tfw ur sink paints better than u
sheepfilms
No title available
Keni
The Bowery Presents
Lint Roller? I Barely Know Her

blake kathryn
KIROKAZE
Phantogram Three

oozey mess
let's talk about Bridgerton tea, my ask is open
Claire Keane

Love Begins
Fieri Frames

PR's Tumblrdome
occasionally subtle
art blog(derogatory)
One Nice Bug Per Day

izzy's playlists!
Sade Olutola
almost home
seen from Lebanon
seen from Spain
seen from Honduras

seen from United States

seen from United States
seen from Indonesia

seen from Malaysia

seen from Netherlands
seen from United Kingdom
seen from Brazil
seen from Mexico
seen from Brazil
seen from United States

seen from United States

seen from United Kingdom
seen from Portugal

seen from United States
seen from United States
seen from Indonesia

seen from United States
@sunandseaandyou
tfw ur sink paints better than u
Henri Matisse Nus (c. 1905-1906) painted and glazed ceramic, unique, H: 53 cm
Siouxsie Sioux, Montfort Hall, Leicester, 1980, by Dawkeye
“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
this is why performance art is important
So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.
I want you to think about what you said.
What you keep saying.
What you are telling your children.
You are making them powerless.
that last comment. actually crying.
We talked about this piece in my performance art class over in school. It was fascinating at first, but as she explained what people started to do to her as the performance continued the entire class was horrified. I remember specifically the artist explaining how one person took the rose she had on the table and gently brushed it’s petals across her face, then a handful of minutes later someone took that very rose and stuck it to her skin by its thorns.
It applies to so many things in life. Bullying, abuse, trauma, and even everyday life. Muggings, robberies…so many things. What people will do is insane.
This is an extremely powerful and important piece. Even if you are not very interested in performance art or art ta all, please, read this one. Please.
It holds a very important message about people.
Salvador Dali - The Eye of Time and Ruby Lips brooches created in 1941
Saint Laurent F/W 2014
Valentino S/S 2015 RTW
can ur child serve like this
oh my fucking god
D Y I N G
Grimes, Pitchfork 2014
she’s not actually a person but a force of nature
Christopher Owens by Hedi Slimane
1973, in Japan
M.I.A. writing her album “Arular” - 2004