaks to a broader audience, making its impact felt far beyond Japan's borders.

In America, the portrayal of Shinji’s breakdown and the apocalyptic scenarios reflect societal anxieties about the future and the individual’s place within it. The depiction of mental health crises, loneliness, and the need for validation are issues that resonate deeply in American society, where these themes are increasingly part of the public discourse. The rawness of Shinji's psychological turmoil and his interactions with the other characters highlight the damaging effects of trying to meet societal expectations while grappling with personal demons.

The readings on masculinity, particularly Raewyn Connell’s "Masculinities" and Robert Heasley's "Queer Masculinities of Straight Men," provide a valuable framework for understanding Shinji’s character. His vulnerability, reluctance to engage in violence, and emotional depth challenge the traditional notions of what it means to be a man. This critique of hegemonic masculinity is central to the film’s narrative, highlighting the need for a broader and more inclusive understanding of gender.

"End of Evangelion" is a powerful, disorienting, and thought-provoking finale that forces viewers to confront the darker aspects of human nature and societal expectations. Its exploration of mental health, identity, and masculinity makes it a timeless piece that continues to resonate across cultures, challenging and inspiring its audience to think deeply about their own lives and the world around them.

[n4stasia]

Neon Genesis Evangelion | pt.2

Continuing the Evangelion iceberg of disturbance. Level 2 reached.

Trauma

After facing battles that leave deep psychological scars on Shinji, the need for a third pilot arises. This is where Asuka Langley enters the picture, a rebellious girl who arrives from Germany as an exchange student. Her tough exterior is a defense mechanism developed to cope with her mother's mental breakdown and subsequent suicide. Determined to never cry or show weakness again, Asuka becomes fiercely independent, but emotionally unstable.

Shinji is grappling with his own inner demons. Having always been an outsider, he struggles to form meaningful connections. The psychological toll of piloting the EVA intensifies his isolation. Despite his fear and reluctance, circumstances force him to continue.

Rei, emotionally distant girl, is another puzzle piece in this complex narrative. Like Shinji and Asuka, she's searching for her identity. However, her unwavering obedience and willingness to sacrifice herself set her apart.

Their psychological wounds are only deepened by the realization that EVA is not just a machine. EVA seems to possess her own consciousness and exerts a powerful psychological influence on the pilots, especially Shinji, as if she's brainwashing them.

eps. 25 & 26

I'm saving my personal opinions for the third blog, but umm? At this point my brain started to melt. Total chaos, delusion, psychodellic badtrip, and nonsense. Honestly, if I were to watch it at the age of 14 or so- I would totally enjoy such an exquisite cinematic performance and think those who criticize it just don't get it. >_<

At this point Shinji is very sick, mentally. In my opinion, the compilation of delirium conversations/thoughts/graphics is one of the best portrayals of existential crisis, severe depression, and suicidal ideations. These last two episodes are anxiety inducing and almost put you inside of Shinji's brain, which is again very disturbing and sick.

[sinjpt11]

Asuka’s tough exterior, stemming from her traumatic past, adds a fascinating layer to the already complex narrative. Her fierce independence paired with her emotional instability offers an honest depiction of someone desperately trying to mask their vulnerabilities. It’s clear that Asuka’s character is not just another addition to the team but a critical element that intensifies the psychological tension among the pilots.

Shinji's isolation and difficulty in forming meaningful connections highlight the significant psychological toll throughout the series. It does an excellent job of portraying Shinji's inner turmoil and the mounting pressure he faces. Despite his reluctance and fear, he is continuously forced into the role of a pilot, further exacerbating his mental health issues. It’s a powerful commentary on how external circumstances can force individuals into roles they are neither prepared for nor willing to embrace.

I agree with your point about the series possessing its own consciousness and exerting a psychological influence on the pilots. It blurs the lines between man and machine, adding a layer of complexity to the pilots' already fragile mental states.

[sinjpt11]

Neon Genesis Evangelion Part 2

Watching Part 2 of Neon Genesis Evangelion was an even more intense and introspective experience than the first. As the series goes into the psyches of its characters, it exposes the raw and uncomfortable realities of their inner struggles. This part of the anime continues to address pressing issues both in Japan and globally, particularly focusing on mental health, societal expectations, and the complexities of identity.

In the context of Japanese society, Neon Genesis Evangelion reveals the intense pressure on individuals to conform to societal norms. The characters, especially Shinji, Rei, and Asuka, are all burdened with expectations that reflect broader societal issues. Shinji's continued struggle with his identity and purpose, Rei's detachment and search for meaning, and Asuka's desperation for validation highlight the mental health crises that can arise from societal pressures. These characters’ experiences resonate with many in Japan, where high societal expectations can lead to significant mental health challenges.

