The Phantom Ship, Atlantic Ocean by Frank Wilbert Stokes
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The Phantom Ship, Atlantic Ocean by Frank Wilbert Stokes
Hand painted tin ships, German made for US market, early 20th century
Golden Hind, by Charles Lundgren, 1983
Gloire- the French first (semi) Ironclad
France unnerved neighbouring Great Britain when it presented its wooden, steam-powered, screw driven warship - the 90-cannon Le Napoleon - in 1850. The French continued to build more steam-powered wooden ships of the line and added eight more Le Napoleon-class warships, while converting another twenty-eight sailing frigates and liners to steam propulsion as well. This inevitably forced the British in a frenzy to overbuild their French counterparts for the control of the oceans. Thus Britain succeeded in building eighteen new wooden steamships, all of which were of its own production, and forty-one older ships were converted to steam propulsion to further strengthen its maritime stability. Such warships were extremely capable, albeit somewhat cumbersome, machines capable of engaging an enemy from a distance with powerful shipboard cannons and of getting close to enemies with wooden ships that still used wooden hulls. Steam-powered ironclads were able to maintain their speed even in combat conditions because they did not require wind power in their sails as their main propulsion.
French ironclad La Gloire, 1860
The French authorities knew that they could not compete directly with UK ship production, so a new initiative was needed. During the Crimean War, France witnessed the success of French and British steam-powered iron-hulled barges with their paixhans ( rifled cannons firing explosive grenades) against Russian embankments. Thus, in 1857, the design of a new class of ship that would challenge the powerful British fleet fell to the famous French naval architect Dupuy de Lome.
La Gloire, 1860 photograph, by “La Royale” Jean Randier
One of these ships was the Gloire ( Glory ) the first ironclad frigate . Even though she had no real iron hull. She was built in Toulon in 1858, and was fitted with an iron keel and frames, but her planking was wooden, with a layer of iron on top of the planks. As expected from the industrial age, de Lome did not count much on the comfort of the crew below deck, so that the ventilation was bad at best - her boilers and steam engines produced a lot of heat and pushed the smoke within the limits of the ship. Oil lamps were still needed for lighting, and this only contributed to the rising internal temperatures, which were further insulated by the iron plates covering the hull. The gun ports were located close together, making the gun deck a little crowded for gun control. The sails were upgraded from the original arrangement of a barkentine sail rigging to a square rigged bark design. While their main means of propulsion was steam, her captain could rely on the wind power in her sails in an emergency (full confidence in the engines was not yet available at that point in history) or combine both methods to achieve maximum effect during the voyage. This always brought her a top speed of 11 knots.
Model of La Gloire, which was presented at the 1867 World Exposition in Paris
She served in the French Navy for nine years before undergoing a thorough overhaul and being rearmed. When she was rearmed, her original thirty-six muzzle loading cannons were replaced by the 8 x 239 mm BL Model 1864 and 6 x 193 mm BL Model 1866 cannons.
When La Gloire was launched in France, the British Admiralty had already heard about it and promptly ordered the construction of two ironclad ironclad ships and four iron hulled ships. With the launch of the HMS Warrior - an iron-hulled ship - the La Gloire became obsolete and her reign as mistress of the sea lasted only one year.
La Gloire 1858 (above) and HMS Warrior 1860 (below)
The rush to build her and her sister ships with unseasoned timber - a practice adopted throughout the French shipbuilding initiative - eventually led to maintenance problems, including frequent repairs, dry rot and higher operating costs for the French government. La Gloir had only been in service for two decades before being broken up in 1883.
Lighthouse Keeper Hat, owned by Orren "Pete" Young, early 20th century
He served as the first head lighthouse keeper at Split Rock Light Station. A former sailor, Young began his lighthouse career in 1901 serving along Lake Superior’s Michigan coast. In 1910 Young moved to the new Split Rock Lighthouse. His family, a wife and four children, would come to live at the lighthouse in the summer months but never lived there permanently. In the later years of his career, they lived in a year-round home 20 miles south of Split Rock in Two Harbors. Young retired at the mandatory age of 70 in 1928.
