Gabriel von Max (1840-1915) “The Anatomist” (1869) Oil on canvas Located in the Bavarian State Painting Collections, Munich, Germany
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Gabriel von Max (1840-1915) “The Anatomist” (1869) Oil on canvas Located in the Bavarian State Painting Collections, Munich, Germany
Cassini Mission: What’s Next?
It’s Friday, Sept. 15 and our Cassini mission has officially come to a spectacular end. The final signal from the spacecraft was received here on Earth at 7:55 a.m. EDT after a fateful plunge into Saturn’s atmosphere.
After losing contact with Earth, the spacecraft burned up like a meteor, becoming part of the planet itself.
Although bittersweet, Cassini’s triumphant end is the culmination of a nearly 20-year mission that overflowed with discoveries.
But, what happens now?
Mission Team and Data
Now that the spacecraft is gone, most of the team’s engineers are migrating to other planetary missions, where they will continue to contribute to the work we’re doing to explore our solar system and beyond.
Mission scientists will keep working for the coming years to ensure that we fully understand all of the data acquired during the mission’s Grand Finale. They will carefully calibrate and study all of this data so that it can be entered into the Planetary Data System. From there, it will be accessible to future scientists for years to come.
Even beyond that, the science data will continue to be worked on for decades, possibly more, depending on the research grants that are acquired.
Other team members, some who have spent most of their career working on the Cassini mission, will use this as an opportunity to retire.
Future Missions
In revealing that Enceladus has essentially all the ingredients needed for life, the mission energized a pivot to the exploration of “ocean worlds” that has been sweeping planetary science over the past couple of decades.
Jupiter’s moon Europa has been a prime target for future exploration, and many lessons during Cassini’s mission are being applied in planning our Europa Clipper mission, planned for launch in the 2020s.
The mission will orbit the giant planet, Jupiter, using gravitational assists from large moons to maneuver the spacecraft into repeated close encounters, much as Cassini has used the gravity of Titan to continually shape the spacecraft’s course.
In addition, many engineers and scientists from Cassini are serving on the new Europa Clipper mission and helping to shape its science investigations. For example, several members of the Cassini Ion and Neutral Mass Spectrometer team are developing an extremely sensitive, next-generation version of their instrument for flight on Europa Clipper. What Cassini has learned about flying through the plume of material spraying from Enceladus will be invaluable to Europa Clipper, should plume activity be confirmed on Europa.
In the decades following Cassini, scientists hope to return to the Saturn system to follow up on the mission’s many discoveries. Mission concepts under consideration include robotic explorers to drift on the methane seas of Titan and fly through the Enceladus plume to collect and analyze samples for signs of biology.
Atmospheric probes to all four of the outer planets have long been a priority for the science community, and the most recent recommendations from a group of planetary scientists shows interest in sending such a mission to Saturn. By directly sampling Saturn’s upper atmosphere during its last orbits and final plunge, Cassini is laying the groundwork for an potential Saturn atmospheric probe.
A variety of potential mission concepts are discussed in a recently completed study — including orbiters, flybys and probes that would dive into Uranus’ atmosphere to study its composition. Future missions to the ice giants might explore those worlds using an approach similar to Cassini’s mission.
Learn more about the Cassini mission and its Grand Finale HERE.
Follow the mission on Facebook and Twitter for the latest updates.
Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com.
asexual: [reading war and peace] me, wearing only a g-string and a see-through chainmail bra: [smacks war and peace out of their hands] go watch some porn you geek ass bitch
[...] toda guerra utiliza ya armas que se vuelven contra el que las empuña.
Levinas, Emmanuel. Totalidad e Infinito.
El arte de prever y ganar por todos los medios la guerra -la política- se impone entonces como el ejercicio de la razón. [...]En la guerra, la realidad desgarra las palabras y las imágenes que la disimulan, para imponerse en su desnudez y su dureza. Dura realidad (¡suena a pleonasmo!), dura lección de las cosas.
Levinas, Emmanuel. Totalidad e Infinito.
La guerra no es sólo una más -la mayor- entre las pruebas de que vive la moral. Lo que hace es volver la moral irrisoria.
Levinas, Emmanuel. Totalidad e Infinito.
Atmospheric Apocalyptic Digital Art from Alex Andreyev
Hello, my name is Alex Andreyev. I’m an artist living in Saint - Petersburg. I’ve been drawing, painting and doing graphic design over last 20 years. My last project is an animated film “Koo! Kin-Dza-Dza” (senior concept artist), the winner of the Asia Pacific Screen Awards 2013 (best animated film). You can buy all my pictures in a high resolution for print on my site - alexandreev.com/
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More Animated Artwork Wonderfulness from Gui Guimaraes -aka Moonlightorange ( Tumblr link )
Fantastic digital painting from Gui, you can watch his process on https://youtu.be/WxMDAR8BaHo
Gui is from Quebec, Canada
He also is on DeviantArt and Artstation
I have posted Gui before but couldn’t resist these latest animated artworks :)
Ученым удалось впервые получить фото кота Шредингера в момент перехода между квантовыми состояниями….
Scientists were able to obtain for the first time the photo of the Schrodinger cat at the moment of transition between quantum states ….
