Tomokazu Matsuyama (Japanese, b. 1976), Failing Passage, 2016. Digital print in colour on Canson paper, 48 x 33 cm.
i don't do bad sauce passes
occasionally subtle
KIROKAZE
Not today Justin
Mike Driver
ojovivo

Discoholic 🪩
I'd rather be in outer space 🛸
Today's Document
sheepfilms
2025 on Tumblr: Trends That Defined the Year

@theartofmadeline

shark vs the universe
AnasAbdin
Cosmic Funnies
Aqua Utopia|海の底で記憶を紡ぐ
taylor price

Product Placement

#extradirty

⁂
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@sometinybirds
Tomokazu Matsuyama (Japanese, b. 1976), Failing Passage, 2016. Digital print in colour on Canson paper, 48 x 33 cm.
Dexter Dalwood (British, b. 1960), Lux, 2018. Oil on canvas, 182 x 228 cm.
Enoc Pérez (Puerto Rican, b. 1967), Lever House, 2005. Watercolor on paper, 152.4 x 104.5 cm.
During her lifetime, Elizabeth Catlett achieved international fame for her powerful explorations of race, class, and her own African American female identity. As a young woman, she studied art in the United States during the Great Depression of the 1930s. At that time, art with a social message became particularly relevant, with the US government supporting public art through the Works Progress Administration and other programs. Learn more about her work in our online exhibition “Artist in Focus: Elizabeth Catlett.”
“Sharecropper,” 1952, by Elizabeth Catlett © Catlett Mora Family Trust / Licensed by VAGA, New York
“…and they’re still doing the same thing nowadays…” [x] [x]
-Malcolm X, 24th/June/1963-
“Every portrait is an example of: I once existed–and looked like this.”
— John Berger, Ways of Seeing (via heteroglossia)
Solovki, White Sea, Russia, (dogs on motorcycle). Photo by Pentti Sammallahti, 1992
me, begging, tears in my eyes: please. please just tell me what the book is about. the plot. please
a book annotation on the cover, unfazed: A Subversive Masterpiece. A Deep And Touching Story. The New York Times Bestseller. Go Fuck Yourself
Cathy McMurray “Pink Moon” 2013-2014
“That moon
which the sky never saw
even in dreams
has risen again .”
-Rumi
just found out that i'm ugly! can't say i didn't expect it. nonetheless, i'm still disappointed.
The Constellations of Summer, Kazu Saitou
Harold Ancart (Belgian, b. 1980), Untitled, 2016. Oilstick and graphite on paper mounted on panel, 42 x 52 in.
Petr Belenok (Ukranian, 1938-1991), Untitled, 1980s. Tempera and mixed media on fibreboard.
via jareckiworld
nikolawashere: By Nikola Pavlinovic (me)