
blake kathryn
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oozey mess

Game Changer & Make Some Noise
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didn't mean to go for the dark academia vibes but natural lighting is hard to find â¨
Skardu
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i havenât had the time to read but i still carry my book with me hoping iâll be able to sneak in some chapters đ
I sometimes have a hard time trying to figure out fictional names for places or characters. I feel like using the same name like, letâs says Max or Jason, is too boring. Any tips on how to create the perfect name for a small town or new character?
Naming Towns
Sometimes I mix two real small town names that I like together.Â
Ex. âFort Worth, TXâ + âGolden, COâ = âFort GoldenââColorado Springs, COâ + âWinslow, AZâ = âWinslow Springsâ
Which, in actuality, is just taking city âprefixesâ and âsuffixesâ and adding other city names to them. Some of these include:
_____ Springs
Fort _____Â
_____ Creek
_____ Hill
-town/-ton
-ville
West/North/East/South _____Â
_____ Bay
San/El/Las +applicable Spanish word or name
-folk
-dale
-land
_____ Summit
+field
_____ Valley
I would just look at the Google Maps of the region (if present world) that your story takes place in. See what kind of patterns you pick up. For example, Texas has a lot of weird spellings and Colorado has a lot of mountain-related words.
Another thing I use is really old, really rare names for towns.Â
 Naming Characters
If itâs present world-set, look up the census list of most popular names for the year the character was born. You donât have to use any, but it will give you a sense of what kinds of names were popular.
If youâre really looking for less common names, Nameberry.com has tons of lists for that.Â
Here is their page of Unusual, Rare, and Unique Names listsAnd the page of Cool Names listsAnd Vintage lists
ââWrite what makes you blushâ is my favorite writing advice. It comes from the brilliant non-fiction writer, Lee Kofman, but it translates well into other genres. Writing horror? Write what you fear! Your book is science fiction? Write what makes your inner science fan excited! Regardless of genre, you can draw on your personal knowledge, experiences and emotions to fuel your writing. It could really make a difference to how readers engage with your work and how well they relate to your characters.â
â
Katya de Becerra was born in Russia, studied in California, immigrated to Australia in 2006, and now lives in Melbourne. She earned a PhD in Anthropology from the University of Melbourne. She is a mentor with 1st5Pages Writing Workshop, where she provides free critique to help foster new writing talent. Released in 2018, her debut novel What The Woods Keep is a genre-bender combining mystery, science fiction, and dark fantasy. Her second novel Oasis is forthcoming in 2020. Follow @KatyaDeBecerra on Twitter.
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Let's see what he was talking about that day... Ah yes, "Visual Silence" a term I had looked so hard for, but couldnât find, not in a book or a web page, not until a lecture delivered by our history teacher. It is not an official term, at least in the context of our conversation. It was around those days, some years apart. Was it early October? Or was it the mid? Was it October at all? Was the party over or was it starting? These things remain as uncertain now as they were unimportant then. The important thing was, that he was talking to me. He wanted to see me again. His name could conjure up a thousand images in my mind then. Today, I canât even picture his face. What did he look like? Of course, I know the factual details, his height, complexion, the color of his eyes. But I canât remember the way his eyes would react when I teased him, or the way his mouth curved when he smiled, or the way his lips parted when he laughed, the way his Adamâs apple moved when he swallowed, the way he would hold his cigarette or give me a side smile when he was about to tease me. He did all of those things in his own way, I have told myself these stories so many times that I know them like the table of two, at the tip of my tongue but not all the way into my heart anymore. And yet they're still there. Everything, as if it were yesterday. Paradox? Maybe. But why is it still here after all this time? Why can I still feel the chill in the air but not his warmth, as I talked to him that day. The conversation had moved to "Silence and Understanding". I remember the silence but where is the understanding? "What it means to look at someone and 'Know', without either of you uttering a single word", he was saying. I can still hear the people in the background but not his voice, the song playing on the cafeteria speakers but not the sound of his breath. The merriment of a party, but not the sound of the fading smile in his voice. Was it before or after the party? And now I remember, it was the mid of December, It was a cold, dull day. I saw the dog running astray. Then he turned to me, and I could so well see, The mischief in his eyes, in an innocent guise. I said, "Let him come", and you began to hum. The dog came close, even closer came his nose. It was cold and wet, but you lost the bet. "I told you, I wasnât afraid", oh the face you made; You gave me the money. Was that day sunny? Do I still remember, that cold and bleak December?
#Queen #Victoria #Portrait #Watercolor https://www.instagram.com/p/Bk0UWQWjzkj/?igshid=1rjrif6ldhagt
People I #Minimalist #Portraits #Pencil #WordsmithDiaries https://www.instagram.com/p/B0HCU0QHq46/?igshid=35jck2l9242a
âA wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other.â - Charles Dickens, A Tale of Two Cities
â âI find television very educating. Every time somebody turns on the set, I go into the other room and read a book.â â Groucho Marx
I absolutely had to share this quote when I came across it because it is SO RELATABLE to me! Usually when my husband turns on the TV in the evenings, I will bury my nose in a book.
