outofwcrkâ:
Itâs not that Jennifer likes to be âhandled.â Itâs just that she doesnât know how else to get the attention she so desperately and constantly needs. Really, sheâd like to be self sufficient. There has, as long as she can remember, been an alternate version of herself whose life plays parallel to reality in her head.Â
The Other Jen is grounded and successful and she doesnât need to call her agent in the middle of the night, and sheâs sure as hell not a 50 year old woman who still bites her nails like a teen.Â
Even in spite of such a rousing speech â a speech worthy of a smile, at least, if not a hearty cheer â Jenniferâs brows do their best Botoxed impression of anxiety.  âI donât knowâŠâ Under the low light in the kitchen Alan looks old and she wonders, fleetingly, not even long enough to really register it as a thing sheâs thinking, how much of it is her fault. Is she the reason he got kind of fat?Â
âNo, I mean â I do know,â she takes her thumb out of her mouth and nods. âYouâre right. I know youâre right. You always are.â And she says that purely to fluff his ego but Jennifer isnât even self aware enough to register her manipulations as such. She thinks sheâs being nice.Â
âI just feel so lost. They sent me this scene with her kid and itâs like â sheâs just so awful to him. Like I feel like it would have been better if sheâd have just eaten him on his way out of the womb like Tasmanian Devils do, yâknow? I just â I canât relate.â She puts a hand up, as if protesting her own flood of trite cliches. âI can figure it out. I think running it against someone will help.âÂ
When she looks at him it is with an overeager nervousness. âThank you for coming,â Love me, love me, love me. Something in her chants it all day long. Alan doesnât even think sheâs a good person. She does charity work and sheâs a good mom but all Alan has ever seen is â the bad parts of her. âWhat were you doing when I called? I hope I didnât â tear you away from anything important.â She offers him a sweet smile that worked better to charm when she was 30 years younger but itâs still got a little glow to it. Even tipsy, even in the middle of the night.Â
The vast and endless kitchen was all kinds of quiet in the aftermath of the Big Speech. It was kind of what happened when the heroine didnât fall into the heroâs arms, or the camera didnât cut away. Alan picked a butter knife out of the wooden rack, turning it over between his fingers, just to have an excuse to look away from the tiny, hopeful smile Jen was giving him. He could feel the point of the fish hook searching for purchase in his skin, a soft place to pierce.
She never did anything outright. It was always all apologies and helplessness, those thin white arms waving in the air like she needed someone to pull her out from the quicksand. He knew that if he got any closer, sheâd wrap those arms around the back of his neck and draw him down with her.
Jen was addicted to drowning. She was just terrified of being alone.
âI was at a studio party. Itâs the usual. You know how it goes.â The lid of the jam jar twisted off with a pop and skittered a few inches down the counter. He didnât brush away her question, or say no, nothing important. He wanted her to know heâd been on the clock, working, and heâd come anyway. He wanted to drive it in that this wasnât some quiet, sleepy hollow: the talent got up at four in the morning, the management never slept. The new Netflix show was nothing unless they had her next thing lined up. âJudd and Paulâre doing another movie soon, we could break you into comedy.â The bread knife flashed as it went into the jam. It left uneven smears on the sliced bread, a layer that Alan concentrated on smoothing out. âWeâd have to balance it with Cold Blooded, of course, but the last thing we want is you to get pigeon-holed into dramaâŠ
âOh shiiit. You were saying something about Laura. Not being able to relate.â He smacked a palm to his temple in a seamless doy gesture, as if it had skipped his mind what sheâd been saying. âSorry. Sorry, my bad.â It spun the conversation around from Jen being on the back foot. No more room for Jen to be the distraught, self-involved one. Because, really, if she turned those oh-mama-I-did-a-bad-thing Bambi eyes on him for a second longer, he was not going to be responsible for his actions. In the morning, some daytripper would find him collapsed on the highway: Hollywood agent to the stars tries to walk all the way home, dies tragically and greatly mourned.
âWhereâs the script?â he asked. âCâmon. Youâre right. Letâs do it. Letâs run lines.â











