Suzi Q Smith

Janaina Medeiros

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@suziqsmith
Suzi Q Smith
It started with a simple tweet and grew into one of the largest (and most peaceful) protests this week.
âEva Lewis is someone you should know. She and three other black teenage girls were the driving force behind Mondayâs massive sit-in protest in Millennium Park and subsequent march to protest gun violence and police brutality in Chicago.The event to âbreak the divide between communities, and bring youth from all areas of Chicago in solidarity with Black Lives Matter,â drew more than 1,000 people and the attention of local and national mediaânot bad for a group of 16- and 17-year-olds who organized the whole thing on social media. â
via @rookiemag
Why do we accept this sort of thing? We have numerical superiority-but they have guns and money. And then the righteous don't like to cut throats, so we languish in misery.
George Jackson, Soledad Brother
After one concedes that racism is stamped unalterably into the present nature of Amerikan sociopolitical and economic life in general (the definition of fascism is: a police state wherein the political ascendancy is tied into and protects the interests of the upper class-characterized by militarism, racism, and imperialism), and concedes further that criminals and crime arise from material, economic, sociopolitical causes, we can then bum all of the criminology and penology libraries and direct our attention where it will do some good.
George Jackson, Soledad Brother
Editorâs Pick opens Feb 20:
âA New Republicâ Â Kehinde Wiley
Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY
Wileyâs signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives. The exhibition includes an overview of the artistâs prolific fourteen-year career and features sixty paintings and sculptures. Â - thru May 24
A poem I wrote about Timberlake 3 years ago . . . still relevant.
Dear Justin,
 Hey.
I want to tell you
the truth. âSuit and Tieâ
was my jam for a little bit.
 And really, I appreciate
the Michael Jackson callbacks
in âTake Back the Nightâ, but I wonder -
how many of your young fans
even know
that they are Michael Jackson callbacks?
How does Janet feel about you
and this ripping off?
 Not to call you
a thief, but when they call you Elvis Presley
in your dreams, do you wake up sweating
or smiling?
 Justin,
you might not know this,
but âTake Back the Nightâ
is the name of an organized movement
to end sexual violence.
 Since 1975, young organizers
around the country have been rallying together
and screaming in the streets
until the fear and danger quiet,
a flame sinking into an old candle.
 So naturally, I am wondering
who you, a straight cis-gendered white male,
are taking back the night from
exactly? Â
 Has there been some shadow
stalking your shine, some dark
you are aiming to snatch at,
when you say âtake it overâ, do you mean
to pass
between your left
and right hands
or are you simply asking us
to dance? c. 2013 Suzi Q. Smith
When Sky News went to Bournemouth to ask the locals about their views on immigration.
These are the type of people who voted leave.
They in America too.
Jesus fucking Christ
Do we have any foreigners in the audience tonight? If so, please put up your hands. Wogs I mean, I'm looking at you. Where are you? I'm sorry but some fucking wog...Arab grabbed my wife's bum, you know? Surely got to be said, yeah this is what all the fucking foreigners and wogs over here are like, just disgusting, that's just the truth, yeah. So where are you? Well wherever you all are, I think you should all just leave. Not just leave the hall, leave our country. You fucking (indecipherable). I don't want you here, in the room or in my country. Listen to me, man! I think we should vote for Enoch Powell. Enoch's our man. I think Enoch's right, I think we should send them all back. Stop Britain from becoming a black colony. Get the foreigners out. Get the wogs out. Get the coons out. Keep Britain white. I used to be into dope, now I'm into racism. It's much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don't belong here, we don't want them here. This is England, this is a white country, we don't want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don't want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he's a great man, speaking truth. Vote for Enoch, he's our man, he's on our side, he'll look after us. I want all of you here to vote for Enoch, support him, he's on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!
ERIC CLAPTON, 1976.
This kind of rhetoric and ideology had a lot to do with how Brexit happened. It reminds me of the secession of the Confederate states, which led to the U.S. civil war.Â
23/30 - National Poetry Writing Month
the night prince died,
my daughter tried to make me smile.
i was too deep in pondering immortality,
wondered about the stretch of an echo,
the music of dark matter,
muted piano keys,
the memory of how itâs supposed to sound
even when a voice is drowning.
 the night prince died,
i called the homegirls.
i could not bear the company
of those who might question my grief.
we gathered around the fire pit
under the full moon
and drank and laughed
and cried and remembered
and danced and kissed babies
together in our heavy.
 the night prince died,
i had a sex dream about questlove.
our bed became a stage.
my breasts were exposed.
we had an audience.
i didnât mind.
we knew everything was ours
and theirs, too,
the weakness of this desperate want,
it would have been selfish to lock the doors.
  c. 2016 Suzi Q. Smith
More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
Joan Miro  (via wnq-art)
On Rachel Dolezal: Come See Me or You Ainât Gotta Lie to Kick It or Go âhead on and Write That Book but Send Me the Royalties
Lord knows I did want to talk about you.
Did not want to write this poem.
You have already taken enough from me.
But every time your face shows up on my news feed
a fury awakens in my blood and curls my fingers into fists.
 You are a thief, Rachel.
People think itâs funny to tell me you look like me.
You should look like me.
You wore me as a costume.
Funny how you chose my identity to cloak that white guilt
or whatever it is you working with.
Ionno. Â Iâm not a therapist.
 You really tried it, Rachel.
Tanned it up just to achieve my shade of light skinneded as a motherfuck.
I just think itâs funny how you could take me off when you feel like it.
 You know all them sideways glances black people be givin when you show up in black spaces (I know you know), but the thing is
you supposed to get them looks,
all those question marks people give me are for you.
Here. Â You can have them. Â I got questions too.
 You know I got the side-eye from everybody in the beauty shop
the day after your story broke?
Like they ainât had their own hands all up and through these naps for years?
Like they ainât walk me through my journey from the relaxer to the realest fro?
Like they ainât do my cousins and my daughterâs hair too?
 Now you selling books, Rachel? Â
Bish, is you even a writer though? Â
You ever carved ink from your flesh to map out a plan for survival?
Had to spell out and memorize words that will save your life?
 My father is black, Rachel.
Both of his parents are black, Rachel.
All of their parents were black, Rachel.
All of their parents were slaves, Rachel. Â
What that ancestry do, Rachel?
 What you know about these generations of blood and scab?
What you know about descending from people that survived it to make you?
What you know about blackness that you ainât choose?
 I understand a complex racial identity, Rachel.
You ever taken a fist to the jaw for it?
Had your eyes blackened?
You ever had somebody call you a nigger to your face and mean it?
Feel your lineage tremble with thirst?
 I know how to fight, Rachel.
Been doin that shit since forever.
You ever had to bust somebody upside they head?
Snatch your hair from they scalp?
Snatch your story out they mouth?
 - Suzi Q. Smith
The problems of racial injustice and economic injustice cannot be solved without a radical redistribution of political and economic power.
Dr. Martin Luther King, Jr. , âThe Three Evils of Society,â 1967
âA nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death.â
â Dr. Martin Luther King, Jr. âBeyond Vietnam,â 1967
In honor of the guilty verdict in the #DanielHoltzclaw trial.
when you realize that you are out of deodorant
but remember in your bathroom drawer you have that natural deodorant
and you donât remember why you ever stopped using it
it has natural aloe and tea tree oil
and must be naturally good for the skin
and somewhere in the mid-afternoon
you raise your natural arms in your natural dance moves
in the kitchen after you successfully wash all the dishes
and catch a sniff of your own, natural, citrus-sharp funk
and remember as sharply as the scent why you stopped
using that natural deodorant and remind yourself
to take your natural behind to the store.