March 22nd, 2026: First Reformed (Paul Schrader, 2017, United States)
This is Paul Schrader's masterpiece. I'm not usually a fan of his ; his movies are very hit or miss (with a penchant for miss) and every time he expresses an opinion online I want to nuke him, but this is undeniably one of the best movies produced this century lmao.
The two most striking things to me about this movie is the cinematography and the writing, so let's talk about them.
The movie simply would not be as good if it wasn't for the 1.33:1 aspect ratio. It puts the character in a tight, almost oppressive box which mirrors the story of inescapable, impending doom. The camera almost never moves, it stays steady and has an almost impersonal relationship with the characters it's filming. When it does move, it is calm and purposeful. The colours are drab ; we're mostly dealing with greys and browns, and the few colours that do show up are watered down and drained of life. This works in the movie's favour, of course. I don't think you can make a movie about the rapid destruction of our planet in the name of greed and have every frame be vibrant and beautiful. The whole point is we've made our planet ugly and we've stolen what made her beautiful for ourselves after all. (I will be using the only colourful frame of the movie as my little picture here because it's objectively the best, but trust me the rest of the film looks sad and lifeless.)
The best part of this film, though, is the writing. A masterclass. The fact that this lost the Oscar for best original screenplay to fuck ass Green Book makes me feel violent. One of those situations that make the Academy look like an institution that does not deserve its reputation anymore. So, anyway, yeah, this is superbly written. I love the way Toller's illness and the destruction of the planet mirror each other ; we can try to ignore those problems, but they are inevitable and they will kill us in time. I love the philosophical and theological questions that are raised - will God forgive us? I love the framing of the small church that no one attends but that used to stand for what's right being controlled by the megachurch who is in cahoots with a giant, polluting corporation. Every one involved turning a blind eye, even going as far as saying, "We don't know what God's plan is, maybe he does want us to destroy his greatest creation," to look away from the involvement the church has had in this mass destruction. I love this line : "How often we ask for genuine experience when all we really want is emotion." Just incredibly layered and important and beautiful.