robbers ( balice )
BANG. i don’t want to do this anymore. BANG.
he’s breathing hard as they approach the liquor store, stopping to pull on their disguises before they reach the pool of light cast by the fluorescent shop sign. he tries to catch one last look at her face, pretty, picture-perfect, impenetrable. a face that belonged in the glossy pages of a magazine, eight inches by ten. a face he can’t leave alone, won’t leave him alone. a face that has the same power over him as her gun has over other people.
it slips under a mask made to resemble a white rabbit - he had told her they had to look inconspicuous, hard to describe, and what disguise does she pick? animal masks (her balaclava had chafed at her skin the last time, she says) - and a second later, his own face becomes a mournful stag.
the rabbit turns to face him for one, fleeting second, before it turns back and she walks into the store, gun drawn up.
BANG. just one more time. BANG. one last time. BANG.
he hasn’t been sleeping lately. keeps hearing sirens which frighten him awake. keeps dreaming of holding her body, riddled with bullets. but when he wakes up, she’s there, a cigarette drawn lazily between her lips before she plucks it out and places it between his.
(he never smoked before he met her. he doesn’t tell her this.)
it was fun, in the beginning, when it was a crazy idea that just happened to have escaped into reality. alice’s crazy idea. they were spinning each other around by the hand when she whispered it into his ear, the promise of giving each other the world. it was fun. in the beginning.
he still relents when she asks him for one last heist, will do anything if she’s the one asking. but it’s always one last heist with her. he’s not certain if there will ever be one last heist.
BANG. fine. BANG. one more time. BANG. just one more. BANG.
the stag stares back at him when he looks up at the mirror in the corner of the store, one of those mirrors that bulge outward and distorts reality, makes everything seem as though it is receding from one central point. the boy manning the till still hasn’t noticed them yet. god, he’s just a boy.
the other two people in the store, customers, also haven’t noticed them yet. a short, stocky man whose shoulders are so broad he has to squeeze himself in between the aisles, and a woman whose physical appearance is so ambiguous she could have been anything from twenty to forty-five. she is the first one to realise, shrieking and shrinking back as she catches sight of the rifle in alice’s arms. the man looks up at this and backs into a shelf in alarm, causing a line of snack bags to cascade onto the floor.
the boy is the last to notice, and by then alice is already charging straight at him, mouthing off as she orders him to open the till, don’t call for help or i’ll shoot you. bambi keeps his eyes trained on the customers, wary should they do something, the man with the broad shoulders especially.
suddenly, he can hear sirens. is he dreaming again? he can see the flash-flash-flash of the police lights in the store window, and his heart is pounding harder than it ever has before. how are they going to get out of this, how were the police here so quickly?
BANG. the police are here. BANG. alice, what do we do? BANG. just shoot them too! BANG.
he isn’t the only one becoming hysterical, he can see it in alice’s eyes (if not her whole face, obscured as it is by the mask) and in the way her hands are trembling as she grips the rifle. “what did you do, you idiot, what did you do?! i told you not to-” BANG. the boy goes down.
the woman is screeching, the man bolting for the door. BANG BANG. both of them go down. and suddenly there’s gunshots ringing everywhere and they can’t possibly all be from alice’s gun, the store window shatters and that’s when he realises, and he runs at alice, preparing to bring her down to the ground.
BANG. everything’s gone wrong. BANG. what are you doing? BANG. bambi, BAMBI... ?! BANG. BAMBI!
he’s groaning on the floor of the store now, holding his hand to his side. he’s not sure, but he thinks that’s alice he can hear, voice high and hysterical. something warm is dripping out from between his fingers. she’s pulling him towards the back of the store, probably hoping for an alternate way out, and bambi struggles to support himself, face scrunched up in pain.
they’re stumbling out the back way, and there’s police cars here too, but somehow, by some fucking bizarre stroke of luck, alice manages to get them running through an alleyway the police haven’t blocked, an indirect route to where they parked their get-away van. her voice is a mantra as she helps him into the back, gets into the front; her mask has fallen off and the look on her face is killing him faster. the van peels away from the curb.
BANG. stay with me. BANG. stay with me, stay, stay, stay, stay, stay. BANG.