Globally, and particularly in America, these themes are equally relevant. The portrayal of mental health struggles, identity crises, and the quest for self-acceptance are universal issues. The anime's exploration of these themes offers a poignant reflection on how societal pressures can affect individuals worldwide. Shinji’s character, in particular, embodies the struggle against hegemonic masculinity as discussed by Raewyn Connell. His inability to fit into the traditional mold of masculinity—characterized by bravery and aggression relates with many who feel marginalized by these rigid expectations.

Robert Heasley’s concept of "queer masculinities of straight men" is illustrated in Shinji’s continued journey. His kindness, empathy, and reluctance to engage in violence contrast with traditional masculine ideals. Shinji’s struggle to reconcile his identity with societal expectations reflects Heasley’s notion of straight men who exhibit non-normative masculine traits. This portrayal challenges the conventional gender norms and highlights the fluidity and diversity within masculinity.

[robian]

Neon Genesis Evangelion Part 1

I'm writing this after watching the entirety of Evangelion because I didn't wanna ruin it by watching specific episodes. I'm also writing this early so I'm just going to make an educated guess about what part 1 covers.

Okay, so I'm going to mainly talk about Shinji because we don't really dive deep into the other characters until what I assume will be covered in part 2. Shinji is very different from your average anime protagonist. Most anime protagonists are seemingly always good looking and brave. They try to appeal to the watchers' desires. Shinji on the other hand is just a frail and scared young boy who just wants to be loved by his dad. Personally, I love characters like this. They tend to feel more realistic. If you almost died like Shinji did, and had to endure the pain simulated from the Eva, you'd probably be scared shitless too just like Shinji.

Also by starting off as weak, it allows more character development. But, to be honest, Shinji doesn't really have much character development (until literally the last 2 eps). Shinji realizes that he pilots the Eva to please his dad (hopefully this was part of part1 I don't remember). He even returns to his Eva after leaving, but he's still scared. Even though I enjoy character development, I think in certain situations, a lack of it can be just as telling. He's not suddenly just going to become brave and lose his fear of fighting in the Eva, and by this lack of development, it really highlights just how much he desires his dad's admiration.

Now, I also want to talk about how Shinji takes on more feminine than masculine gender roles. Shinji is depicted as kind and caring. He always apologizes and avoids any conflict. He cooks and cleans the apartment, while the women are depicted as slobs. He's scared to pilot his Eva, while the two women Rei and Asuka are fine with it. Honestly, I'm trying to think of a different anime that's male protagonist is like Shinji, and I can't (although I'm sure there's a few). It just tells you how unique of a character Shinji is. Going back to the last module, Shinji really challenges what we view as gender roles. A man doesn't need to always be tough and brave, he can be weak and scared too.

[sinjpt11]

I agree with your take on Shinji as a refreshing deviation from the typical anime protagonist. Shinji's characterization is a bold and realistic portrayal that breaks away from the usual archetypes of bravery and attractiveness. Instead, we see a frail, scared young boy who just wants his father's love and approval. This depth and vulnerability make him a compelling character and a stark contrast to the more idealized heroes we often see in anime. Shinji's slow and often stagnant progression is a realistic depiction of how deeply rooted fears and insecurities don't just disappear overnight, adding a layer of realism to the series.

[sinjpt11]

Neon Genesis Evangelion Part 1

Watching Part 1 of Neon Genesis Evangelion was an intense experience as it digs deep into the complexities of human emotion and societal pressures. From the onset, it becomes clear that the show is not just about giant robots and epic battles but also critiques masculinity, identity, and existential dread.

In the context of Japanese society, Neon Genesis Evangelion addresses the immense pressure on individuals, particularly men, to conform to societal expectations. Japan’s post-war culture has been one of discipline and high expectations, often leading to significant mental health struggles among its population. Shinji Ikari, the protagonist, embodies this struggle vividly. Unlike typical male heroes, Shinji is reluctant, fearful, and deeply insecure. His inability to perform traditional masculine roles, such as demonstrating aggression, challenges the normative expectations of male behavior. This depiction is a direct critique of the rigid societal roles that many Japanese men are expected to fill.

Globally, and particularly in America, these themes resonate strongly. The pressure to conform to hegemonic masculinity—characterized by traits such as aggression and competitiveness —is rampant. Connell's concept of hegemonic masculinity helps to understand this societal structure, where only a specific form of masculinity is valorized, marginalizing those who do not conform. Shinji’s character can be seen as a representation of Robert Heasley’s “queer masculinities of straight men,” where his failure to embody hegemonic masculinity labels him as different and inadequate in the eyes of society.

Neon Genesis Evangelion disrupts the traditional narrative by showcasing a male protagonist who is more in touch with his emotions, fears, and vulnerabilities. This approach aligns with the readings by Heasley and Connell, highlighting that masculinity is not a monolithic concept but a spectrum of behaviors and identities. The anime challenges viewers to rethink the societal constructs of gender and the damaging effects of these rigid expectations. In a world where mental health issues are becoming increasingly prominent, Neon Genesis Evangelion serves as a crucial narrative that highlights the need for a broader, more inclusive understanding of masculinity and human identity.