On June 1, 2004, an 11-year-old Japanese schoolgirl, whose real name was never disclosed due to her young age, brutally murdered her classmate, Satomi Mitarai, in an empty classroom during lunch by slashing her throat and arms with a box cutter. She then abandoned Satomi’s body and returned to her classroom, her clothes soaked in blood. The girls’ teacher, who had noticed that both were missing, came across the body and immediately called police. After being taken into custody, the girl reportedly broke down and repeatedly said, ‘’I am sorry, I am sorry’’ to police. Initially, she refused to reveal what the motive for the murder was, but eventually confessed that Satomi had slandered her, making remarks on her weight and calling her a ‘’goody goody’’. She was sentenced to two years of involuntary commitment and sent to a reformatory on September 15, 2004. She was afterward to an additional two years of involuntary commitment in September 2006.
From the late 1860s until 1974, several states had ‘’ugly laws’’ which made it illegal for ugly and disabled people to appear in public.
Is the desire for the other an appetite or generosity?
Emmanuel Levinas, quoted in The Erotic Life of Racism, Sharon P. Holland (42)
Victims of Typhoon Sendong. Top: A drowned family discovered under the waterlogged rubble. Bottom: A father cries as he clutches his drowned child.
I live in the bustling city of Metro Manila, which at this point seems to be lightyears and lightyears away from the tragedy in northern Mindanao. It’s not something I can easily grasp right now. The pictures above have gone viral through reblogs on Tumblr and shares on Facebook. These are the kind of pictures that we either look way too long at, only to quickly look away. But, why is that?
Emmanuel Levinas observes that in our quest for Being - with a capital B, pertaining to the pursuit of own’s one existence -, we fail to remember the beings - with a small B - that surround us, the existents that make up existence, the human beings in front of us, the Other.
One could call the poor the mythical Other. I add the qualifier mythical because we talk about them like they exist in another plane, the figment of a bourgeois imagination with philanthropic fantasies longing to be fulfilled. Everyday life assaults us with a reminder of their existence, but in the rush of things, they’re relatively easy to brush off; one can easily pretend to text or nap when a beggar comes knocking on our darkly tinted car windows, or look in the other direction at the sight of a family on a cardboard box, or stare unnaturally straight ahead to keep the street children that swarm you on the Katipunan footbridge on your peripheral vision as you make your way back to the safe haven of your blue and white campus.
These pictures became viral because they are such an affront to our modest, middle-class sensibilities. One does not open Facebook or Tumblr expecting to be greeted by such harsh reminders of the state of humanity elsewhere. It removes the safety net of anonymity, the same anonymity we relegate the Other to and the same anonymity we hide behind. Our phantoms have been unmasked, and while that which we have to face may not be pleasing or pleasant, face it we must.
There’s a Jewish story that talks about a mirror and a window. The mirror and the window are both made with the same basic material, glass. Through the window, we can see the others and are moved towards compassion and sympathy. But, covered in silver, the mirror reflects only one’s self and that which is self-centered and selfish.
Through these pictures, we are able not only to see the Other, but affirm the fact that the Other has a face, an identity, a life other than our own. Hopefully we see ourselves when we see the Other; after all, what is the good of Being if we are not being Good?
Ethics is not a reflexive activity, but an experience. It does not result from a line of reasoning. It is not deduced but experienced. With the perception of the Other, each one finds himself forced and obliged by the presence of the Other… The central fact - of ethics but also of humanity as such - is to be found in the presence of the Other who imposes himself in a mode very different from that of things.
The body of the Other signifies in itself in an originary manner. In its nakedness, its offered weakness, its incapacity to hide weakness, its capacity to hide its misery, the human body manifests at the same time that it is vulnerable and inviolable… The eruption of the Other by itself suffices then to found ethics and responsibility… This immediate corporeal meaning is what Levinas calls “the Face”.
It is not simply the human face, not even the expression of its features. The Face is the entire body of the Other insofar as human, insofar it directly addresses itself to me and bestows upon me a responsibility that I am not able by any means to cast away: “To see a Face is already to hear… ‘social justice’.”
According to Levinas, ethics presupposes that this experience is an upheaval: through the body, one approaches the infinity. This proximity is also a dispossession. The Face of the Other liberates me from myself, from my complacency, from the forms of closing up that make up for egoism, indifference, or even more radically, identity and subjectivity. The radical turning upside down develped in many ways by the thought of Levinas consists above all in affirming that the Other has priority over me. Ethics takes literally and seriously the banal formula of etiquette, “After you, please!”. Ethics takes this forrmula as the key of the world and makes it a rule of life.
“The Other Above Everything” by Roger-Pol Droit Published in Le Monde on January 6 2006 Translated by Dr. Leovino Ma. Garcia
TLDR; Get over your face long enough to see the face of others.
Obra: Western Christian Civilization Autor: León Ferrari Fecha: 1965 Estilo: Arte Conceptual Género: instalación #art #artlovers #ArteConceptual #ArteContemporaneo #posmo #posmodern #LeonFerrari #Instalacion #installation #Conceptual
Pintura: Sunset At Ivry (Soleil Couchant À Ivry) Autor: Armand Guillaumin Fecha: 1873 Estilo: Impresionismo Género: paisaje Localización: Museo de Orsay #art #pintura #arte #artlovers #sunset #impresionismo #galleryart #landscape #artes #gallery #estetica #sphaera #cultura #Culture #colores #Colors #Amazing
Sólo los muertos han visto el final de una guerra
George Santayana.