Itâs not that I donât enjoy watching television, because I do on occasion. It just has to be something I REALLY want to watch and is typically something based off a book. đ
Anyway, hereâs a photo of a few books Iâm looking forward to reading. I paired them with a yummy cup of Hobbitâs Second Breakfast English breakfast tea. I honestly cannot remember which subscription box I got it from, but I finally got around to brewing a pot and it turned out lovely. đ
What are some book-based TV shows that you enjoy watching?
Lessons from Cinema
What I learned about Design from Wes Anderson
"How well does it engage?â Is the question that determines how successful a design is. This constant change of trends makes design one of the most difficult fields to master. Keeping up with these ever-changing trends can sound intimidating if you don't know what to look for and where to look for it.
I struggled with this most of my life, until I realized that everything around me was about design and could thus teach me what I wanted to learn. As a cinema enthusiast, I started to look for these elements in film.Â
The first one that comes to mind when talking about design is Wes Andersonâs Moonrise Kingdom. Here is why:
Visual Allure
The first thing that draws you in, is the visual aspect. Color and composition are among the most important elements in design. Andersonâs use of a specific color palette evokes certain moods; the dusty pastel colors with a tint of yellow remind us of carefree childhood days. The play of composition is very interesting too. Every frame of the film is perfectly curated to give an illusion of memory. Memories filter out peripheral details which is exactly what Anderson does with the clean frames.
Manipulation of the Senses
Aside from the jukebox style scores that he is famous for, Anderson engages the sensory experience through sound and visuals in such a way that these elements aid in evoking relevant implied sounds, scents and tastes. The movement and selective details give off a tactile feel. For example, the subtle yet constant use of yellow brings the quiet summer afternoons to mind; you can feel the heat, smell and taste the summer air. The textures of waves from a distance or the rustling of grass are enough to imply their accompanying sounds. Successful design engages all the senses.
Simplicity
Good design is all about simplicity. The easier it is to grasp the more successful it is. Anderson works with simple frames, leaving easy to decipher clues. One such example is his use of patterns. It makes for a good literary and visual device; conveying repetition and fixations of certain characters, all the while adding to its visual language; easy to see and understand. This visual device coupled with simple comical dialogues is enough to convey the seriousness that lies at the base of the story.
Psychological Tools
By putting the story in the hands of children, Anderson shifts the entire focus of his film. The confusion of children becomes the confusion of the audience and they stay engaged for the length of the film.
Good design is about effective communication, what I love about Andersonâs work is that he takes you to his desired destination without making you aware of how he does it. He gives a sensory experience that incorporates all of the principles of good design.
How to Look at Abstract Art
Abstract art is difficult to wrap your head around. Don't worry, I have good news: You don't have to. My four years at the most prestigious art college of the country taught me that.
In Pakistan, the gap between the artist community and the general public is drastic. Artists are considered eccentrics by the public and in turn the artist community looks down on the general public. Of course, there are no absolutes. But even the grey areas fall near the two extremes of the spectrum. So how do we bridge this gap? By understanding that art is a collective experience; it does not belong solely to artists, the general public can understand even the most complex ideas. It is a process that involves both parties to create impact.
So how do we go about understanding the awe-inspiring (read: confusing) Abstract Art? It is very simple actually. Donât. Just observe. When you stand in front of an artwork long enough, you begin to see different things. There are certain aspects however, that you need to keep in mind when you look at work. They will help you develop an understanding of your tastes in art. Every artist and every viewer who âunderstandsâ art considers these points:
Presentation: How it looks plays an important role in its readability.
Composition: Everything that goes into its visual reading comes under the banner of composition. The shape, size, colors, texture, paint application, how elements are placed etc.
How do the visual elements look together? Do shapes, colors, textures remind you of anything? This is the beauty of art, there are as many interpretations as there are people. There are no rights and wrongs. Whatever meaning you derive from the work is correct.
Does it make you feel anything? Not all artworks will resonate with you and that is okay. But as humans we have an affinity to creativity and everyone finds something that resonates with them if they look for it.
In short, the question one must ask is how and not why. Because the how is what paves way for its why. When you develop an interest in how the work came into being. All of the other answers follow shortly after. When art is considered a collective experience, it has the ability to move mountains. The journey from the artistâs mind to the viewer completes this process. Â
In conclusion, I would say that there is no such thing as pure abstract art. Every idea, every work that has ever come into being was derived from some aspect of reality. In fact, the more abstract a concept is, the deeper it is rooted in reality, whether it is internal or external doesnât matter. The good thing though, as a viewer, you get to decide what that reality is.