[just-another-anime-blog-2048]

Convention Blog Post

Before college, I never really paid much attention to anime conventions because I wasn’t exactly an anime fan. Mainly, I didn’t quite get the hype for the cosplay and the fictional characters that anime fans obsessed over. However, since I was a K-pop fan, I understood fan culture, so I wasn’t against it, and since there were a few times when K-pop and anime were intertwined, I gradually got more exposed to this field. In fact, I also had many friends who were anime fans, and they would constantly tell me about their experiences at anime conventions. Therefore, during my first year of college, I decided to finally attend an anime convention: SwampCon at UF. This would be my first anime convention, and although I didn’t participate in any of the cosplay, the event did expose me to the concept of youth culture, fandom, and cultural identity formation, which all are things we have covered in this course.

To start, the anime conventions are quite similar to K-pop conventions in that you have a whole community of people who come together to express their love for something. However, I feel like the most unique part of anime conventions is the immense amount of cosplay that is present. The moment you walk in, you’ll see so many people dressed up as their favorite fictional characters, and everywhere you walk, you’ll probably encounter new cosplays or even duplicates. I also think it was interesting how those who had the same cosplay still gave off different vibes though, which I think sort of ties into how fans can possess their favorite fictions. Another cool part of the conventions is that they have these things called artist alley, vendor’s hall, and panels that allow you support businesses and also interact with other convention participants. Thinking back on the experience, and considering the fact that I’ve now watched Genshiken, I can sort of see a small comparison between the two, as there are also booths where people will line up to make purchases (normally fanart, keychains, photocards, more cosplay items, etc.)

The panel event that I really wanted to attend was a K-pop random play dance hosted by Genesis Dance Crew, so I decided to show up to that event. One thing I learned from the random play dance was that many anime fans were also K-pop fans. Not only was the room extremely filled, but also so many people danced in their cool cosplay outfits. I remember seeing a post on Instagram about how some of the craziest anime universe collisions occur during these random play dances (because two cosplays from two completely different anime come together and perform a dance), and I think it’s safe to say that the statement is definitely true to some extent. If I remember correctly, I also saw some interesting pairs during the partner dances.

This is a photo from the random play dance event at SwampCon. I’m actually also in this photo, so if you can spot me, congrats to you 😊

Unfortunately, I was only able to go to the first day of SwampCon because I had to spend the second day studying for an upcoming exam. However, I will say that my first experience was still memorable. Even though I wasn’t much of an anime watcher at the time, I still got along with many of the other anime fans at the convention. Plus, because there were so many K-pop panel events at the convention, I didn’t feel too left out. Lowkey, it made me wonder if SwampCon was also partially a KCON (K-pop Convention) event. Hopefully, I can go to a larger convention next time with some of my anime friends, and maybe even try out cosplay for the first time.

[sinjpt11]

It's always fascinating to see how stepping into a new cultural space can reshape our perceptions and broaden our horizons. I'm convinced that conventions, of any type, serve as a communal ground for fans to express their love and dedication, but the distinctiveness of the cosplay culture at anime conventions is indeed something special.

I agree that the diversity of cosplay, even among those portraying the same character, is a reflection of how fans interpret and embody their favorite figures. It's a testament to the creativity and individuality within the community. This aspect of fandom, where each person brings their unique twist to a character, aligns well with the concept of "possessing fiction." Fans aren't just passive consumers; they're active participants who bring these characters to life in their own unique ways. It's a beautiful reminder of how fandom allows people to connect with fictional worlds on a deeply personal level.

It's great that your first experience was so positive. It speaks volumes about the welcoming nature of these communities, where shared enthusiasm can bridge gaps between different interests.

[sinjpt11]

Supercon Miami 2016:

Supercon Miami 2016 was my first ever venture into the world of fan conventions, and as an amateur, I was both excited and unsure what to expect The event promised a blend of pop culture, anime, comics, and gaming- something for everyone. Walking into the convention center, I was immediately overwhelmed by the sheer scale and variety of activities. From the vivid cosplay costumes to the overall energy in the atmosphere,it was a sensory overload, in the best way possible.

As someone new to the convention scene, I was amazed by the craftsmanship and attention to detail. It was like stepping into a living gallery art gallery. Characters from Star Wars, Naruto, Marvel, and countless other franchises were brought to life with astonishing accuracy. I was amazed at how many different franchises and genres came together for the convention.

Ill admit, As a first-timer, I somewhat felt out of place amidst the sea of elaborate costumes However, there's was a palpable sense of community among cosplayers, most were friendly respected each other’s creativity. This sense of being an outsider is probably common for newcomers, but you’ll likely leave with some cosplay ideas for future events.

