Unbetitelt

[sweetpepita]

[nikator]

Franz von Stuck, Cinderella, 1899.

[noirseptembre]

[sweetpepita]

[apuestoaquequieres]

Fernanda Tavares by © Jacques Dequeker

[portraituresque]

Henri-Ferdinand Bellan - Self-Portrait  

[flexcapacitorr]

Sharon Bruneau, 93 Ms. O

[hotchicksinlingerie]

[pinknumber5]

[lovelyskirts]

[so-sexy-and-hot]

[polkadotspretty]

Burg Hohenzollern Castle, Germany

Credit: @blueboy1103

[fleshisprison]

[fadeintoyou1993]

AVAN: The industry really only seems to respect a film about your identity. Like, if I wanted to make a film about being a mixed brown guy who wants to be an artist and then make up some shit about how my brown father doesn’t want me to but my white mother does, I could get that movie made in 35 seconds. But the central reason they’re making that film is to commodify our bodies, and I refuse to do that. Ironically though, that’s [a big theme] of the movie, but I refuse to sell myself to a studio that way. HAYLEY: I always feel like that too. I want to be like, “Let me just be in the movie and be Black. Don’t make me being Black the movie.” So what I loved about this was that it was just me as Mouse, and Mouse could’ve been anyone. It wasn’t about my struggle as a female and all that shit. It was just like real life.

AVAN JOGIA & HAYLEY LAW for Paper Magazine (May 2023) — story by Sandra Song, photography by Sam Ramirez

[dreamingdreamer2018]

[shelcierra]

Beach photoshoot with ShelCierra

[ashlee9700]