JAWS (1975) dir. Steven Spielberg + cinematography | part 2/7
almost home
Aqua Utopia|海の底で記憶を紡ぐ
I'd rather be in outer space 🛸
Misplaced Lens Cap
Show & Tell
Claire Keane
trying on a metaphor

@theartofmadeline
🪼
Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH

shark vs the universe

pixel skylines

⁂
macklin celebrini has autism

Product Placement
Sweet Seals For You, Always
RMH
No title available
todays bird

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seen from United States
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@sterlingpiper
JAWS (1975) dir. Steven Spielberg + cinematography | part 2/7
Pretty in pink
Natalie Wood (Maggie Dubois) - The Great Race, 1965, Dir. Blake Edwards
Because she’s mesmirizing…
I have something to say! It’s better to burn out than to fade away!
Highlander (1986) dir. Russell Mulcahy
Let me tell you something, pendejo…
THE BIG LEBOWSKI (1998)
Joshua Snow
dani verges watercolor 2022
On the Plains, Sunset, Albert Bierstadt
Medium: oil,panel
On the Plains, Sunset, Albert Bierstadt
Medium: oil,panel
167 - The Life Aquatic with Steve Zissou
We’ll get you a red cap and a speedo for this week’s episode, becuase we’re talking about Wes Anderson for the first time with The Life Aquatic with Steve Zissou. The follow-up to Anderson’s first Oscar-nominated film The Royal Tenenbaums put Bill Murray front and center in the year after Murray almost won Best Actor for Lost in Translation. But critics were far less kind to this film than Anderson’s previous efforts (it remains his only rotten movie on RT), and voters looking to reward Murray for his previous loss were met with a more caustic and off-putting character than hid lauded “sad Murray” era.
This episode, we look back at how Murray was shockingly snubbed for Anderson’s Rushmore and the ebbs and flows of Anderson’s career in relation to audience/critic perceptions. And since no performance in a Wes Anderson film has ever landed an Oscar nomination, we pick our top 5 performances in his films we think are most deserving.
Topics also include Seu Jorge’s David Bowie covers in Portuguese, whether or not Ray is appropriately categorized as a musical, and which performance in The French Dispatch has the best chance at a nomination.
Links:
The 2004 Oscar nominations
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Wind River, Wyoming, 1870, Albert Bierstadt
Medium: oil,canvas
Twilight in the Wilderness, 1860, Frederic Edwin Church
https://www.wikiart.org/en/frederic-edwin-church/twilight-in-the-wilderness-1860
“Blue & blue world” by | Wasabi Tool
Tsurumi Ryokuchi Park, Osaka, Japan