#1823

[nemfrog]

Foxes above and wolves below. 伝神開手一筆画譜 : 全 / [葛飾北斎]. A Picture Manual for Capturing the Spirit with a Free, Single Brushstroke. 1823. Katsushika Hokusai.

Gallica

[ltwilliammowett]

Navigational Notebook with Hand-drawn Maps and Ship Illustrations, Salem, New Jersey, 1823, by Captain George T. Boon (1805-1849)

[historical-fashion-polls]

which outfit would you rather wear? (ca. 1822-1823)

left 💜

right ❤️

Voting ended onMay 22

submitted by @edwardian-girl-next-door 💜❤️

[zegalba]

Utamaro Kitagawa: Ehon Mushi Erami (1823)

[edwardian-girl-next-door]

Evening dress, 1822-24

Pale orchid silk satin, lined with silk and net; appliqué; piping; ribbon.

via v&a museum

[doyoulikethischaracterdesign]

McGinnis (Post Redesign) from Deadlock

"She's like if Rosie the Riveter was even stronger and an active part of the military industrial complex, also she has a giant mini gun and missile launcher backpack, which is awesome"

Do you like this character design?

Yes

No

It's Complicated

Voting ended onMay 22

[jeannepompadour]

Portrait of Catherine Sergeyevna Avdulina by Orest Kiprensky, 1822-23

[chic-a-gigot]

Journal des Dames et des Modes, Costume Parisien, 30 avril 1823, (2148): Chapeau de crêpe. Robe d'étoffe de Lyon brochée. Colerette gauffrée. Collection of the Rijksmuseum, Netherlands

Standing woman with a crepe hat on her head. She wears a dress with long sleeves of brocaded 'etoffe de Lyon'. Collar with 'gauffrée'. Shoes with square toes. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.