Even the vendor hall felt like an experience. It was not like the typical convention vendors lined up, It was a treasure trove of merchandise, from rare comics and collectible figures to artwork and handcrafted items. Prices varied wildly, and it was clear that knowledge and fandom played a big role in buying these items. I was cautious, not wanting to overpay or buy something I didn't fully understand. The variety of products and the enthusiasm of the vendors made the experience enjoyable. It was also an educational experience, as I learned more about the value and appeal of various collectibles.

One of the standout moments for me was attending a discussion featuring Elliot S. Maggin, Known for his influential work on Superman. I enjoyed hearing insights from someone who had such a significant impact on the character's legacy. It was a reminder that behind the vibrant animations are real people with their own stories and passions. 

Despite the overwhelming nature of the event, there were also moments of calm and reflection. The convention had designated areas for gaming, where attendees could relax and play everything from tabletop games to the latest video game releases. These spaces provided a welcome respite from the crowds and a chance to connect with others in a more low-key setting. It was here that I realized the convention was not just about the spectacle but also about community and shared interests.

In the end, Supercon Miami 2016 was an unforgettable experience. It was a whirlwind of sights, sounds, and joy, and while it was at times overwhelming, it was also incredibly inspiring. The dedication and passion of other attendees were contagious, and I left with a newfound appreciation for the world of fan conventions. I realized that conventions like Supercon are as much about the people as they are about the culture they celebrate. They provide a space for fans to express themselves, connect with like-minded individuals, and immerse themselves in the worlds they dream of.

For anyone on the fence about attending a convention, especially if you're in South Florida, I say go for it. Even if you're not in cosplay or don't know all the ins and outs, the experience is worth it. It's a place where you can learn, grow, and maybe even find a new passion. Supercon Miami 2016 was just the beginning for me, and I can't wait to go again someday.

[robian]

Wandering Son

Honestly, at first I thought this anime was a comment on discrimination against transgender people. However, by the end of the show, I think the anime was more of a comment on cross-dressing. Either way, the discrimination portrayed could easily be applied to either one because most people can't differentiate between the two. Most people, if they saw a bio male in a dress, would automatically jump to the conclusion that the person was transgender.

I thought it was interesting how the anime portrayed the contrast between male and female cross-dressers. Women can pretty much easily get away with dressing as a man, but if a dude were to wear a skirt (unless you're about to whip out the bagpipes), people would judge him. My personal thoughts on the cause of this is that women tend to be more fashionable in general, so a woman dressing as a man could just be seen as fashion.

The anime makes a pretty clear statement that society frowns upon men to women cross-dressing. What I think is interesting is how we've applied gender labels to so many things. Even the color pink is seen as girly. Personally, as a dude, I love the color pink. Society, from a young age, conditions us to like certain things. Boys are given toys different from girls, they're dressed in different clothing, etc. There's nothing biologically that implies a guy can't like wearing a skirt. It's all psychological conditioning.

I wonder if transgender people feel that they were born into the wrong body because their interests happened to align with the opposite gender's. gender and sex are fundamentally different after all. One is based on psychological aspects while the other is based on biological aspects. In my opinion, theres actually nothing psychologically wrong with transgender people at all, rather, it's society assigning labels that's the problem.

Society is wrong for discriminating these people just because they don't fall under it's standards. Just let people like what they like. If it isn't hurting anyone, then what business do you have with them. To all my homies out there, if you wanna go dress up as a woman, go do it. To all the ladies out there, if you wanna dress up as dude, go do it. Who cares what society thinks, cause it's all BS anyways.

p.s. if you disagree or feel strongly about any of the things I said just know I don't read any of yalls reposts, but feel free to criticize🙏

[sinjpt11]

It's easy to see how the anime could initially be viewed as a commentary on transgender discrimination, but you're right in noting that it leans heavily into the nuances of cross-dressing as well. The line between cross-dressing and being transgender is often blurred in society's eyes, which makes the show's exploration of these themes so relevant and thought-provoking.

Women are generally given more leeway when it comes to fashion choices, while men face harsher judgment for stepping outside traditional norms. This double standard is frustratingly prevalent, and "Wandering Son" does a great job of highlighting it. It's fascinating to consider how much of our perceptions are shaped by societal conditioning rather than any inherent truths about gender. As you said, societal norms dictate so much of what we consider "acceptable," even down to the colors we associate with gender.

I completely agree with your sentiment that society needs to let people express themselves freely. Discrimination based on gender expression is not only unjust but also harmful to individuals' mental well-being. To anyone out there, if dressing a certain way makes you happy and doesn't harm anyone, then go for it. Society's rigid standards are arbitrary, and breaking them is a step toward a more accepting world.