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Antonio Rizzi, Cover for “Novissima”, 1902

laclefdescoeurs

Strike of the Ballerinas, Nicolaas van der Waay

wehadfacesthen

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Pascal Campion on Instagram

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renaissance-art

Details of foliage in the Unicorn Tapestries

nevver

Color blocking, Julieanne Kost

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Eugenia Zoloto was fortunate to be introduced to many creative outlets when she was a little girl, and, in her shop Art Hearts, you can see just how talented this Ukrainian artist is. Based on her daedal illustrations, she uses surgical precision to finalize her paper cuts.

Drawing inspiration from her daughter, Amelia, as well as a fairytale like connection with the natural world, her works bridge the world of magic with everyday life.

Visit Eugenia’s Etsy shop to see more large and affordable small paper art

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Harbingers of the Resurrection, Nikolai Ge

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Rob Mallet-Stevens. Album “A Modern City”, 1922. Pochoir coloured plates. London, Benn Brothers, Via Nosbüsch-Stucke

“In 1911, he began publishing pochoir drawings of modern villas and other buildings in a geometric style influenced by Josef Hoffmann, Frank Lloyd Wright and Charles Rennie Mackintosh. These led to the influential album. Unlike Le Corbusier, Mallet-Stevens had no interest in radicalizing the urban plan. He simply took each of the standard buildings of the modern town, from the fire station to the individual house, and applied a ‘modern’ style to it. It is possible, however, that these illustrations proved much more influential for contemporary architects than Le Corbusier’s austere urban and architectural projects.” (Charlotte Benton, Art Deco 1910-1939, V&A)