Sam Taylor-Wood, 2007
taylor price

祝日 / Permanent Vacation

PR's Tumblrdome

Origami Around

Discoholic 🪩

Janaina Medeiros
Jules of Nature
"I'm Dorothy Gale from Kansas"
I'd rather be in outer space 🛸

Kaledo Art
occasionally subtle
No title available
will byers stan first human second

blake kathryn

JVL
Three Goblin Art
art blog(derogatory)

ellievsbear
Claire Keane
No title available

seen from United States

seen from United States

seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from Malaysia

seen from United States

seen from United States

seen from United Kingdom

seen from Germany

seen from United States
seen from Greece
seen from Türkiye

seen from India
seen from United States
seen from Netherlands

seen from United States
seen from Netherlands
seen from Azerbaijan
@studiobk-blog
Sam Taylor-Wood, 2007
Moss:
- interacts with CO2 and rocks - some types of moss emit a scent - often considered a weed - how can I incorporate this into a work?
make a scent from it? display it on stone? collect more strips of it?
moss
Recent research show that ancient moss could explain why the Ordovician ice ages occurred. When the ancestors of today's moss started to spread on land 470 million years ago, they absorbed CO2 from the atmosphere and extracted minerals by secreting organic acids that dissolved the rocks they were growing on. These chemically altered rocks in turn reacted with the atmospheric CO2 and formed new carbonate rocks in the ocean through the weathering of calcium and magnesium ions from silicate rocks. The weathered rocks also released a lot of phosphorus and iron which ended up in the oceans, where it caused massive algal blooms, resulting in organic carbon burial, extracting more carbon dioxide from the atmosphere. Small organisms feeding on the nutrients created large areas without oxygen, which caused a mass extinction of marine species, while the levels of CO2 dropped all over the world, allowing the formation of ice caps on the poles.
Works to show at crits
- Images of trees wrapped + armature + string from one tree - Oil and bundle of twigs - Muslin cloth work soaked - Papier-mache work? - preserved stick work
Post-meeting
To do: - make larger jar of oil and bundle of plants - wrap 2 more trees
Wk 5 Tree Wraps
Week 5
To Do
- Wrap 2 more trees - Design string holder for the wall - Tend to compost (add soil/paper) - Perfume work: what will go in it? will muslin/string soak in it? or will it be in it’s raw form?
Feedback
- Wall assemblage is a bit museumy - pins are too gallery-like, generic - Too many like things together - Paper-mache > preservation, protection - Crits: be open to response - a ‘pause’ - Does it matter if things are harmed when ‘collecting’ from them? - Things that transform > lively (compost) - Shifting states, states of life and death > merging/harder to discern - Assemblage of humans and non-humans
Artists to Look at
Dan Bell
Things to Do
- place papier mache balls under thread - finish wrapping tree - re-make perfume > sterilise jar and decide what scent > rock? - place something in dirt? muslin? - collect moss > place - collecting rain >
SubmissionFriday:
“You’re Free” Mixed Media on Paper 22" x 30" kindah khalidy 2015.
Eva Hesse
Several - Eva Hesse, 1965
Eva Hesse Contingent, 1969
Repetition Nineteen III, Eva Hesse, July 1968. Fiberglass and polyester resin.
From Eva Hesse: A Retrospective by Yale University Art Gallery, 1992.
(Scanned and submitted by jon-garcia)