Critical Role Moodboards: Fiedra Marrow
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Critical Role Moodboards: Fiedra Marrow
I've seen a lot things scrolling on the tag about corkas and his name being a flower that signifies new beginnings and hope and is the first flower to bloom in spring and we're all crying about it.
But then, on top of that, Crokas did not name himself. Fiedra did. Fiedra had this dragonborns egg, a race so different from her own, but refused to leave it-HIM behind. She was not well equipped to raise a child. She was a child herself. It was another mouth to feed. A liability. A hindrance. Like she was.
So she kept him and when he hatched, he needed a name. And she chose hope. She chose new beginnings. She chose something beautiful and resilient for her son. He didn't come to her at an opportune time. She probably didn't think she'd ever have children in this ruined world. But a baby, a new life. Well. If there's any reason for hope, that's certainly it.
Sometimes a family is a halfling mother who really didn't expect to be a mother, her eldest son who is a beta version of godzilla, and her youngest son who used to be the vessel for the devil
"In all the ages of Exandria, what few mortals can claim to have undone a lie of the Father of Lies, Fiedra Marrow is at the very top of that list."
FIEDRA MARROW THE WOMAN THAT YOU ARE
I'm insane over the fact that the one aspect of Fiedra that Asmodeus didn't account for was her parental instinct. He sees her ruthlessness, her cunning, her willingness to cheat and fight and kill to protect herself, so he tempts her with riches and safety and freedom from her rotten lot and he knows she will say yes, because she is a liar, a survivor, a roach who always has an out, just like him, and Asmodeus always chooses to save himself.
She should say yes, but against all odds, she says no.
As I alluded to in my liveblog posts, I think there's something incredible about the idea of a ranger being defined as someone who is able to make a home out of nothing. The idea of Erro and Vex as the most prominent ranger PCs within CR lore as people whose homes burned along with one of their parents, who wandered and kept losing family throughout their lives, becoming people who eventually gained the ability to turn the world into a home is an incredibly beautiful one (thanks Celia). Because that is what a ranger is! It's a class that in 2014 5e rules is at times underpowered in part because a lot of D&D stories aren't really about that, but that's where their skillset lies. They are good at survival itself, at finding what they need to keep going and make a life and place for themselves even if one isn't given.
Rogue and Ranger are in many ways mirrors (and I believe the 2024 rules make that more explicit, granting Ranger expertise). A rogue is in some ways an urban ranger; capable of navigating cities with little more than their wits, the way a ranger does wilderness. We can see very easily with Vex and Vax how they lend themselves to similar backstories. The difference, of course, is that because cities are full of people, rogues end up having to navigate that as well, lying and stealing their way to survival rather than foraging and hunting. In Divergence this is echoed with Fiedra's role. Asmodeus tells her there is no home for her in a world that isn't burning. That isn't true, in the end, and never was. She is quick to find a home in Torm's Hill as a protector - just as a ranger maps out the uncharted wilderness and cuts new paths through dangerous terrain, she and the roaches become protectors, and do the dirty and unpleasant work that often entails. The ranger can make a home anywhere; the rogue can keep it safe.
Can we talk about how extraordinary Fiedra Marrow is?
She lost her parents young. She grew up on the streets learning to be ruthless and cunning to survive. To move in shadows and to prioritize herself over all others.
And yet, when she’s likely scarcely more than a child herself she finds an egg, and instead of cooking it or selling it or doing anything else, Fiedra—who does not need to do this, who cannot afford to do this, who has every reason in the world to turn her back—decides for whatever reason to take this egg into her care. And it hatches into a little baby dragonborn with some birth anomalies, including a complete inability to use his breath weapon.
And Fiedra, who has been taught by the world to be ruthless and selfish, who is a survivor, who can barely care for herself, who is barely into adulthood herself, chooses to care. She chooses to raise this dragonborn because who else would? Crueler people who would use him and turn him into what she’s become, that’s who.
So she raises him, and leads her gang, and then they all get arrested and sent to Rybad Kol where they make their way into running the kitchens rather than being trapped in the laboring pits. Likely because Fiedra is a fast-talker, is ruthless and cunning.
And because she knows what will happen to Crokas if he’s in the pits. Let’s be clear. If the gang were in Rybad Kol for around 5 years, and Crokas is just entering adulthood as a dragonborn when the campaign starts, then he was probably around 10 when he went to prison. He became an adult in prison, and his mother—to protect them both from people looking to stamp out hope—only ever referred to him as her bodyguard. So he became a bodyguard: a massive creature fully capable of incredible violence. But Fiedra still emphasizes his other qualities. She has to use his strength for violence sometimes, but she clearly never wants that to be all he is. They have to survive, but she is most proud when he carries children and the weak. When he uses his strength for kindness. And she did raise a fundamentally kind man, who sits down and cries after performing overwhelming violence. She always looks carefully to see if he has enough before she steals. She always makes sure she takes care of him, and he learned to take care of her in return. He learned that taking care of people IS LOVE and IS FAMILY.
And when she’s finally given the opportunity to be kinder, to make Torm’s Hill a better and kinder community than any she’s ever been a part of, she speaks out. She uses her words to inspire the other commoners around her. She starts to step up and become a leader, just as much as Garen did.
And when someone threatens that new community, who proposes that he simply recreate the old hell with him in charge, she cuts out his tongue. Because Fiedra Marrow understands that the world can be harsh and cruel. And when she is able she will choose kindness, but much as Nia now understands, when a person decides to make themselves an obstacle to a kinder world, that obstacle needs to be pushed aside.
God I love her, and this party, and I wish we could spend an entire long-form campaign with them, seeing them continue to grow and become the leaders of a new and perhaps kinder world.
Critical Role Moodboards: Rei'nia Saph
"In all of the vastness of realms divine, no gift was greater than one mortal life with you."
Thimble, Thimble!!! My darling girl!!!
i'm so invested in them 😭💖 the not-couple of all time tbh
based off a screenshot of aabria and liam!
they gave us so many good halsha moments in the convergence episodes :') thank youuuu aabria and liam!!! 🙏🙏
From Critical Role C3EP113
Robbie tries to romance Liam, yet again
THE MIGHTY NEIN (PLUS ESSEK) + greek gods (VOX MACHINA VERSION)
VOX MACHINA + greek gods (THE MIGHTY NEIN VERSION)
OH STOP IT
Y'know tlovm writers happiness doesn't hurt. you could give your audience some happiness, as a treat.
"What would your campaign 1 character think of your campaign 4 characters?"
Question asked in today's eccc that I really loved, so I felt like I had to share the answers:
Grog: "That's one big kitty!"
Keyleth: "Those are two big titties!"
Allura: "Oh, gods, no, not him."
Vex: "Could I offer you a job?"
Vax: "Yes, please."
Scanlan: "Sure, I'd hit it."
Pike: "Everlight, please help this woman."
Percy: "Let's put that in a box and throw it into the sea."
And what if I said that S4 of tlovm confirmed that Pike and Scanlan are the Orpheus and Euridice of critical role because Scanlan is Orpheus who was a poor bard who lost the love of his life to the whims of a man who defies death and Pike is Euridice who was taken advantage of by a man who promised her safety and a world without pain
…hey…this is a sensitive topic for me, why did you make this connection that works so well-