Acrobats Balance On Top Of The Empire State Building, c. 1934.
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“One of the marvelous things about that marvelous thing the novel is its many-voicedness, its polyphony. All kinds of people get to think, feel, and talk in a novel, and that great psychological variety is a part of the vitality and beauty of the form. It might seem that the writer needs a gift of mimicry, like an impersonator, to achieve this variety of voices. But it isn’t that. It’s more like what a serious actor does, sinking self in character-self. It’s a willingness to be the characters, letting what they think and say rise from inside them. It’s a willingness to share control with one’s creation.”
— Ursula K. LeGuin, Steering the Craft









