sorry, beatrice.

-- -- -- . . . .  k. davis. hudson valley, new york.

[sorrybeatrice]

Hilma af Klint :: Art Gallery NSW

The Swan no. 1

[sorrybeatrice]

Two swans turn into four swans. As if each swan yearned for time but time just multiplied into other swans. In a moment, everything will try to be red, and it will look like fall again. The trees take care of their own salvation, wrote Charles Wright. But we keep cutting them down while they are kneeling. Fifty-three falls doesn’t seem like many chances to save the trees. Maybe salvation is the leaves falling off, the moment of detachment, the first drift in wind. Maybe memory takes care of itself once we stop trying to save it. The fact that they’re not the same leaves returning and falling each year means God moves around. Maybe God too is in search of salvation. I have cheated, I have looked ahead. In a few more paintings, the swans will no longer resemble swans. Then we are all cheaters. We are born knowing our endings. Once I waited for my mother to tell me what the blood meant. In my memories, my mother never speaks. So I still don’t know what the blood meant. We have seen blood so many times, yet it still surprises us. Maybe the blood was telling us we were fine without beauty. That we were fine giving birth to time. In a few more months, I will no longer be able to bleed. The bed will be already locked. I can’t wait to change my point of view from flesh to wind.

-The Swan, No. 6 (Hilma af Klint) by Victoria Chang

[sorrybeatrice]

the trip (2019)- dir. eileen myles

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when the great fires were lit on the other side of the ocean- Weston olencki

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[psikonauti]

Julia Soboleva (Latvian,b.1990)

[sorrybeatrice]

pauline caulfield's apt. (i love the green painting w/ the little red forms that are organic + gravity bound, sitting with shoulders touching- so intimate)

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Tau Lewis (Art 21)

[sorrybeatrice]

Faye Wei Wei, Lion Paw (Anemones and Lovers)

émergent magazine in conversation with contemporary artist Faye Wei Wei

Faye Wei Wei’s Anemones and Lovers

Youth and pop culture provocateurs since 1991. Fearless fashion, music, art, film, politics and ideas from today's bleeding edge. Declare In

[anthropoetics]

faye wei wei, i've always been a weeper at the cinema, 2019

[sorrybeatrice]

faye wei wei

[sorrybeatrice]

fishmans - weather report

[sorrybeatrice]

seaweed

“"There are heroes in the seaweed. There are children in the morning." --Suzanne , Leonard Cohen.   I have always had a thing for sea

[sorrybeatrice]

Ichiko Aoba - NTS Session

[sorrybeatrice]

Luiz Bonfá - Introspection - 1972

01 – Enchanted Mirror 02 – Summertime Love 03 – Reflections 04 – Conerto For Guitar 05 – Rain 06 – Leque 07 – Missal 08 – Adventure In Space

[sorrybeatrice]

Hong Hong. Selection from All the Light in a Vivid Dream series, 2017. Kozo, repurposed paper, dust, sun, water; 150 × 140 in. Photographer: John Groo. Courtesy of Artist and Real Art Ways (Hartford). © Hong Hong.

[sorrybeatrice]

"Tree Botan"

Toshiko Takaezu

Date : 1973 Medium : Acrylic on canvas Dimensions : Height - 47 15/16 inches x Width - 35 7/8 inches (121.5 x 91 cm) Collection : Private Collection Photo credit : Courtesy of the Honolulu Museum of Art, Honolulu, HI

[kizzyhall]