Rooms in a Lighthouse
Although the buildings of lighthouses differ depending on their location and purpose, they generally have common components. However, a distinction must also be made between a lighthouse station consisting of the lighthouse and all the outbuildings such as the lighthouse keeper's house, the fuel house, the boathouse and the building for fog signalling, i.e. a land station, and an inhabited lighthouse as it was found at sea.
Sections of Bell Rock and Skerryvore Lighthouses, date 1884
Skerryvore is a remote reef that lies off the west coast of Scotland, 12 miles (19 kilometres) south-west of the island of Tiree. Skerryvore is best known as the name given to the lighthouse on the skerry, built with some difficulty between 1838 and 1844 by Alan Stevenson.
The Bell Rock Lighthouse, off the coast of Angus, Scotland, is the world's oldest surviving sea-washed lighthouse. It was built between 1807 and 1810 by Robert Stevenson on the Bell Rock (also known as Inchcape) in the North Sea, 11 miles (18 km) east of the Firth of Tay. Standing 35 metres (115 ft) tall, its light is visible from 35 statute miles (56 km) inland.
If you are only dealing with an inhabited tower, you usually have the following rooms in it. Please note that, apart from the lantern room, there is no standardised scheme and the rooms were often arranged differently.
The lantern room is the glazed housing at the top of the lighthouse that contains the lamp and the lens. The glass panes are held in place by vertical or diagonal metal rungs. A lightning conductor and an earthing system, which are connected to the metal roof of the dome, ensure that any lightning strikes are safely discharged.
Sections of the Eddystone Lighthouse of 1759 and 1884
Immediately below the lantern room is usually a guard room where fuel and other supplies were stored and where the keeper prepared the lanterns for the night and often kept watch. The clockwork (for turning the lenses) was also located there. On a lighthouse there is often an open platform, the gallery, outside the watchroom (main gallery) or the lantern room (lantern gallery). It was mainly used to clean the outside of the lantern room windows. Below this was a living room, bedroom, possibly a separate kitchen, if not a cooking area was accommodated in the living room. In addition, there were often several storage rooms, an oil room (where the oil for the lantern were storaged) and a coal room. And if you're wondering where the bathroom was - well there wasn't one, there was a wash bowl, possibly a wooden tub for an occasional bath, but rarely, and chamber pots in the bedroom.
Life in a lighthouse at sea was not easy and managed to bring many an old sea dog to his knees. The lighthouse keepers on land had it much easier.
Raden Saleh (Indonesian, ca. 1811–1880), "Ships on a Stormy Sea" (details), 1840
Sandstorm at Sea - The British Fleet off Alexandria by Montague Dawson
Torpedoboote beim Evolutionieren by Claus Bergen
Ships in a calm night, by Ivan Konstantinovich Aivazovsky, 1888
Frederic Edwin Church. Detail from Aurora Borealis, 1865.
Diptych dial with compass for latitude 49° North. This square, ivory dial consists of two leaves that fold flat when not in use. Leaf Ia contains a combined nocturnal and universal equinoctial dial surrounded by a compass rose showing 32 points with a fleur-de-lys for North. On leaf Ib is a universal equinoctial dial inside of which is a silver lunar volvelle. The remainder of the leaf is decorated with a view of a harbour, possibly Dieppe, and ships and dolphins.
This piece was made by David Asselinne, 1650-1700
The 'Prudence' Prize at Barnstaple Quay, 1590, by Mark Richard Myers (1945-)
Detail from a 1565 map by Sebastião Lópes (?–1596) depicting a Portuguese nau (carrack)
Full size replica of the Mathew. John Cabot sailed the Mathew, a caravel, to the east coast of Canada in 1497.
Caravels had a low draught and lanteen or triangular sails with a weight of about 80 tons.
Revolutionary Frigate - The painting depicts a frigate of the new Colonial Navy in 1776, by Patrick O’Brien (1960-)
Steam warship, by unknown, late 19th century