Louise Bourgeois, What is the Shape of This Problem?, 1999, lithography and letter press, series of 9 (x)
Not today Justin

tannertan36
2025 on Tumblr: Trends That Defined the Year

ellievsbear
No title available

Discoholic 🪩

Andulka

if i look back, i am lost

blake kathryn
cherry valley forever
Monterey Bay Aquarium
TMBGareOK. The Official They Might Be Giants tumblr
🪼
Doug Jones

Love Begins

Product Placement
Show & Tell
Cosimo Galluzzi

❣ Chile in a Photography ❣
Xuebing Du
seen from United States
seen from Malaysia

seen from Netherlands
seen from United States

seen from Poland

seen from Germany

seen from Malaysia

seen from Poland

seen from United States
seen from Greece
seen from Russia
seen from China
seen from Spain

seen from Malaysia
seen from Vietnam
seen from Vietnam

seen from Türkiye
seen from Canada

seen from Germany
seen from Thailand
@artessenziale
Louise Bourgeois, What is the Shape of This Problem?, 1999, lithography and letter press, series of 9 (x)
Linda Montano and Tehching Hsieh, Art/Life: One Year Performance 1983-1984 (Rope Piece). For one year, the two artists remain tied together at the waist by an eight foot rope. They are not allowed to touch one another.
From a 1984 interview with Alex and Allyson Grey:
A&AG: Now that you’ve been tied together for almost a year, how do you feel about each other?
TH: I think Linda is the most honest person I’ve known in my life and I feel very comfortable to talk—to share my personality with her. That’s enough. I feel that’s pretty good. We had a lot of fights and I don’t feel that is negative. Anybody who was tied this way, even if they were a nice couple, I’m sure they would fight, too. This piece is about being like an animal, naked. We cannot hide our negative sides. We cannot be shy. It’s more than just honesty—we show our weakness.
LM: Tehching is my friend, confidant, lover, son, opponent, husband, brother, playmate, sparring partner, mother, father, etc. The list goes on and on. There isn’t one word or one archetype that fits. I feel very deeply for him.
Edward Hopper Loneliness
New York Office, 1962
Eleven A.M., 1926
Automat, 1927
Summertime Interior, 1909
Compartment C, Car 193, 1938
Lady Reading Book Hotel Room, 1931
August by Mary Oliver / Sorrowing Old Man (At Eternity's Gate) by Vincent van Gogh, 1890
Hilma af Klint, The Swan (1915)
Louise Bourgeois - Weaving (2001)
Berthe Morisot (French, 1841 - 1895): Jeune fille cueillant des fleurs (1890s) (via Sotheby’s)
Ana Mendieta: Fuego de Tierra (Kate Horsfield; Nereyda Garcia-Ferraz; Branda Miller, 1987)
Spring, doves & flowers 🌼🕊️
Art by Eugéne Bidau (French, 1839-1899)
Tejida abstracción. Teresa Lanceta, Texts by Antoní Marí, Eduardo Scala, Marta González, and Teresa Lanceta, Museu Tèxtil, Terrassa/Museo de Teruel/Museo de Arte Moderno, Ibiza, 2000
Kusama: Infinity (Heather Lenz, 2018)
Art by Gustave Doré.
Kaye Donachie
Nelly Agassi - Palace of Tears, 2002
HOW COME ONLY THE UNBORN HAVE THE RIGHT TO LIFE? Barbara Kruger 1992
Hilma af Klint, The Swan (1915)
the final four rooms of my series! figured i might as well post ‘em as a set since they all got done around the same time